Sleep (1964 film)

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Sleep
Directed byAndy Warhol
StarringJohn Giorno
Release date
  • January 17, 1964 (1964-01-17)
Running time
321 minutes
CountryUnited States
LanguageSilent

Sleep is a 1964 American avant-garde film by Andy Warhol. Lasting five hours and 20 minutes, it consists of looped footage of John Giorno, Warhol's lover at the time, sleeping.[1][dead link]

The film was one of Warhol's first experiments with filmmaking, and was created as an "anti-film". Warhol would later extend this technique to his eight-hour-long film Empire.[2]

Description[edit]

John Giorno shown in extreme close-up in Sleep

Sleep is a silent black-and-white film showing Giorno asleep. It is over five hours long, divided across five reels. Although the lack of action gives the illusion of continuity, the film is spliced together from many shorter shots.

The film's opening shot lasts only four and a half minutes, but it is repeated six times. The rest of the reel uses six unique shots, first shown sequentially, then alternating between the first two, then looping the last four. The second reel uses three repeated shots of Giorno's buttocks and one repeated shot of his head. The third reel of Sleep uses only a single four-and-a-half minute shot of Giorno sleeping on his back, looped for an hour and a half. The fourth reel uses a single four-and-a-half minute close-up of Giorno's head looped for 86 minutes. The final reel has the most variation, with nine unique shots over 49 minutes. It is the only reel in which Warhol uses a fragment of a shot instead of including the shot in its entirety.[3]

Production[edit]

Warhol in 1967

Photography[edit]

Throughout mid 1963, Warhol spent weekends at a farmhouse in Old Lyme, Connecticut, the summer home of gallery owner Eleanor Ward. There, he began shooting footage for Sleep.[4] He used a Bolex 16 mm camera.[5] This limited him to 100-foot (30 m) reels that each lasted three minutes.[6] He spent months trying to learn how to operate the camera effectively.[7] Warhol ultimately shot four hours of footage, although Sleep only uses around 30 minutes of it.[8]

Post-production[edit]

Warhol took some of the shots and flipped the film stock such that light from the projector hit the base before the emulsion.[4] Sarah Dalton, who had worked with Warhol on some of his silkscreens, edited the film.[6] He instructed her to omit footage that contained too much motion and "try and make it more the same." To structure the shots in Sleep, Dalton put together storyboards of Giorno's figure. She repeated some of the shots for extended periods of time and assembled the footage.[9] Although the film was shot at 24 frames per second, the standard speed for sound films, it is projected at the slower rate of 16 fps, an older standard for silent films.[10]

Warhol put together an ad hoc soundtrack by having a radio play softly from a cinema balcony. However, he discontinued this practice after the first few screenings.[11]

Release[edit]

Sleep premiered on January 17, 1964, presented by Jonas Mekas at the Gramercy Arts Theater as a fundraiser for the Film-Makers' Cooperative. Of the nine people who attended the premiere, two left during the first hour. Critics Jonas Mekas and Archer Winsten were in the audience, as well as Paul Morrissey, a friend of the projectionist Ken Jacobs who later became a frequent collaborator with Warhol.[9] When the Cinema Theatre in Los Angeles held a surprise screening of Sleep later in the year, audience members shouted at the screen and threatened to riot.[12]

Images from the film appear in later artworks by Warhol. His 1965 sculpture Large Sleep uses two successive frames from the film, arranged vertically on a sheet of plexiglass. Another plexiglass sculpture uses three three successive frames of Sleep, silkscreened in black ink with a red image silkscreened on the other side. This work is now lost.[13]

Reception[edit]

Film Culture voted to award Warhol its Independent Film Award for Sleep, Haircut, Eat, Kiss, and Empire.[14]

Commemorating the fiftieth anniversary of Warhol's Sleep, Finnish filmmaker Juha Lilja created a remake of the film.[15]

See also[edit]

References[edit]

  1. ^ The New York Times
  2. ^ WarholStars entry on Sleep
  3. ^ Joseph, Branden W. (2005). "The Play of Repetition: Andy Warhol's Sleep". Grey Room. 19: 29–33.
  4. ^ a b Angell, Callie (2014). "Batman and Dracula: The Collaborations of Jack Smith and Andy Warhol". Criticism. Wayne State University Press. 56 (2): 159–86.
  5. ^ Suárez, Juan A. (2014). "Warhol's 1960s' Films, Amphetamine, and Queer Materiality". Criticism. Wayne State University Press. 56 (3): 627.
  6. ^ a b Schwartz, David (April 10, 2019). "Sleep". Reverse Shot. Museum of the Moving Image. Retrieved November 26, 2019.
  7. ^ "Andy made me famous". Evening Standard. May 25, 2007. p. 1. Retrieved November 26, 2019.
  8. ^ Ramanathan, Lavanya (April 3, 2008). "'Sleep': Warhol's 5-Hour Fever Dream". The Washington Post. p. C13.
  9. ^ a b Watson, Steven (2003). Factory Made: Warhol and the Sixties. Pantheon Books. pp. 133–134. ISBN 978-0-679-42372-0.
  10. ^ Camper, Fred (April 27, 2000). "The Lover's Gaze". The Chicago Reader. Retrieved November 26, 2019.
  11. ^ Reynolds, Ann (2014). "A History of Failure". Criticism. 56 (2): 196. doi:10.13110/criticism.56.2.0187.
  12. ^ Mekas, Jonas (July 2, 1964). "Movie Journal". The Village Voice. p. 13.
  13. ^ "Andy Warhol's rare print, Sleep, on view for the first time at the National Gallery of Canada". ArtDaily. February 27, 2013. Retrieved November 26, 2019.
  14. ^ "Sixth Independent Film Award". Film Culture. Vol. 33. 1964. p. 1.
  15. ^ Koska, Paula (January 15, 2015). "Suomalaismiehen alastonvideo valittiin elokuvafestareille" [This Finnish man's nude video was chosen for film festivals]. Iltalehti (in Finnish). Retrieved November 26, 2019.

External links[edit]