|This article needs additional citations for verification. (February 2008) (Learn how and when to remove this template message)|
The group was initially closely related to the Pro Arte et Studio literary monthly and the Pod Picadorem (Picador) Café in Warsaw. In 1920 it created its own publication, the Skamander monthly, though its members also collaborated with Wiadomości Literackie (Literary News) and other newspapers.
The young poets were heavily influenced by Leopold Staff and other neoromantic poets. Their main aims were to break the links between history and poetry and to end the nationalist and patriotic functions of Polish poetry. They also emphasized the need to restore poetry to the common people by returning to everyday-language usage in poetry, including colloquialisms, neologisms and vulgarisms. Finally, the Skamandrites (Skamandryci) emphasized the beauty of everyday life and of all forms of life generally, including the biological side.
In contrast to the basic aims of the late-19th-century Young Poland movement, Skamander's members eschewed semi-mythological heroes and protagonists, replacing them with common people. In contrast to the contemporary Awangarda Krakowska (Kraków Avant-Garde) movement, they saw themselves as continuers of Polish literary traditions, especially those of romanticism and neoromanticism.
Apart from the movement's five chief members, several lesser-known poets and critics adhered to its principles. They included Stanisław Baliński, Gabriel Michał Karski, Światopełk Karpiński, Jerzy Paczkowski, Karol Zawodziński and Wilam Horzyca.
- Information from plaque placed on the building in 2006.