Simone Weil, 1921
|Born||3 February 1909
|Died||24 August 1943
Ashford, Kent, England
|Alma mater||École Normale Supérieure (BA/MA)|
|Political philosophy, ethics, philosophy of religion, philosophy of science|
|Decreation (renouncing the gift of free will as a form of acceptance of everything that is independent of one's particular desires), needs of the soul, uprooting, patriotism of compassion, abolition of political parties, the unjust character of affliction (malheur)|
|Part of a series on|
St. Catherine of Siena Receiving the Stigmata
by Domenico Beccafumi, c. 1513-15.
After her graduation from formal education, Weil became a teacher. She taught intermittently throughout the 1930s, taking several breaks due to poor health and to devote herself to political activism, work that would see her assisting in the trade union movement, taking the side of the Anarchists known as the Durruti Column in the Spanish Civil War, and spending more than a year working as a labourer, mostly in auto factories, so she could better understand the working class.
Taking a path that was unusual among twentieth-century left-leaning intellectuals, she became more religious and inclined towards mysticism as her life progressed. Weil wrote throughout her life, though most of her writings did not attract much attention until after her death. In the 1950s and 1960s, her work became famous on continental Europe and throughout the English-speaking world. Her thought has continued to be the subject of extensive scholarship across a wide range of fields. A meta study from the University of Calgary found that between 1995 and 2012 over 2,500 new scholarly works had been published about her. Albert Camus described her as "the only great spirit of our times".
- 1 Biography
- 2 Philosophy
- 3 Theology
- 4 Works
- 5 Legacy
- 6 Bibliography
- 7 See also
- 8 Notes and references
- 9 External links
Weil was born in her parents' apartment in Paris on 3 February 1909. Her mother was Saolomea Weil and her father Bernard was a medical doctor. Both were Alsatian Jews who had moved to Paris after the annexation of Alsace-Lorraine by Germany. Weil was a healthy baby for her first six months, until she had a severe attack of appendicitis—thereafter she struggled with poor health throughout her life. She was the second of her parents' two children; her older brother was mathematician André Weil, with whom she would always enjoy a close relationship. Their parents were agnostic and fairly affluent, raising their children in an attentive and supportive atmosphere.
Weil suffered some distress due to her father's having to leave home for several years due to being drafted in World War I. According to several Weil scholars, such as Eva Fogelman and Robert Coles, this experience may have been related to the exceptionally strong altruism displayed throughout her life. Weil acquired from her family home an obsession with cleanliness; in her later life she would sometimes speak of her "disgustingness" and think that others would see her this way, despite the fact that in her youth she was considered highly attractive. Despite the fact that Weil was generally highly affectionate, she almost always avoided any form of physical contact, even with female friends.
According to her friend and biographer, Simone Pétrement, Weil decided early in life that she would need to adopt masculine qualities and sacrifice opportunities to have love affairs in order to fully pursue her vocation to improve social conditions for the disadvantaged. From her late teenage years, Weil would generally disguise her "fragile beauty" by adopting a masculine appearance, hardly ever using makeup and often wearing men's clothes.
Weil was a precocious student, proficient in Ancient Greek by age 12. She later learned Sanskrit after reading the Bhagavad Gita. Like the Renaissance thinker Pico della Mirandola, her interests in other religions were universal and she attempted to understand each religious tradition as an expression of transcendent wisdom.
As a teenager, Weil studied at the Lycée Henri IV under the tutelage of her admired teacher Émile Chartier, more commonly known as "Alain". Her first attempt at the entrance examination for the École Normale Supérieure in June 1927 ended in failure, due to her low marks in history. In 1928 she was successful in gaining admission. She finished first in the exam for the certificate of "General Philosophy and Logic"; Simone de Beauvoir finished second. During these years, Weil attracted much attention with her radical opinions. She was called the "Red virgin", and even "The Martian" by her admired mentor.
At the École Normale Supérieure, she studied philosophy, earning her DES (diplôme d'études supérieures, roughly equivalent to an MA) in 1931 with a thesis under the title "Science et perfection dans Descartes" ("Science and Perfection in Descartes"). She received her agrégation that same year. Weil taught philosophy at a secondary school for girls in Le Puy and teaching was her primary employment during her short life.
Weil's most famous works were published posthumously.
She often became involved in political action out of sympathy with the working class. In 1915, when she was only six years old, she refused sugar in solidarity with the troops entrenched along the Western Front. In 1919, at 10 years of age, she declared herself a Bolshevik. In her late teens, she became involved in the workers' movement. She wrote political tracts, marched in demonstrations, and advocated workers' rights. At this time, she was a Marxist, pacifist, and trade unionist. While teaching in Le Puy, she became involved in local political activity, supporting the unemployed and striking workers despite criticism. Weil had never formally joined the Communist party, and in her twenties she became increasingly critical of Marxism. According to Pétrement, she was one of the first to identify a new form of oppression not anticipated by Marx, where élite bureaucrats could make life just as miserable for ordinary people as did the most exploitative capitalists.
In 1932, Weil visited Germany to help Marxist activists who were at the time considered to be the strongest and best organised communists in Western Europe, but Weil considered them no match for the then up-and-coming fascists. When she returned to France, her political friends in France dismissed her fears, thinking Germany would continue to be controlled by the centrists or those to the left. After Hitler rose to power in 1933, Weil spent much of her time trying to help German communists fleeing his regime. Weil would sometimes publish articles about social and economic issues, including Oppression and Liberty and numerous short articles for trade union journals. This work criticised popular Marxist thought and gave a pessimistic account of the limits of both capitalism and socialism. Trotsky himself personally responded to several of her articles, attacking both her ideas and her as a person. However, according to Pétrement, he was influenced by some of Weil's ideas.
Weil participated in the French general strike of 1933, called to protest against unemployment and wage cuts. The following year, she took a 12-month leave of absence from her teaching position to work incognito as a labourer in two factories, one owned by Renault, believing that this experience would allow her to connect with the working class. In 1935, she resumed teaching and donated most of her income to political causes and charitable endeavours.
In 1936, despite her professed pacifism, she fought in the Spanish Civil War on the Republican side. She identified herself as an anarchist and upon arriving in Spain, sought out the anti-fascist commander Julián Gorkin, asking to be sent on a mission as a covert agent, to rescue the prisoner Joaquín Maurín. Gorkin refused, saying she would almost certainly be sacrificing herself for nothing, as it would be most unlikely she could pass as a Spaniard. Weil replied that she had "every right" to sacrifice herself if she chose, but after arguing for more than an hour, she was unable to convince Gorkin to give her the assignment. Instead she joined a unit of the Sébastien Faure Century, which specialised in high-risk "commando"-style engagements.
The unit was part of the French-speaking section of the anarchist militia. From seeing her practice on makeshift shooting ranges, her comrades saw she was a very poor shot and tried to avoid taking her on missions, though she did sometimes insist. Her only direct participation in combat was to shoot with her rifle at a bomber during an air raid; in a second raid, she tried to man the group's heavy machine gun, but her comrades prevented her, as they thought it would be best for someone less clumsy and short-sighted to use the weapon. After being with the group for a few weeks, she burnt herself over a cooking fire. She was forced to leave the unit, and was met by her parents who had followed her to Spain. They helped her leave the country, to recuperate in Assisi. About a month after her departure, Weil's unit was nearly wiped out at an engagement in Perdiguera in October 1936, with every woman in the group being killed. On returning to Paris, Weil continued to write essays on labour, on management, war and peace.
Encounter with mysticism
Weil was born into a secular household and raised in "complete agnosticism". As a teenager, she considered the existence of God for herself and decided nothing could be known either way. In her Spiritual Autobiography however, Weil records that she always had a Christian outlook, taking to heart from her earliest childhood the idea of loving one's neighbour. Weil became attracted to the Christian faith beginning in 1935, the first of three pivotal experiences for her being when she was moved by the beauty of villagers singing hymns during an outdoor service that she stumbled across during a holiday to Portugal.
While in Assisi in the spring of 1937, Weil experienced a religious ecstasy in the Basilica of Santa Maria degli Angeli—the same church in which Saint Francis of Assisi had prayed. She was led to pray for the first time in her life as Cunningham (2004: p. 118) relates:
Below the town is the beautiful church and convent of San Damiano where Saint Clare once lived. Near that spot is the place purported to be where Saint Francis composed the larger part of his "Canticle of Brother Sun". Below the town in the valley is the ugliest church in the entire environs: the massive baroque basilica of Saint Mary of the Angels, finished in the seventeenth century and rebuilt in the nineteenth century, which houses a rare treasure: a tiny Romanesque chapel that stood in the days of Saint Francis—the "Little Portion" where he would gather his brethren. It was in that tiny chapel that the great mystic Simone Weil first felt compelled to kneel down and pray.
She had another, more powerful, revelation a year later while reciting George Herbert's poem Love III, after which "Christ himself came down and took possession of me", and, from 1938 on, her writings became more mystical and spiritual, while retaining their focus on social and political issues. She was attracted to Roman Catholicism, but declined to be baptized, preferring to remain outside due to "the love of those things that are outside Christianity". During World War II, she lived for a time in Marseille, receiving spiritual direction from a Dominican Friar. Around this time, she met the French Catholic author Gustave Thibon, who later edited some of her work.
Weil did not limit her curiosity to Christianity. She was keenly interested in other religious traditions—especially the Greek and Egyptian mysteries; Hinduism (especially the Upanishads and the Bhagavad Gita); and Mahayana Buddhism. She believed that all these and other traditions contained elements of genuine revelation, writing that:
Greece, Egypt, ancient India, the beauty of the world, the pure and authentic reflection of this beauty in art and science...these things have done as much as the visibly Christian ones to deliver me into Christ's hands as his captive. I think I might even say more.
She was, nevertheless, opposed to religious syncretism, claiming that it effaced the particularity of the individual traditions:
Each religion is alone true, that is to say, that at the moment we are thinking of it we must bring as much attention to bear on it as if there were nothing else ... A "synthesis" of religion implies a lower quality of attention.
In 1942, Weil traveled to the United States of America with her family. She had been reluctant to leave France, but agreed to do so as she wanted to see her parents to safety and knew they would not leave without her. She was also encouraged by the fact that it would be relatively easy for her to reach Britain from the United States, where she could join the French Resistance. She had hopes of being sent back to France as a covert agent. Weil lived briefly in the Harlem neighborhood of New York City, and is remembered[by whom?] to have attended daily Mass at Corpus Christi Church there, where the Columbia student and Trappist monk Thomas Merton had been received into the Catholic Church. She then went to London, where she finally joined the French Resistance.
Older biographies suggest Weil made no further progress in achieving her desire to return to France as an agent—she was limited to desk work in London, although this did give her time to write one of her largest and best known works: The Need for Roots. Yet there is now evidence that Weil was recruited by the Special Operations Executive, with a view to sending her back to France as a clandestine wireless operator. In May 1943, plans were underway to send her to Thame Park in Oxfordshire for training, but were cancelled soon after, as her failing health became known.
The punishing work-régime she assumed soon took a heavy toll; in 1943, she was diagnosed with tuberculosis and instructed to rest and eat well. However, she refused special treatment because of her long-standing political idealism and her detachment from material things. Instead, she limited her food intake to what she believed residents of German-occupied France ate. She most likely ate even less, as she refused food on most occasions. Her condition quickly deteriorated, and she was moved to a sanatorium in Ashford, Kent, England.
After a lifetime of battling illness and frailty, Weil died in August 1943 from cardiac failure at the age of 34. The coroner's report said that "the deceased did kill and slay herself by refusing to eat whilst the balance of her mind was disturbed".
The exact cause of her death remains a subject of debate. Some claim that her refusal to eat came from her desire to express some form of solidarity toward the victims of the war. Others think that Weil's self-starvation occurred after her study of Schopenhauer. (In his chapters on Christian saintly asceticism and salvation, Schopenhauer had described self-starvation as a preferred method of self-denial). However, Simone Pétrement, one of Weil's first and most significant biographers, regards the coroner's report as simply mistaken. Basing her opinion on letters written by the personnel of the sanatorium at which Simone Weil was treated, Pétrement affirms that Weil asked for food on different occasions while she was hospitalized and even ate a little bit a few days before her death; according to her, it is in fact Weil's poor health condition that eventually made her unable to eat.
Weil's first English biographer, Richard Rees, offers several possible explanations for her death, citing her compassion for the suffering of her countrymen in Occupied France and her love for and close imitation of Christ. Rees sums up by saying: "As for her death, whatever explanation one may give of it will amount in the end to saying that she died of love".
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Weil's philosophy contained elements of both spirituality and politics; she had both an intensely personal spiritual drive and a social philosophy that emphasized the relationships between individuals and groups. This intersection of thought developed in her an interest in healing social rifts of the proletariat and providing for the physical and psychological needs of humanity.
Lectures on Philosophy
Lectures on Philosophy is a compilation of the lectures that Weil composed for her lycée students. Focusing on the materialist philosophical project, she deals with truth not logically or scientifically but psychologically or phenomenologically. Here she discusses the conditions necessary for an experience of truth to emerge for the human subject, or for an object or concept to emerge as real within human experience.
However, she does not advocate a general theory of human "truth-production", justified by empirical observation. As distinguished from the writings of William James, Lectures describe the problem of truth as deeply personal, to be approached through introspection. Weil combines her background with idealist philosophy with an appreciation of the limits of foundationalism and produced writings such as the following:
Any proof of the syllogism would be absurd. The syllogism is, to put it briefly, nothing but a rule of language to avoid contradiction: at bottom the principle of non-contradiction is a principle of grammar.— Simone Weil, LP, p. 78
— Simone Weil, LP, p. 113
One can never really give a proof of the reality of anything; reality is not something open to proof, it is something established. It is established just because proof is not enough. It is this characteristic of language, at once indispensable and inadequate, which shows the reality of the external world.
Most people hardly ever realize this, because it is rare that the very same man thinks and puts his thought into action ...— Simone Weil, LP, p. 72–3
The Lectures go on to explore further the disjunction between planning and execution, which is brought about by the division of labor between designer (e.g., architect) and worker (e.g., bricklayer)—a division that leads to many societal difficulties and draws on Weil's encounters with the philosophy of Marx.[original research?]
Putting thought into action is further described in this way:
What marks off the "self" is method; it has no other source than ourselves: it is when we really employ method that we really begin to exist. As long as one employs method only on symbols one remains within the limits of a sort of game. In action that has method about it, we ourselves act, since it is we ourselves who found the method; we really act because what is unforeseen presents itself to us.— Simone Weil, ibid.
Mysticism in Gravity and Grace
While Gravity and Grace (French: La Pesanteur et la grâce) is one of the books most associated with Simone Weil, the work was not one she wrote to be published as a book. Rather, the work consists of various passages selected from Weil's notebooks and arranged topically by Gustave Thibon, who knew and befriended her. Weil had in fact given to Thibon some of her notebooks, written before May 1942, but not with any idea or request to publish them. Hence, the resulting work, in its selections, organization and editing, is much influenced by Mr. Thibon, a devout Catholic. (See Thibon's Introduction to Gravity and Grace (Routledge & Kegan Paul, 1952).)
T. S. Eliot's preface to The Need for Roots suggests that Simone Weil might be regarded as a modern-day Marcionite, due to her virtually wholesale rejection of the Old Testament and her overall distaste for the Judaism that was technically hers by birth. However, it has been pointed out[who?] that this analysis falls apart when it comes to the creation of the world, for Weil does not regard the world as a debased creation of a demiurge, but as a direct expression of God's love—despite the fact that she also recognizes it as a place of evil, affliction, and the brutal mixture of chance and necessity. This juxtaposition leads her to produce an unusual form of Christian theodicy. Her niece, Sylvie Weil, and biographer Thomas R. Nevin have sought, on the contrary, to demonstrate that Weil did not reject Judaism and was heavily influenced by its precepts.
Absence is the key image for her metaphysics, cosmology, cosmogony, and theodicy. She believed that God created by an act of self-delimitation—in other words, because God is conceived as a kind of utter fullness, a perfect being, no creature could exist except where God was not. Thus creation occurred only when God withdrew in part. Similar ideas occur in Jewish mysticism.
This is, for Weil, an original kenosis (emptiness) preceding the corrective kenosis of Christ's incarnation (cf. Athanasius). We are thus born in a sort of damned position not owing to original sin as such, but because to be created at all we had to be precisely what God is not, i.e., we had to be the opposite of what is holy. (See Apophatic theology.)
This notion of creation is a cornerstone of her theodicy, for if creation is conceived this way (as necessarily containing evil within itself), then there is no problem of the entrance of evil into a perfect world. Nor does this constitute a delimitation of God's omnipotence, if it is not that God could not create a perfect world, but that the act which we refer towards by saying "create" in its very essence implies the impossibility of perfection.
However, this notion of the necessity of evil does not mean that we are simply, originally, and continually doomed; on the contrary, Weil tells us that "Evil is the form which God's mercy takes in this world". Weil believed that evil, and its consequence, affliction, served the role of driving us out of ourselves and towards God—"The extreme affliction which overtakes human beings does not create human misery, it merely reveals it."
Weil's concept of affliction (malheur) goes beyond simple suffering, though it certainly includes it. Only some souls are capable of truly experiencing affliction; these are precisely those souls which are least deserving of it—that are most prone or open to spiritual realization. Affliction is a sort of suffering "plus", which transcends both body and mind; such physical and mental anguish scourges the very soul.
War and oppression were the most intense cases of affliction within her reach; to experience it, she turned to the life of a factory worker, while to understand it she turned to Homer's Iliad. (Her essay The Iliad or the Poem of Force, first translated by Mary McCarthy, is a piece of Homeric literary criticism.) Affliction was associated both with necessity and with chance—it was fraught with necessity because it was hard-wired into existence itself, and thus imposed itself upon the sufferer with the full force of the inescapable, but it was also subject to chance inasmuch as chance, too, is an inescapable part of the nature of existence. The element of chance was essential to the unjust character of affliction; in other words, my affliction should not usually—let alone always—follow from my sin, as per traditional Christian theodicy, but should be visited upon me for no special reason.
The man who has known pure joy, if only for a moment ... is the only man for whom affliction is something devastating. At the same time he is the only man who has not deserved the punishment. But, after all, for him it is no punishment; it is God holding his hand and pressing rather hard. For, if he remains constant, what he will discover buried deep under the sound of his own lamentations is the pearl of the silence of God.— Simone Weil, Gravity and Grace
The concept of metaxu, which Weil borrowed from Plato, is that which both separates and connects (e.g., as a wall separates two prisoners but can be used to tap messages). This idea of connecting distance was of the first importance for Weil's understanding of the created realm. The world as a whole, along with any of its components, including our physical bodies, is to be regarded as serving the same function for us in relation to God that a blind man's stick serves for him in relation to the world about him. They do not afford direct insight, but can be used experimentally to bring the mind into practical contact with reality. This metaphor allows any absence to be interpreted as a presence, and is a further component in Weil's theodicy.
For Weil, "The beautiful is the experimental proof that the incarnation is possible". The beauty which is inherent in the form of the world (this inherency is proven, for her, in geometry, and expressed in all good art) is the proof that the world points to something beyond itself; it establishes the essentially telic character of all that exists. Her concept of beauty extends throughout the universe: "we must have faith that the universe is beautiful on all levels...and that it has a fullness of beauty in relation to the bodily and psychic structure of each of the thinking beings that actually do exist and of all those that are possible. It is this very agreement of an infinity of perfect beauties that gives a transcendent character to the beauty of the world...He (Christ) is really present in the universal beauty. The love of this beauty proceeds from God dwelling in our souls and goes out to God present in the universe". She also wrote that "The beauty of this world is Christ's tender smile coming to us through matter".
Beauty also served a soteriological function for Weil: "Beauty captivates the flesh in order to obtain permission to pass right to the soul." It constitutes, then, another way in which the divine reality behind the world invades our lives. Where affliction conquers us with brute force, beauty sneaks in and topples the empire of the self from within.
- "In the decades since her death, her writings have been assembled, annotated, criticized, discussed, disputed, and praised. Along with some twenty volumes of her works, publishers have issued more than thirty biographies, including Simone Weil: A Modern Pilgrimage by Robert Coles, Harvard's Pulitzer-winning professor, who calls Weil 'a giant of reflection.'"
The Need for Roots
Simone Weil’s book The Need for Roots was written in early 1943, immediately before her death later that year. She was in London working for the French Resistance and trying to convince the leader of the French Resistance, Charles de Gaulle, to form a contingent of nurses that would serve at the front lines.
The Need for Roots has an ambitious plan. It sets out to address the past and to set out a road map for the future of France after World War II. She painstakingly analyzes the spiritual and ethical milieu that led up to France’s defeat by the German army, and then addresses these issues with the prospect of eventual French victory.
During her lifetime, Weil was only known to relatively narrow circles; even in France her essays were mostly read only by those interested in radical politics. Yet during the first decade after her death, Weil rapidly became famous, attracting attention throughout the West. For the 3rd quarter of the twentieth century, she was widely regarded as the most influential person in the world on new work concerning religious and spiritual matters. Her philosophical, social and political thought also became popular, although not to the same degree as her religious work.
As well as influencing fields of study, Weil deeply affected the personal lives of numerous individuals, Pope Paul VI for example said that Weil was one of his three greatest influences. Weil's popularity began to decline in the late sixties and seventies. However more of her work was gradually published, leading to many thousands of new secondary works by Weil scholars; some of whom focused on achieving a deeper understanding of her religious, philosophical and political work. Others broadened the scope of Weil scholarship to investigate her applicability to fields like classical studies, cultural studies, education and even technical fields like ergonomics. In 2010, Julia Haslett released the film An encounter with Simone Weil; she noted that Weil had become "a little-known figure, practically forgotten in her native France, and rarely taught in universities or secondary schools". However Weil's work has continued to be the subject of ongoing scholarship, with a metastudy finding that over 2500 new scholarly works had been published about her between 1995 and 2012.
Many commentators who have assessed Weil as a person were highly positive; many described her as a saint, some even as the greatest saint of the twentieth century, including T. S. Eliot, Dwight Macdonald, Leslie Fiedler, and Robert Coles. Weil biographer Gabriella Fiori writes that Weil was "a moral genius in the orbit of ethics, a genius of immense revolutionary range." In 1951 Albert Camus wrote that she was "the only great spirit of our times." Foolish though she may have appeared at times—dropping a suitcase full of French resistance papers all over the sidewalk and scrambling to gather them up—her deep engagement with both the theory and practice of caritas, in all its myriad forms, functions as the unifying force of her life and thought. Gustave Thibon, the French philosopher and close friend, recounts their last meeting, not long before her death: "I will only say that I had the impression of being in the presence of an absolutely transparent soul which was ready to be reabsorbed into original light".
Weil has however been criticised even by those who otherwise deeply admired her, such as Eliot, for being excessively prone to divide the world into good and evil, and for her sometimes intemperate judgments. Weil was a harsh critic of the influence of Judaism on Western civilisation, and an even harsher critic of the Roman empire, in which she refused to see any value at all. On the other hand, accordingly to Eliot, she held up the Cathars as exemplars of goodness, despite there being in his view little concrete evidence on which to base such an assessment.  According to Pétrement she idolised Lawrence of Arabia, considering him to be a Saint. A few critics have taken an overall negative view: several Jewish writers, including Susan Sontag, accused her of anti-Semitism, though this was far from a universal shared perspective. A small minority of commentators have judged her to be psychologically unbalanced or sexually obsessed. General Charles de Gaulle, her ultimate boss while she worked for the French Resistance, considered her "crazy", though even he was influenced by her and repeated some of her sayings for years after her death.
Works in French
- Simone Weil, Œuvres complètes. (Paris: Gallimard, 1989–2006, 6 vols.)
- Réflexions sur la guerre (La Critique sociale, no. 10, November 1933)
- La Pesanteur et la grâce (1947)
- L'Enracinement (1949)
- Attente de Dieu (1950)
- Lettre à un religieux (1951)
- Les Intuitions pré-chrétiennes (Paris: Les Editions de la Colombe, 1951)
- La Source grecque (Paris: Gallimard, 1952)
- Oppression et liberté (1955)
- Note sur la suppression générale des partis politiques (Paris: Climats, 2006)
Works in English translation
- Awaiting God: A New Translation of Attente de Dieu and Lettre a un Religieux. Introduction by Sylvie Weil. Translation by Bradley Jersak. Fresh Wind Press, 2012. ISBN 978-1-927512-03-6.
- Formative Writings: 1929–1941. (1987). Dorothy Tuck McFarland & Wilhelmina Van Ness, eds. University of Massachusetts Press.
- The Iliad or the Poem of Force. Pendle Hill Pamphlet. Mary McCarthy trans.
- Intimations of Christianity Among the Greeks. Routledge Kegan Paul, 1957. Elisabeth Chas Geissbuhler trans.
- Letter to a Priest. G. P. Putnam's Sons, 1954.
- The Need for Roots. Routledge Kegan Paul, 1952. Arthur Wills trans., preface by T.S. Eliot
- Gravity and Grace. Routledge & Kegan Paul, 1952. [Routledge Classics 2002. ISBN 978-0-415-29001-2]
- The Notebooks of Simone Weil. Routledge paperback, 1984. ISBN 0-7100-8522-2 [Routledge 2004. ISBN 978-0-415-32771-8]
- On Science, Necessity, & The Love of God. London: Oxford University Press, 1968. Richard Rees trans.
- Oppression and Liberty. Routledge Kegan Paul, 1958.
- Simone Weil's The Iliad or Poem of Force: A Critical Edition. James P. Holoka, ed. & trans. Peter Lang, 2005.
- Simone Weil: An Anthology. Sian Miles, editor. Virago Press, 1986.
- Simone Weil: First and Last Notebooks. London: Oxford University Press, 1970. Richard Rees trans.
- Simone Weil: Lectures on Philosophy. Cambridge University Press, 1978. Intro. by Peter Winch, trans. by Hugh Price.
- The Simone Weil Reader: A Legendary Spiritual Odyssey of Our Time. George A. Panichas, editor. David McKay Co., 1981.
- Simone Weil—Selected Essays: 1934–1943. London: Oxford University Press, 1962. Richard Rees trans.
- Simone Weil: Seventy Letters. London: Oxford University Press, 1965. Richard Rees trans.
- Two Moral Essays by Simone Weil—Draft for a Statement of Human Obligations & Human Personality. Ronald Hathaway, ed. Pendle Hill Pamphlet. Richard Rhees trans.
- Waiting on God. Routledge Kegan Paul, 1951. Emma Craufurd trans.
- Waiting For God. Harper Torchbooks, 1973. Emma Craufurd trans., with an introduction by Leslie A. Fiedler. ISBN 978-0-06-131903-7.
- On the Abolition of All Political Parties, Simon Leys trans., Melbourne: Black Inc., 2013. ISBN 9781921870903
Works in Arabic translation
- Mukhtarat of Simone Weil (Simone Weil, Anthology), Maaber Publisher, Damascus, 2009, translated by Mohamed Ali Abdel Jalil;
- Al Tajazzur (The Need for Roots or L'Enracinement), Maaber Publisher, Damascus, 2010, translated by Mohamed Ali Abdel Jalil;
- Bell, Richard H. (1998) Simone Weil. Rowman & Littlefield.
- ———, editor. (1993) Simone Weil's Philosophy of Culture: Readings Toward a Divine Humanity. Cambridge University Press. ISBN 0-521-43263-4
- Chenavier, Robert. (2012) Simone Weil: Attention to the Real, trans. Bernard E. Doering. Notre Dame, IN: University of Notre Dame.
- Davies, Grahame. (2007) Everything Must Change. Seren. ISBN 9781854114518
- Dietz, Mary. (1988). Between the Human and the Divine: The Political Thought of Simone Weil. Rowman & Littlefield.
- Doering, E. Jane. (2010) Simone Weil and the Specter of Self-Perpetuating Force. University of Notre Dame Press.
- Doering, E. Jane, and Eric O. Springsted, eds. (2004) The Christian Platonism of Simone Weil. University of Notre Dame Press.
- Finch, Henry Leroy. (1999) Simone Weil and the Intellect of Grace, ed. Martin Andic. Continuum International.
- Gabellieri, Emmanuel. (2003) Etre et don: L'unite et l'enjeu de la pensée de Simone Weil. Paris: Peeters.
- Goldschläger, Alain. (1982) Simone Weil et Spinoza: Essai d’interprétation. Québec: Naaman.
- Irwin, Alexander. (2002) Saints of the Impossible: Bataille, Weil, and the Politics of the Sacred. Minneapolis: University of Minnesota Press.
- McCullough, Lissa. (2014) The Religious Philosophy of Simone Weil. London: I. B. Tauris. ISBN 978-1780767963
- Morgan, Vance G. (2005) Weaving the World: Simone Weil on Science, Mathematics, and Love. University of Notre Dame Press. ISBN 0-268-03486-9
- Athanasios Moulakis (1998) Simone Weil and the Politics of Self-Denial, trans. Ruth Hein. University of Missouri Press. ISBN 978-0-8262-1162-0
- Plant, Stephen. (2007) Simone Weil: A Brief Introduction, Orbis, ISBN 978-1-57075-753-2
- ———. (2007) The SPCK Introduction to Simone Weil, SPCK, ISBN 978-0-281-05938-6
- Radzins, Inese Astra (2006) Thinking Nothing: Simone Weil's Cosmology. ProQuest/UMI.
- Rhees, Rush. (2000) Discussions of Simone Weil. State University of New York Press.
- Rozelle-Stone, Rebecca A., and Lucian Stone. (2013) Simone Weil and Theology. New York: Bloomsbury T & T Clark.
- ———, eds. (2009) Relevance of the Radical: Simone Weil 100 Years Later. New York: T & T Clark.
- Veto, Miklos. (1994) The Religious Metaphysics of Simone Weil, trans. Joan Dargan. State University of New York Press.
- von der Ruhr, Mario. (2006) Simone Weil: An Apprenticeship in Attention. London: Continuum.
- Winch, Peter. (1989) Simone Weil: "The Just Balance." Cambridge University Press.
- Jillian Becker. (2002) "Simone Weil: A Saint for Our Time?" The New Criterion, vol. 20 (March).
- Cabaud, Jacques. (1964). Simone Weil. Channel Press.
- Robert Coles (1989) Simone Weil: A Modern Pilgrimage. Addison-Wesley. 2001 ed., Skylight Paths Publishing.
- Fiori, Gabriella (1989) Simone Weil: An Intellectual Biography. translated by Joseph R. Berrigan. University of Georgia Press. ISBN 0-8203-1102-2
- ———, (1991) Simone Weil. Una donna assoluta, La Tartaruga; Saggistica. ISBN 88-7738-075-6
- ———, (1993) Simone Weil. Une Femme Absolue Diffuseur-SODIS. ISBN 2-86645-148-1
- Gray, Francine Du Plessix (2001) Simone Weil. Viking Press.
- McLellan, David (1990) Utopian Pessimist: The Life and Thought of Simone Weil. New York: Poseidon Press.
- Nevin, Thomas R. (1991). Simone Weil: Portrait of a Self-Exiled Jew. Chapel Hill.
- Perrin, J.B. & Thibon, G. (1953). Simone Weil as We Knew Her. Routledge & Kegan Paul.
- Pétrement, Simone (1976) Simone Weil: A Life. New York: Schocken Books. 1988 edition.
- Rexroth, Kenneth (1957) Simone Weil http://www.bopsecrets.org/rexroth/essays/simone-weil.htm
- Risari, Guia (2014) Il taccuino di Simone Weil, Rueballu 2014, Palermo, ISBN 978-88-95689-15-9
- Terry, Megan (1973). Approaching Simone: A Play. The Feminist Press.
- White, George A., ed. (1981). Simone Weil: Interpretations of a Life. University of Massachusetts Press.
- Yourgrau, Palle. (2011) Simone Weil. Critical Lives series. London: Reaktion.
- Cayley, David (2002). Enlightened by Love: The Thought of Simone Weil. CBC Audio
- BBC Radio 4 2015 — "In Our Time" on Simone Weil: http://www.bbc.co.uk/programmes/b01nthz3
Notes and references
- Primary source: Simone Weil, First and Last Notebooks, Oxford University Press, 1970, pp. 211, 213 and 217. Commentary on the primary source: Richard H. Bell, Simone Weil's Philosophy of Culture: Readings Toward a Divine Humanity, Cambridge University Press, 1993, p. 27.
- "Weil". Random House Webster's Unabridged Dictionary.
- Especially philosophy and theology—also political and social science, feminism, science, education, and classical studies.
- Saundra Lipton and Debra Jensen (2012-03-03). "Simone Weil: Bibliography". University of Calgary. Retrieved 2012-04-16.
- John Hellman (1983). Simone Weil: An Introduction to Her Thought. Wilfrid Laurier University Press. pp. 1–23. ISBN 0-88920-121-8.
- Simone Pétrement (1988); pp. 4-7.
- According to Fogelman, Cole, and others, various studies have found that a common formative experience for marked altruists is to suffer a hurtful loss and then to receive strong support from loving carers.
- Eva Fogelman (2012-03-23). "Friday Film: Simone Weil’s Mission of Empathy". The Jewish Daily Forward. Retrieved 2012-09-06.
- Robert Coles (2001). Simone Weil: A Modern Pilgrimage (Skylight Lives). SkyLight Paths. ISBN 1893361349.
- According to Pétrement (1988) p. 14, family friends would refer to Simone and André as "the genius and the beauty".
- Simone Pétrement (1988); pp. 4-7, 194
- Simone Pétrement (1988); pp. 27-29
- Hellman, John (1982). Simone Weil: An Introduction to her Thought. Wilrid Laurier University Press.
- Liukkonen, Petri. "Simone Weil". Books and Writers (kirjasto.sci.fi). Finland: Kuusankoski Public Library. Archived from the original on 10 February 2015.
- Alain, "Journal" (unpublished). Cited in Petrement, Weil, 1:6.
- Schrift, Alan D. (2006). Twentieth-century French Philosophy: Key Themes and Thinkers. Blackwell Publishing. p. 186. ISBN 1-4051-3217-5.
- André Chervel. "Les agrégés de l'enseignement secondaire. Répertoire 1809-1950". Laboratoire de recherche historique Rhône-Alpes. Retrieved 23 June 2014.
- Simone Pétrement (1988); pp. 189–191
- Simone Pétrement (1988); p. 176
- Simone Pétrement (1988); p. 178
- McLellan, David (1990). Utopian Pessimist: The Life and Thought of Simone Weil. Poseidon Press., p121
- Simone Pétrement (1988); p. 271
- Simone Pétrement (1988); p. 272
- Simone Pétrement (1988); p. 278
- Simone Pétrement (1988); pp. 280–330
- S. Weil, Spiritual Autobiography
- S. Weil, What is a Jew, cited by Panichas.
- George A Panichas (1977). Simone Weil Reader. Moyer Bell. p. 8. ISBN 0-918825-01-6.
- George A Panichas (1977). Simone Weil Reader. Moyer Bell. pp. xxxviii. ISBN 0-918825-01-6.
- Simone Weil (2005). Sian Miles, ed. An Anthology. Penguin Book. pp. 28–29. ISBN 0-14-118819-7.
- Cunningham, Lawrence (2004). Francis of Assisi: performing the Gospel life. Illustrated edition. Wm. B. Eerdmans Publishing. ISBN 0-8028-2762-4, ISBN 978-0-8028-2762-3. Source:  (accessed: September 15, 2010), p. 118
- cited by Panichas and other Weil scholars,
- S. Weil, Spiritual Autobiography, cited by Panichas and Plant.
- George A Panichas (1977). Simone Weil Reader. Moyer Bell. p. 9. ISBN 0-918825-01-6.
- Stephen Plant (1997). Great Christian Thinkers: Simone Weil. Liguori Publications. pp. xv–xvi. ISBN 0764801163.
- Simone Weil (2002). The Need for Roots. Routledge. p. xi, preface by T. S. Eliot. ISBN 0-415-27102-9.
- Letter to Father Perrin, 26 May 1942
- Notebooks of Simone Weil, volume 1
- Simone Pétrement (1988); chpt. 15 'Marseilles II', see esp. pp. 462-463.
- This was originally a lengthy report on options for regenerating France after an allied victory, though it was later published as a book.
- "Simone Weil" by Nigel Perrin
- Simone Weil Personal File, ref. HS 9/1570/1, National Archives, Kew
- McLellan, David (1990). Utopian Pessimist: The Life and Thought of Simone Weil. Poseidon Press., Inquest verdict quoted on p. 266
- McLellan, David (1990). Utopian Pessimist: The Life and Thought of Simone Weil. Poseidon Press., p. 30
- Pétrement, Simone (1988). Simone Weil: A life. Schocken, 592 pp.
- Simone Pétrement (1988); chpt. 17 'London', see esp. pp. 530-539.
- Richard Rees (1966). Simone Weil: A Sketch for a Portrait. Oxford University Press. p. 191. ISBN 0-19-211163-9.
- citation to James needed
- T. S. Eliot, "Preface" to Simone Weil, The Need for Roots, x.
- Ivry, Benjamin. "Simone Weil’s Rediscovered Jewish Inspiration". The Jewish Daily Forward.
- Gravity and Grace, Metaxu, page 132
- Weil, Simone. Gravity and Grace. Routledge & Kegan Paul, 1952.
- This notion of Weil's bears a strong resemblance to the Asian notion of "han", which has received attention in recent Korean theology, for instance in the work of Andrew Park. Like "affliction", "han" is more destructive to the whole person than ordinary suffering.
- Weil, Simone. Waiting For God. Harper Torchbooks, 1973, pp. 164-165.
- Alonzo L. McDonald, from the forward Wrestling with God, An Introduction to Simone Weil by The Trinity Forum c. 2008
- Even some of her critics conceded this, see Hellman (1982), p. 4-5
- Note however that while Weil's philosophical work received much popular attention, including by intellectuals, she was relatively little studied by professional philosophers, especially in the Anglosphere, despite philosophy being the subject in which she was professionally trained. See for example the Introduction of Simone Weil: "The Just Balance" by Peter Winch This is an excellent source for a philosophical discussion of her ideas, especially for those interested in the overlap between her work and that of Wittgenstein.
- Various scholars have listed her among the top five French political writers of the first half of the twentieth century, see Hellman (1982), p. 4-5.
- The other two being Pascal and Georges Bernanos; see Hellman (1982), p. 1
- Doris Toumarkine (2012-03-23). "Film Review: An Encounter with Simone Weil". Film Journal International. Retrieved 2012-08-31.
- See Hellman (1982) for a list her biographers who portrayed her as a saint.
- "The Lonely Pilgrimage of Simone Weil", The Washington Post
- Erica DaCosta (June 2004). "The Four Simone Weils" (PDF). Retrieved 2013-05-07.
- She even disliked Romans who are normally admired by progressives, like Virgil, Marcus Aurelius and Tacitus, reserving moderate praise only for the Gracchi.
- Simone Pétrement (1988), p. 329, 334
- Several of her most ardent admirers have also been Jewish, Wladimir Rabi, a contemporary French intellectual for example, called her the greatest French spiritual writer of the first half the twentieth century. See Hellman (1982), p. 2
- "Elle est folle". See Malcolm Muggeridge, "The Infernal Grove", Fontana: Glasgow (pbk), 1975, p. 210.
|Wikiquote has quotations related to: Simone Weil|
|Wikimedia Commons has media related to Simone Weil.|
- Works by or about Simone Weil in libraries (WorldCat catalog)
- O'Connor, John J.; Robertson, Edmund F., "Weil family", MacTutor History of Mathematics archive, University of St Andrews.
- American Weil Society and 2009 Colloquy—Website for 2009 Colloquy at Southern Illinois University Edwardsville
- Simone Weil on Labor — hosted at the Center for Global Justice
- simoneweil.net — biographical notes, photos & bilingual quotes that illustrate key concepts, including force, necessity, attention and "le malheur"
- Works by Simone Weil — public domain in Canada
- An Encounter with Simone Weil — Documentary on Weil by Julia Haslett, premiered in Amsterdam in November 2010
- Radio broadcast on Weil as part of BBC's In our Time series (2012)
- Simone Weil’s texts (Catalan translation)