Slave to the Grind
|Slave to the Grind|
Cover art by David Bierk
|Studio album by Skid Row|
|Released||June 11, 1991|
New River Studios in Fort Lauderdale, Florida,|
Scream Studios in Studio City, California
|Skid Row chronology|
|Singles from Slave to the Grind|
Slave to the Grind is the second studio album by American heavy metal band Skid Row, released on June 11, 1991 by Atlantic Records. The album displayed harsher sound than its predecessor and lyrics that avoided hard rock cliches. Slave to the Grind is the first heavy metal album to chart at number one on the Billboard 200 in the Nielsen SoundScan era, selling 134,000 copies in its opening week. The album was certified 2× platinum by the Recording Industry Association of America (RIAA) in 1998 for shipping two million copies in the United States. It produced five singles: "Monkey Business", "Slave to the Grind", "Wasted Time", "In a Darkened Room" and "Quicksand Jesus", all of which did not receive significant airplay as the singles from the previous record. Skid Row promoted the album opening for Guns N' Roses in 1991 and as a headliner the following year.
Composition and recording
Skid Row wrote most of Slave to the Grind in a New Jersey studio and demoed the tracks with Michael Wagener, who produced their previous album. Recording took place at two studios: New River in Fort Lauderdale, Florida and Scream in Studio City, California. Slave to the Grind marked the band's move toward a heavier sound, with the title track verging on speed metal. The lyrics were more complex, criticizing modern ways of life, authority, politics, drugs, and organized religion, among other topics. Wagener said the demoing and pre-production went well, and the title track was recorded and mixed in an hour, and was placed on the album without being remixed.
During a February 2017 interview for the Backspin segment of Yahoo Music, Bach revealed that the version of the title track included in the finished album is actually the original demo the band recorded during pre-production with producer Michael Wagener. The band recorded a proper version during the album sessions, but were unable to match the intensity of the demo, and therefore opted to use the latter instead.
Sebastian Bach's father, David Bierk, painted the cover art, which is actually a long mural, continued inside the album's booklet. Although it is set in the medieval era, it depicts people using modern technological gadgets. The cover was inspired by Caravaggio's Burial of St. Lucy from 1608 and shows John F. Kennedy in the crowd.
Release and promotion
When recording finished, Skid Row opened for Guns N' Roses on the 1991 North American leg of their Use Your Illusion Tour. In 1992, Skid Row took Pantera and Soundgarden as supporting bands on its Slave to the Grind Tour. Two different versions of the album were released: the original and a "clean" version, in which "Get the Fuck Out" is replaced with the less-offensive "Beggar's Day". Music videos were produced for all five singles: "Monkey Business", "Slave to the Grind", "Wasted Time", "In a Darkened Room" and "Quicksand Jesus", all of which feature on the video album No Frills Video. Skid Row's label Atlantic Records was not supportive of the group's transformation when filming the video for the title track. The label wanted a bikini model to star in the video, but the idea was turned down by the band because the song was not about female sexuality. A music video was also made for "Psycho Love" in 3D which featured on the video album Road Kill.
|Christgau's Consumer Guide|||
|Collector's Guide to Heavy Metal||9/10|
|Encyclopedia of Popular Music|||
Slave to the Grind received mixed reviews by music critics. Spin's Daina Darzin said the album had integrity and passion, and reminded her of early Mötley Crüe and Judas Priest. Martin Popoff called the album "a surprising and welcome jolt to the system", with Skid Row "proving their mettle, their self-worth, their guts" on songs taking the listener "to dark unsettling places where reflection collides with worry." AllMusic's Steve Huey said Slave to the Grind was more aggressive than its predecessor and called it one of the best examples of mainstream heavy metal. Brenda Herrmann of the Chicago Tribune observed that Bolan and Sabo improved their songwriting and wrote positively about the group's attitude and humor. Conversely, Rolling Stone's David Fricke thought Skid Row had not matured lyrically at all, rehashing the glam metal cliches. However, he complimented Wagener's production and the band's interplay and sound. Robert Christgau was less enthusiastic and graded the album a "dud", indicating "a bad record whose details rarely merit further thought". Janiss Garza of the Entertainment Weekly praised the ballads' lyrical depth and the fury of "Riot Act" and the title track, but predicted the album would not age well.
Slave to the Grind debuted at number one on the Billboard 200, selling 134,000 copies in its first week. The album was the first to debut atop the Billboard 200 in the Nielsen SoundScan era, since it was uncommon for albums to open at number one before SoundScan began tracking sales in 1991.
|1.||"Monkey Business"||Rachel Bolan, Dave Sabo||4:20|
|2.||"Slave to the Grind"||Sebastian Bach, Bolan, Sabo||3:31|
|3.||"The Threat"||Bolan, Sabo||3:52|
|4.||"Quicksand Jesus"||Bolan, Sabo||5:26|
|6.||"Get the Fuck Out"||Bolan, Sabo||2:42|
|7.||"Livin' on a Chain Gang"||Bolan, Sabo||4:00|
|8.||"Creepshow"||Bolan, Rob Affuso, Scotti Hill||3:59|
|9.||"In a Darkened Room"||Bach, Bolan, Sabo||[†]3:57|
|10.||"Riot Act"||Bolan, Sabo||2:42|
|11.||"Mudkicker"||Bach, Bolan, Hill||3:56|
|12.||"Wasted Time"||Bach, Bolan, Sabo||5:50|
|Japanese edition bonus tracks|
|13.||"Beggar's Day" (replaces "Get the Fuck Out" on the clean version)||Bach, Bolan, Sabo||4:05|
|14.||"Holidays in the Sun" (Sex Pistols cover)||Johnny Rotten, Steve Jones, Paul Cook, Sid Vicious||3:38|
|15.||"Get the Fuck Out" (live at Wembley Stadium, 1991)||Bolan, Sabo||5:31|
|16.||"Delivering the Goods" (Judas Priest cover, live in Arizona, 1992)||Glenn Tipton, K. K. Downing, Rob Halford||4:52|
^ † Album liner notes incorrectly list the length as 4:57.
Credits are adapted from the album's liner notes.
- Sebastian Bach – lead vocals
- Rachel Bolan – bass, backing vocals
- Scotti Hill – lead guitar, rhythm guitar, backing vocals
- Dave Sabo – rhythm guitar, lead guitar, backing vocals
- Rob Affuso – drums and percussion
- Michael Wagener – producer, mixing
- Riley J. Connell – assistant engineer
- Craig Doubet – assistant engineer
- George Marino – mastering
- Bob Defrin – art direction
|Canada (Music Canada)||Platinum||100,000^|
|United Kingdom (BPI)||Silver||60,000^|
|United States (RIAA)||2× Platinum||2,000,000^|
^shipments figures based on certification alone
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- Caulfield, Keith (March 24, 2016). "Billboard 200 Turns 60!". Billboard. Retrieved June 8, 2016.
- Slave to the Grind liner notes. Atlantic Records. 1991.
- "Skid Row – Slave to the Grind" (in German). Hung Medien. Retrieved June 5, 2016.
- "Results - RPM - Library and Archives Canada: Top Albums/CDs". RPM. Retrieved June 3, 2010.
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- "ARIA Charts – Accreditations – 1992 Albums". Australian Recording Industry Association.
- "Canadian album certifications – Skid Row – Slave to the Grind". Music Canada.
- "British album certifications – Skid Row – Slave to the Grind". British Phonographic Industry. Select albums in the Format field. Select Silver in the Certification field. Enter Slave to the Grind in the search field and then press Enter.
- "American album certifications – Skid Row – Slave to the Grind". Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Album, then click SEARCH.