Since We've Become Translucent
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|Since We've Become Translucent|
|Studio album by Mudhoney|
|Released||August 20, 2002|
|Recorded||April 4, 2000–February 23, 2002|
Since We've Become Translucent is the sixth album by the grunge band Mudhoney, released in 2002. The album was the first to be recorded after the departure of their original bassist, Matt Lukin, three years earlier. It was also the first to be released through Sub Pop after the band returned to the label.
Since We've Become Translucent marked a prominent change in the band's sound. The album was a departure from their typical garage-oriented sound and features a relatively accessible Rock sound. However, on tracks such as "Baby, Can You Dig the Light?", Psychedelica, Synthpop, and Jazz are explored.
- "Baby, Can You Dig the Light?" - 8:26
- "The Straight Life" - 3:33
- "Where the Flavor Is" - 3:34
- "In the Winner's Circle" - 4:27
- "Our Time Is Now" - 3:39
- "Dyin' for It" - 4:54
- "Inside Job" - 2:52
- "Take It Like a Man" - 2:35
- "Crooked and Wide" - 4:54
- "Sonic Infusion" - 7:40
- Mark Arm - vocals, guitar, organ, piano
- Steve Turner - electric guitar, backing vocals
- Guy Maddison - bass guitar
- Dan Peters - drums
- Jo Claxton - violin.
- Martin Feveyear - backing vocals
- Craig Flory - horn arrangements, sax (baritone, tenor)
- Jeff McGrath - trumpet
- Greg Powers - trombone
- Wayne Kramer - bass guitar on "Inside Job"
- "Since We've Become Translucent - Mudhoney". Allmusic.
- http://www.blender.com/guide/reviews.aspx?id=538[dead link]
- https://web.archive.org/web/20080528004626/http://www.pitchforkmedia.com/article/record_review/20098-since-weve-become-translucent. Archived from the original on May 28, 2008. Retrieved May 12, 2008. Missing or empty
- https://web.archive.org/web/20071203043610/http://www.rollingstone.com/artists/mudhoney/albums/album/121005/review/5940485/since_weve_become_translucent. Archived from the original on December 3, 2007. Retrieved September 18, 2007. Missing or empty
- Mudhoney_ The Sound and the Fury from Seattle - Keith Cameron
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