This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these template messages)(Learn how and when to remove this template message)
Social design is design that is mindful of the designer’s role and responsibility in society; and the use of the design process to bring about social change.
Within the design world social design is sometimes defined as a design process that contributes to improving human well-being and livelihood. The agenda of social design is inspired by among others' Victor Papanek’s idea that designers and creative professionals have a responsibility and are able to cause real change in the world through good design. Papanek writes about responsible design. Designers can contribute to designing more ecological products by carefully selecting the materials they use. Papanek also remarks on designing for people's needs rather than their wants. Responsible design includes many directions and one of these is design for the Third World. Designers have responsibility over the choices they make in design processes.
Social design thinking within the design world joins developing human and social capital with new products and processes that are profitable. Profitability and ownership of the processes are the cornerstones of sustainability that underpins human well-being[according to whom?]. Another author that contributes to the development of this definition of social design is Victor Margolin. He writes in "The Politics of the Artificial" about the "designer's ability to envision and give form on material and immaterial products that can address human problems on broad scale and contribute to social well-being." This ideology is something that social design is built on. In this view social design is an activity that should not be framed with connotations of charity, aid donations, help etc. It is not voluntary work, but it should be seen as professional contribution that plays a part in local economic development or livelihood.
Another starting point for outlining social design is strategic thinking of design. Creating policies and implementing them on a civil level. The two poles: tradition and the market economy can, in one of the models for social design, be placed in interaction, rather than in competition, with each other. An author that has to be mentioned here is Jacque Fresco and his Venus Project. He proposes that the future of the social systems needs to be designed by the scientific method. Social design can then be seen as a process that leads to human capabilities that in turn contributes to their well-being. As Amartya Sen writes, poverty is seen as deprivation of capabilities. By focusing on capabilities, rather than e.g. income, Amartya Sen suggests that development within various social aspects of life can contribute to general development. Understanding and using social design processes can contribute to the improvement of livelihood
||This section contains information of unclear or questionable importance or relevance to the article's subject matter. (January 2017) (Learn how and when to remove this template message)|
As social media becomes integrated with live performance, social design has become a term to describe someone who designs how online tools connect to a performance. Just as there are lighting designers, sound designers, set designers, costume designers and video designers - social designers work with a team to complement a production with social media tools and content. In this context, social design is defined as: "The strategic implementation of social media to deepen or broaden the nature of an artistic performance."
Another dimension of social design focuses on designing systems that join the elements of communication, new product development and the environment. It is argued that no single area of design is, by itself, sufficient to drive sustainable social development. What is needed is a system of design, one that encompasses all of the areas of design, towards an open system with multiple, self-adjusting and complementary actors that aim for a vision of a loosely defined common set of goals.
Outside the design world social design appears in a number of professional environments. There are a growing number of artists, especially in Scandinavia, that use the term social design to describe their work, though the work is exhibited within the art world. These are artist like FOS and Superflex. They come out of a tradition of social art that can be led back to the Futurists, the Dadaists and e.g. the German artist Joseph Beuys.
The term social design is also increasingly used to describe design of the social world. This definition implicates a perception of a man-made reality, which consequently can only be changed by man, and is changed by man all the time. In this view social design is inescapable, it is there whether people are aware of it or not. The social reality is created as a result of the sum of all our individual actions. There is an emerging discussion of this concept of social design, which encompasses all other definitions of the term.
- The World Design Research Initiative aka Worldesign, at the University of Art and Design Helsinki. Worldesign aims to explore issues relevant to social, welfare, and responsible design and to generate theory, as well as applicable systems or models. Its members produce exhibitions, workshops, and publications, which work as tools for testing and evaluating different social design applications.
- Architects Arup Associates designed The Druk White Lotus School in the Indian Himalaya along social design principles.
- The University of Applied Arts Vienna has a master's degree dedicated to the challenges within urban social systems and related issues. The master programme is oriented towards graduates from diverse fields of study using transdisciplinary teams. Art in synergy with project-related scientific methods and knowledge is seen as a tool for urban innovation.
- The University of Technology Sydney introduced a Bachelor of Creative Intelligence & Innovation (BCII) degree in 2014 which must be completed in combination with another undergraduate degree. With a strong focus on developing novel solutions for social issues, it enables students "to participate in a future-facing, world-first, transdisciplinary degree that takes multiple perspectives from diverse fields, integrating a range of industry experiences, real-world projects and self-initiated proposals – equipping students to address the complex challenges and untapped opportunities of our times."
- Benson, E. (2007). "Prescription for an Ethically Designed Future." AIGA Centre for Sustainability.
- Bhan, N., and Tait, D. (2008). "Design for the Next Billion Customers." Core77.com.
- Bruinsma, M. (1999). "Idealism: An Ideal Design is Not Yet".
- Casey, V. (2007). "The Designer’s Dilemma." DesignersAccord.org.
- Emerson, J. (2009) "Mapping Power: Using design to get where we want to go"
- Emerson, J. (2008) "The Vision Thing: Seeing and creating change through design"
- Emerson, J. (2007) "The Conversation: When should designers make a political commitment?"
- Emerson, J. (2005) "Guns, Butter and Ballots: Citizens take charge by designing for better government"
- Emerson, J. (2004) "Taking it to the Streets: Graphic design for advocacy"
- Garland, K. (1964). "First Things First Manifesto."
- Hidalgo, M. (2014). "Armas de construcción Masiva: Manual de Diseño Social" Diseño Social EN+ (Spanish)
- Howard, A. (2001). "There is such a thing as society." EyeMagazine.com
- Howard, A. (2001). "Design Beyond Commodification." EyeMagazine.com
- Nini, P. (2004). "In Search of Ethics in Graphic Design." AIGA.org
- Poynor, R. (2007). "The Price of Juice." EyeMagazine.com
- Poynor, R. (2001). "The Time For Being Against." Typotheque.com
- Poynor, R. (2000). "First Things First 2000."
- Rule, A. (2008). "The Revolution Will Not Be Designed." InTheseTimes.com
- Sagmeister, S. (2002). "How Good is Good?" Typotheque.com
- Various. (1883–2010). "100+ Years of Design Manifestos"
- Larosa, Antonio (2007). "Designers Against The iPodization Of Society"
- Holm, Ivar (2006). Ideas and Beliefs in Architecture and Industrial design: How attitudes, orientations, and underlying assumptions shape the built environment. Oslo School of Architecture and Design. ISBN 82-547-0174-1.
- Papanek, Victor (1984): Design for the Real World. Academy Chicago Publishers. Completely Revised Second Edition
- Margolin, Victor (2002): The Politics of the Artificial. Essays on Design and Design Studies. The University of Chicago Press. Chicago and London
- Sen, Amartya (2000): Development as Freedom. Anchor Books. New York
- among the publications are :
University of Art and Design Helsinki, Working Papers F 31. Potentials: Design in the Field : New Discourse on Craft Development 1-2.Helsinki 2006 (http://www.taik.fi/tutkimus/julkaisut/working_papers.html)
Miettinen, Satu: Designing the Creative Tourism Experience. A Service Design Process with Namibian Crafts People. Publication series of University of Art and Design Helsinki A 81. Doctoral Dissertation. Gummerus kirjapaino oy. Jyväskylä 2007.
Miettinen, Satu (ed.): Design Your Action. Publication series of University of Art and Design Helsinki B 82. Gummerus kirjapaino oy. Jyväskylä 2007.
- http://www.dwls.org/Award-Winning-Buildings.html award winning Druk White Lotus School
- Social Design_Arts as Urban Innovation