Sooner or Later (Madonna song)

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"Sooner or Later"
Song by Madonna from the album I'm Breathless
Released May 21, 1990
Recorded 1990
Genre Jazz
Length 3:20
Label
Writer Stephen Sondheim
Producer
I'm Breathless track listing
"He's a Man"
(1)
"Sooner or Later"
(2)
"Hanky Panky"
(3)

"Sooner or Later" is a song recorded by the American singer Madonna from her soundtrack album I'm Breathless. Written by American composer Stephen Sondheim and produced by Madonna and Bill Bottrell, the song was used in the parent film, Dick Tracy. "Sooner or Later" was created to evoke the theatrical nature and style of the film. A 1930s jazz ballad with piano, drum sounds, double bass and horns, the track conjures up the atmosphere of a smoky nightclub. Madonna sings in her lowest register accompanied by a variable pitch.

Critical response to the track was positive with reviewers deeming it as an important addition to Madonna's music catalog. At the 63rd Academy Awards held on March 25, 1991, the song won an Oscar for Best Original Song, awarded to Sondheim. Madonna attended the ceremony along with singer Michael Jackson as her date, and performed "Sooner or Later" onstage, being inspired by the look of actress Marilyn Monroe. She later included it in the set list of her 1990 Blond Ambition World Tour.

Background[edit]

In 1990, Madonna was part of the film Dick Tracy starring as Breathless Mahoney—a new role introduced for her— with Warren Beatty playing the titular character.[1] Madonna told Premiere magazine that initially she had waited for Beatty to call her for the film. But when he did not, the singer decided to involve herself voluntarily.[2] She pursued the part of Mahoney, but offered to work for minimum wages to avoid favoritism.[3] Dick Tracy was the ninth-highest grossing film in the US in 1990, and number twelve globally.[4] The film also received positive reviews from critics. Roger Ebert from the Chicago Sun-Times praised the matte paintings, art direction and prosthetic makeup design, stating: "Dick Tracy is one of the most original and visionary fantasies I've seen on a screen".[5]

According to J. Randy Taraborrelli, author of Madonna: An Intimate Biography, by the 1980s record labels started to release albums which were closely associated with a film, thereby gain double promotion. These were mostly termed as soundtracks although many of them were not related to the film. After the shooting for Dick Tracy was over, Madonna started working on the soundtrack. She had begun recording three songs by Stephen Sondheim for the film—"Sooner or Later", "More" and "What Can You Lose"—which would be part of the album, but also had to write and develop new songs comparable in style to the previous.[6] She produced the entire album, including the Sondheim songs. "I want people to think of me as a musical comedy actress. That's what this album is about for me. It's a stretch. Not just pop music, but songs that have a different feel to them, a theatrical feel", she said at the time.[7]

Composition[edit]

A sample from "Sooner or Later" displaying the piano and the brushed drum sounds as well as the horns. It is accompanied by Madonna's singing in her lowest range. The sample also displays the characteristic nightclub like atmosphere in the song.

Problems playing this file? See media help.

According to Rikky Rooksby, author of The Complete Guide to the Music of Madonna, the harmonic and melodic styles were more "complex" than the songs which Madonna was accustomed to, hence she found it difficult and demanding. She spoke about the "wilderness" of the tunes, saying that she was not confident of doing justice to the songs, and neither was Sondheim. But he kept on encouraging the singer so that the recording sessions would not be affected.[2] Madonna also recruited producer Patrick Leonard and engineer Bill Bottrell to help her with the project. She and Leonard toiled to create music that would fit the style and production of the film, set in the days of the Untouchables law enforcement.[6][8]

"Sooner or Later" was composed as a 1930s jazz ballad with comping piano, brushed drum sounds, double bass and horns. Conjuring the atmosphere of a smoky nightclub, the song finds Madonna singing in her lowest range as the melody shifts continuously.[9] It opens with a "lazy" clarinet solo and casts Madonna as a kind of sexual magnate. "I always get my man", she sings "If you're on my list it's just a question of when".[10] The song is set in the time signature of common time with a moderate tempo of 75 beats per minute. It is composed in the key of B major with Madonna's voice spanning from F3 to B4. The song follows a basic sequence of B9–B6/F–B9–B6/F as its chord progression.[11] In the film, "Sooner or Later" is the signature song of Breathless and was primarily performed during a montage just after Dick Tracy has placed a microphone in Alphonse "Big Boy" Caprice's boardroom and operator.[12]

Critical reception[edit]

Lucky Lara from Manila Standard Today listed the Sondheim songs as highlights from the album, commenting how they fit Madonna's "nasal voice as a glove", and their addition to Madonna's catalogue of songs would give her "the edge in future career moves". According to Lara, with "Sooner or Later", Madonna "shows off a side to her singing that audiences haven't heard yet, and what a side it is. She proves to her critics that she isn't just the glitter and trash of the dance club scene, and that she can belt it out nearly as well as the best of them".[13] According to Ray Boren from Deseret News "is very much a period piece, with an intimate club feel".[14] Another positive review came from Mark Coleman from Rolling Stone, who said Madonna's "breathy emotionality" fit "Sooner or Later" "like a glove", saying she did not coo the line "I always get my man"; for him, she "spits it out like fire, bringing fresh conviction to a somewhat generic line".[15] According to Jon Pareles of The New York Times, songs including "Sooner or Later" are "typical Sondheim, with agile wordplay and devious chromatic harmonies".[16]

At the 63rd Academy Awards held on March 25, 1991, the song won an Oscar for Best Original Song, awarded to Sondheim who did not attend the ceremony.[17][18] In the award ceremony the song was listed as "Sooner or Later (I Always Get My Man)".[19]

Live performances[edit]

On the 1990 Blond Ambition World Tour, Madonna performed "Sooner or Later" atop of a piano, as a chanteuse with a piano player in a cabaret.[20] The wardrobe for the performance consisted of a green and white couture corset, with conical bra cups, beaded fringing and striped sequined embroidery, designed by Jean Paul Gaultier, underneath a long black robe.[21] On his review of the concert, Richard Harrington from The Washington Post, opined Madonna "acquitted herself quite well on 'Sooner or Later'".[22] Two different performances were taped and released on video, the Blond Ambition Japan Tour 90, taped in Yokohama, Japan, on April 27, 1990,[23] and the Blond Ambition World Tour Live, taped in Nice, France, on August 5, 1990.[24]

At the 1991 Academy Awards, Madonna appeared with singer Michael Jackson as her date and performed "Sooner or Later".[25] According to journalist Liz Smith, Madonna had promised to perform at the award show if either "Sooner or Later" or "More" was nominated in the Best Original Song category.[26] She wore a long, tight, white dress designed by Bob Mackie and covered in sequins and pearls.[25] On her neck she wore $20 million worth of jewelry from Harry Winston. Taraborrelli recalled that Madonna had appropriated every move and mannerisms of Marilyn Monroe for the performance, making it a tribute to the actress.[27] When she appeared onstage, there was technical difficulty resulting in the mike not appearing from below the ground, and a stage-hand passing it to her.[28] According to Madonna's brother Christopher Ciccone, she was quite nervous during the performance; "Had she been singing to an audience of screaming fans, she wouldn't have been at all nervous. But this time she was performing in an auditorium full of established actors and actresses, a group of people to which she really didn't belong, who didn't respect her as an actress but whose respect she desperately wanted to win".[29]

Janet Maslin from The New York Times criticized Madonna's performance, saying that the singer "vamped awkwardly through [the song], managing to seem even waxier in action than she did seated beside Michael Jackson in the audience."[30] In retrospective reviews, Billboard ranked it as the seventh "most awesome" Oscar performance of all time, saying that "Madonna gave a performance that took us back to the glamorous days of old Hollywood."[31]

Credits and personnel[edit]

Credits adapted from I'm Breathless album liner notes, Sire Records and Warner Bros. Records.[32]

References[edit]

  1. ^ Morton 2002, p. 98
  2. ^ a b Rooksby 2004, p. 70
  3. ^ Ansen, David (June 25, 1990). "Tracymania". Newsweek. Retrieved April 20, 2009. 
  4. ^ "1990 Worldwide Grosses". Box Office Mojo. Retrieved April 20, 2009. 
  5. ^ Ebert, Roger (June 15, 1990). "Dick Tracy". Chicago Sun-Times. Retrieved April 23, 2009. 
  6. ^ a b Taraborrelli 2008, pp. 187–88
  7. ^ Taraborrelli 2008, pp. 182
  8. ^ Roberts 2006, p. 137
  9. ^ Rooksby 2004, p. 72
  10. ^ Tianen, Dave (June 1, 1990). "Madonna Just a Flash In the Past". Milwaukee Journal Sentinel. Retrieved June 13, 2014. 
  11. ^ "Madonna 'Sooner or Later (I Always Get My Man)' Sheet Music". Musicnotes.com. Walt Disney Music Publishing. Retrieved November 17, 2015. 
  12. ^ O'Brien 2008, p. 78
  13. ^ Lara, Lucky (June 3, 1990). "Madonna's New LP Shows Her Versatility". Manila Standard Today. Retrieved June 13, 2014. 
  14. ^ Boren, Ray (May 31, 1990). "Quick dick Tracy, try to find real Madonna on 'Breathless'". Deseret News. Retrieved June 13, 2014. 
  15. ^ Coleman, Mark (June 14, 1990). "I'm Breathless by Madonna". Rolling Stone. Retrieved August 10, 2011. 
  16. ^ Pareles, Jon (May 20, 1990). "Recordings; Madonna Saunters Down Tin Pan Alley". The New York Times. Retrieved February 18, 2013. 
  17. ^ "1991 Oscars: Winners and Nominees". Academy of Motion Picture Arts and Sciences. Retrieved June 15, 2014. 
  18. ^ Ng, David (December 26, 2014). "Stephen Sondheim at the movies: Beyond 'Into the Woods'". Los Angeles Times. Retrieved December 14, 2015. 
  19. ^ "'Sooner or Later (I Always Get My Man)': Music and Lyric by Stephen Sondheim Academy Awards Acceptance Speech". Academy of Motion Picture Arts and Sciences. Retrieved June 15, 2014. 
  20. ^ Brown, Patricia Leigh (June 17, 1990). "POP; Video and Theater Shape a New Madonna". The New York Times. Retrieved January 25, 2015. 
  21. ^ "Madonna’s conical corsets sell for £48,000". London Evening Standard. November 30, 2012. Retrieved 30 December 2015. 
  22. ^ Harrington, Richard (June 9, 1990). "Madonna's Bare Ambition". The Washington Post. Retrieved 30 December 2015. 
  23. ^ Madonna (1990). Blond Ambition Japan Tour 90 (VHS). Warner-Pioneer Japan. 
  24. ^ Madonna (1990). Blond Ambition World Tour Live (Laserdisc). Pioneer Artists. 
  25. ^ a b Guilbert 2002, p. 132
  26. ^ Smith, Liz (February 17, 1991). "Madonna singing for an Oscar?". The Blade. Retrieved June 13, 2014. 
  27. ^ Taraborrelli 2008, p. 218
  28. ^ Hoogenboom, Lynn (March 26, 1993). "Madonna's Missing Mike and Other Oscar Crises". Bangor Daily News. Retrieved June 13, 2014. 
  29. ^ "Life With My Sister Madonna". Simon & Schuster. Retrieved December 30, 2015. 
  30. ^ Maslin, Janet (March 27, 1991). "Review/Television; After the Oscars, Comments on the Prize-Giving". The New York Times. Retrieved January 25, 2015. 
  31. ^ "10 Awesome Oscar Live Performances". Billboard. February 24, 2012. Retrieved August 31, 2012. 
  32. ^ Ciccone, Madonna (1990). "Liner notes". I'm Breathless (CD inlay). Madonna. Los Angeles, California: Sire, Warner Bros. p. 4. 9 26209-2. 

Bibliography[edit]

External links[edit]