Sonia Boyce

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Sonia Boyce
MBE RA
Born Sonia Dawn Boyce
1962 (age 54–55)
London, England
Nationality British
Alma mater Stourbridge College, West Midlands
Movement UK Black Arts Movement

Sonia Dawn Boyce, MBE RA (born 1962), is a British Afro-Caribbean artist, living and working in London. She is a professor at Middlesex University[1] and Professor of Black Art and Design at University of the Arts London.[2] Boyce's research interests explore art as a social practice and the critical and contextual debates that arise from this area of study. With an emphasis on collaborative work, Boyce has been working closely with other artists since 1990, often involving improvisation and spontaneous performative actions on the part of her collaborators. Boyce's work involves a variety of media, such as drawing, print, photography, video, and sound. Her art explores the interstices between sound and memory, the dynamics of space, and incorporating the spectator. To date, Boyce has taught Fine Art studio practice for over thirty years in several art colleges across the UK.[3]

Background[edit]

Born in London, Sonia Boyce studied at Stourbridge College in the West Midlands. She works with a range of media including photography, installation and text.[4] She gained prominence as part of the Black British cultural renaissance of the 1980s.[5] Her work also references feminism.[6] Ron Exley (2001) has written: "The effect of her work has been to re-orientate and re-negotiate the position of Black or Afro-Caribbean art within the cultural mainstream."[7]

An early exhibition in which she participated was in 1983 at the Africa Centre, London, entitled Five Black Women. Boyce's early works were large chalk-and-pastel drawings depicting friends, family and childhood experiences. Drawing from her background she often included depictions of wallpaper patterns and bright colours associated with the Caribbean. It has been suggested that through this work the artist examined her position as a black woman in Britain and the historical events in which that experience was rooted.[8]

In her later works Boyce used diverse media including digital photography to produce composite images depicting contemporary black life. Although her focus is seen to have shifted away from specific ethnic experiences, her themes continue to be the experiences of a black woman living in a white society, and how religion, politics and sexual politics made up that experience.[8]

She has taught widely and uses workshops as part of her creative process, and her works can be seen in many national collections.[9] Boyce's works are held in the collections of Tate Modern,[10] Victoria & Albert Museum, the Government Art Collection,[11] British Council and the Arts Council Collection at Southbank Centre.

Sonia Boyce was awarded an MBE in the Queen's Birthday Honours List 2007, for services to art.[12] In 2016, Sonia Boyce was elected as a member of the Royal Academy.[13]

Medium[edit]

In her early artistic years Boyce used chalk and pastel to make drawings of her friends, family and herself. She graduated later to incorporate photography, graphic design, film, and caricature to convey very political messages within her work. The incorporation of collage allowed her to explore more complex pieces. It is important to note Boyce's utilization of caricature within her work. The caricature is historically meant to showcase exaggerated features of individuals. They are often grotesque and can incite negative perceptions of their subjects. By using caricatures she allows herself to reclaim them in her own image.[14]

Message[edit]

Boyce's work is vastly politically affiliated. She utilizes a variety of mediums within the same work to convey messages revolving around black representation, perceptions of the black body and pervasive notions that arose from colonial pseudoscience. Within her bodies of work Boyce wishes to convey the personal isolation that results from being black in a white supremacist society. In her work she explores notions of the Black Body as the "other". Commonly, she uses collage to convey a body of art that incites a complicated history. Boyce rose as a prominent artist in the 1980s when the Black Cultural Renaissance took place in the United Kingdom. The movement arose out of Margaret Thatcher's conservatism and also Enoch Powell's racism. Using this societal backdrop, Boyce takes conventional English narrative surrounding the black body and turns it upside down. Through her art she conveys a hope to overturn ethnographic notions of race that pervaded throughout slavery and after the slaves had been emancipated.[14]

Exhibitions[edit]

Research positions[edit]

  • 1996–2002, as a Post-Doctoral Fellow at the University of East London
  • Director of AAVAA (the African and Asian Visual Artists Archive), managing a Research Centre on the work of contemporary artists of African and Asian descent working in the UK.
  • 2004–05 NESTA (National Endowment for Science, Technology and the Arts) Artist Fellow, researching the social dynamics of collaboration in art.
  • 2008–11 AHRC Research Fellowship on the ephemeral nature of collaborative practice in art at the Centre for Drawing, Wimbledon College of Art and Design, University of the Arts London, with a concluding project The Future is Social.[18][19]
  • 2015–18, as Principal Investigator for the Black Artists and Modernism (BAM),[20] a three-year research programme that investigates the artworks of Black-British artists and the works' relationship to modernism.[21]

Publications[edit]

  • Gilane Tawadros, Sonia Boyce: Speaking in Tongues, Kala Press, 1997.
  • Annotations 2/Sonia Boyce: Performance (ed. Mark Crinson, Iniva – the Institute of International Visual Arts, 1998)
  • In 2007, Boyce, David A. Bailey and Ian Baucom jointly received the History of British Art Book Prize (USA) for the edited volume Shades of Black: Assembling Black Art in 1980s Britain, published by Duke University Press in collaboration with Iniva and AAVAA.
  • Allison Thompson, "Sonia Boyce and Crop Over", Small Axe, Volume 13, Number 2, 2009.[22]
  • Like Love, Spike Island, Bristol and tour (ed. Axel Lapp, Green Box Press, Berlin, 2010)[23][24]

Further reading[edit]

  • Sonia Boyce (exhibition catalogue, intro Pitika Ntuli; London, Air Gallery, 1987) [texts by Boyce]
  • The Impossible Self (exhibition catalogue by B. Ferguson, S. Nairne, S. Boyce and others, Winnipeg, A.G., 1988)
  • M. Corris: "Sonia Boyce at Vanessa Devereux Gallery", Artforum, xxx (1992), p. 124
  • Gilane Tawadros, Sonia Boyce: Speaking in Tongues (London, 1997)
  • Recent Sonia Boyce: La, La, La (exhibition catalogue by S. Fillin-Yeh and M. Verhagen; Portland, OR, Reed Coll, Cooley A.G.; 2001)
  • David A. Bailey, Kobena Mercer, Catherine Ugwu (eds), MIRAGE: Enigmas of Race, Difference and Desire, ICA, 1995.[25]
  • M. Crinson (ed.): Sonia Boyce: Performance, Institute of International Visual Arts in collaboration with Cornerhouse (London, 1998)[9]

References[edit]

  1. ^ "Prof Sonia Boyce - Professor in Fine Arts - ADRI". contentcurator.net. 
  2. ^ Tom Banks (3 January 2014). "UAL appoints nine new cross-university heads". Design Week. 
  3. ^ Boyce, Sonia. "Professor Sonia Boyce: TrAIN Member". www.transnational.org.uk. University of the Arts London. Retrieved 16 May 2016. 
  4. ^ Rebecca Fortnum, Contemporary British Women Artists: In Their Own Words, I.B.Tauris, 2007, p. 113. ISBN 1-84511-224-5
  5. ^ Kwesi Owusu, Black British Culture and Society: A Text-Reader, Routledge, 1999, p. 4. ISBN 0-415-17846-0
  6. ^ Peggy Phelan and Helena Reckitt, Art and Feminism. London: Phaidon, 2001.
  7. ^ Exley, Ron. "Sonia Boyce Artists Talking". a-n The Artists Information Company. Retrieved 25 April 2014. 
  8. ^ a b Oxford Art Online, www.oxfordartonline.com.
  9. ^ a b Crinson, Mark (1998). Sonia Boyce: Performance. London: Institute of International Visual Arts (INIVA). ISBN 1 899846 15 8. 
  10. ^ Sonia Boyce "Artist biography", Tate online.
  11. ^ Government Art Collection. Sonia Boyce
  12. ^ "Birthday honours: London list", BBC News, 16 June 2007; accessed 6 September 2007.
  13. ^ "Sonia Boyce RA", Royal Academy, 9 March 2016; accessed 24 April 2016.
  14. ^ a b Noel, Samantha (March 28, 2014). "Putting on a Bold-Face". Third Text. 28 (2): 163–176. doi:10.1080/09528822.2014.890789. 
  15. ^ "For you, only you – Ruskin School of Art (exhibition page)". Retrieved 25 April 2014. 
  16. ^ "Sonia Boyce: Like Love – Part One". Spike Island. Retrieved 25 April 2014. 
  17. ^ "Female Art in Action", The Radical Lives of Eric & Jessica Huntley website.
  18. ^ Boyce, Sonia. "Art and Design Research Institute". Retrieved 25 April 2014. 
  19. ^ "TransNational Member Page". Retrieved 25 April 2014. 
  20. ^ "BAM - Black Artists and Modernism". www.rcuk.ac.uk. Research Councils UK. Retrieved 16 May 2016. 
  21. ^ "Black Artists and Modernism (BAM)". www.transnational.org.uk. University of the Arts London. Retrieved 16 May 2016. 
  22. ^ Boyce, Sonia. "Professor Sonia Boyce". www.transnational.org.uk. University of the Arts London. Retrieved 16 May 2016. 
  23. ^ Boyce, Sonia. "Professor Sonia Boyce: TrAIN Member". www.transnational.org.uk. University of Arts London. Retrieved 16 May 2016. 
  24. ^ Boyce, Sonia (2010). Like Love. The Green Box. ISBN 9783941644168. 
  25. ^ Various (1995). Mirage: Enigmas of Race, Difference & Desire. London: ICA. ISBN 0 905263 84 7. 

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