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Sophie (musician)

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Sophie Xeon
Sophie performing in 2018
Sophie performing in 2018
Background information
Born(1986-09-17)17 September 1986
Glasgow, Scotland
Died30 January 2021(2021-01-30) (aged 34)
Athens, Greece
Genres
Occupation(s)
  • Musician
  • singer
  • songwriter
  • record producer
  • DJ
Instruments
Years active2009–2021
Labels
Associated acts
Websitemsmsmsm.com

Sophie Xeon (17 September 1986 – 30 January 2021), known mononymously as Sophie (stylised in all caps), was a Scottish musician, record producer, singer, songwriter, and DJ. Known for a brash and "hyperkinetic" take on pop music,[6] Sophie worked closely with artists from the PC Music label, including A.G. Cook and GFOTY, and produced for acts such as Charli XCX, Vince Staples, Kim Petras, Madonna, Let's Eat Grandma, and Namie Amuro.[4]

Sophie, who initially remained anonymous and later came out as a trans woman, came to prominence with singles such as "Bipp" (2013) and "Lemonade" (2014), which were collected on the compilation Product (2015). Sophie's debut album Oil of Every Pearl's Un-Insides followed in 2018, earning a nomination for the Grammy Award for Best Dance/Electronic Album.

Sophie died in January 2021 after an accidental fall in Athens, Greece. The Fader eulogized Sophie as a "pioneering Scottish artist whose vibrant electronic productions expanded modern pop music's scope,"[7] while Pitchfork credited Sophie's influential work with "mold[ing] electronic music into bracingly original avant-garde pop."[8]

Early life[edit]

Sophie Xeon[9] was born on 17 September 1986 in Glasgow,[10] and grew up there.[11][12][13] Sophie's father would play cassettes of electronic music in the car and take Sophie to raves as a very young child, and Sophie quickly became enamoured with the music. In an interview published by Lenny Letter, Sophie stated that in childhood: "I spent all my time listening to those cassette tapes. I'd steal them from the car." After receiving a keyboard as a birthday gift, Sophie then began to create new music. At the age of approximately nine or ten, Sophie expressed the desire to drop out of school to become an electronic music producer (although Sophie's parents did not allow this).[14] Sophie continued to create music throughout adolescence, regularly announcing "I'm just going to lock myself in my room until I've made an album."[14] Sophie started to DJ weddings and birthdays as a child. A half-sister asked Sophie to DJ her wedding; later Sophie admitted that the half-sister "didn't know what I was doing in my room on my own" and had assumed Sophie was a DJ. Around this time, Sophie learned to DJ in addition to production.[14][15]

Career[edit]

Sophie's music career began in a band named Motherland (with bandmates Sabine Gottfried, Matthew Lutz-Kinoy, and Marcella Dvsi). Sophie later collaborated with bandmate Matthew Lutz-Kinoy on a series of performance works.[16] In 2011, Sophie scored the short film Dear Mr/Mrs by Dutch team Freudenthal/Verhagen.[17] Sophie became involved with artists affiliated with the PC Music label after encountering Dux Kidz, a project between A. G. Cook and Danny L Harle.[18]

Sophie's debut single "Nothing More to Say" was released in February 2013 via the London-based Glaswegian label Huntleys + Palmers. The single featuring vocals from UK songstress Jaide Green consisted of two mixes of the titular track (titled the "Dub" and "Vox"), as well as the B-side, "Eeehhh", which was initially posted on (and later deleted from) Sophie's SoundCloud in 2011. Its follow-up, "Bipp"/"Elle"—which had been released on SoundCloud as previews in the previous year along with a third track "OOH"—was released on Numbers later that year.[17] "Bipp" in particular, featuring vocals from Sophie's former Motherland bandmate Marcella Dvsi, received considerable attention from music critics, topping XLR8R's year-end list and placing 17 on Pitchfork's.[19][20] Pitchfork later ranked "Bipp" 56 on its list of the best tracks from 2010–2014.[21] In mid-2014, Sophie collaborated with Japanese pop singer Kyary Pamyu Pamyu.[22] Also in 2014, Sophie collaborated with A. G. Cook and the US-based artist Hayden Dunham for the project QT, co-producing her debut single "Hey QT" with Cook. The project included a fictional energy drink called the QT Energy Elixir. At Sophie's request, "Hey QT" repeats the drink's name for product placement.[23]

Sophie (left) produced "Hey QT" with A. G. Cook (right).

Sophie's next single, "Lemonade"/"Hard", was released in August 2014, with vocal contributions on the former from fellow musician Nabihah Iqbal[24] and model Tess Yopp and vocal contributions on the latter from PC Music artist GFOTY. Numbers released "Lemonade"/"Hard" as a 12" single.[25] Both tracks appeared on the Billboard Twitter Real-Time charts.[26] "Lemonade" and "Hard" placed 68th and 91st respectively on the 2014 Pazz & Jop critics poll, and the single was included in the top ten of year-end singles lists by The Washington Post, Resident Advisor, Complex, and Pitchfork;[27][28][29][30] "Hard" was included in the top ten on lists by Dazed and Dummy.[31][32] "Lemonade" appeared in a 2015 commercial for McDonald's.[33]

2015–2017: Product and breakthrough[edit]

In March 2015, Charli XCX announced a collaboration with Sophie.[34] It was later revealed that the pair had worked on multiple songs for her upcoming studio album.[35] In September 2015, Sophie's debut album Product was made available for preorder. The eight tracks listed were the four Numbers singles from 2013 and 2014, as well as four new tracks: "MSMSMSM", "Vyzee", "L.O.V.E.", and "Just Like We Never Said Goodbye". "MSMSMSM" was released on 29 September,[36] and "Just Like We Never Said Goodbye" followed on 15 October.[37]

In February 2016, Charli XCX released her Vroom Vroom EP, produced primarily by Sophie.[38] It was later revealed that the extended play would act as a teaser for XCX's upcoming album, which would be produced by Sophie. After the extended play's release, Sophie embarked on tour with Charli XCX in promotion of new music. Sophie, along with A. G. Cook and Hannah Diamond also involved with the EP, received cameos in the official video for the lead single, "Vroom Vroom". The video was premiered on Apple Music and other platforms soon after.[39]

In late 2016, Sophie acted as an additional producer on Charli XCX's song "After the Afterparty", which features vocals from Lil Yachty. Sophie cameos in the single's official music video. Sophie also received production credits for two songs on XCX's 2017 mixtape Number 1 Angel,[40] and another for one song on XCX's second mixtape of 2017, Pop 2, which was released later that year.[41]

Sophie collaborated with producer Cashmere Cat on several tracks from his album 9, including "Love Incredible" alongside Camila Cabello and "9 (After Coachella)" with .[42]

2017–2021: Oil of Every Pearl's Un-Insides[edit]

In October 2017, Sophie released "It's Okay to Cry", the first new material from the artist in almost two years. The music video for the song was the first time Sophie's voice and image were used in a release. Sophie subsequently opened up to the press about being a transgender woman.[43] Later in the month, Sophie also debuted in live performance, premiering newly-recorded songs from Sophie's second album with vocal performances by Cecile Believe. The single "Ponyboy" was released with a self-directed music video on 7 December 2017. The third single from the album, "Faceshopping", was released on 16 February 2018 with a music video on 4 April 2018.[44]

On 3 April 2018, Sophie announced via Instagram that the album was complete and that it would not be titled Whole New World as previously thought.[45] On 1 May 2018, an interview with Crack Magazine revealed that the official album title is Oil of Every Pearl's Un-Insides. It was released on 15 June 2018[46] by Sophie's own label, MSMSMSM, along with Future Classic and Transgressive. In early 2018, it was revealed in one of Sophie's tweets that the artist had contributed to and produced Lady Gaga's latest album. In a video posted on social media, when asked, Sophie said: "Yes. I mean whatever, you know. I work on a lot of different things. If it comes out, then it's cool. You can never tell. But she's a really cool person."[47]

In July 2018, Sophie revealed work on four new projects, including a newly-released debut album, which were all going to be released that year. Sophie said, "I have the next one finished... I'm going to release four albums this year". In an interview with Lenny Letter, Sophie said that Sophie had done so much collaborating with other people that, "Basically, I've done a whole new album in the last two weeks." When asked to clarify whether this was a comment on EPs or albums, Sophie stated that it would be "a mix". Sophie had also been working with Kim Petras, Charli XCX, and Bibi Bourelly on new material within the year, as well as some rap collaborations in addition to the confirmed Lady Gaga collaboration.[48][49][50]

At the 61st Annual Grammy Awards, Oil of Every Pearl's Un-Insides was nominated for Best Dance/Electronic Album, and Sophie made history as both one of the first openly transgender artists to be nominated in this category and one of the three first openly transgender women to be nominated for a Grammy.[51] During a red carpet interview at the ceremony, Sophie confirmed work on a remix album of Oil of Every Pearl's Un-Insides.[52]

In July 2019, Oil of Every Pearl's Un-Insides Non-Stop Remix Album was announced as part of an exclusive 3-CD set that includes the original Oil of Every Pearl's Un-Insides album as well as a clutch bag featuring its artwork.[53] The remix album was later released as two videos on YouTube on 29 July.[54]

Sophie's September 2020 single "Metal" was a collaboration with Jimmy Edgar.[55] In January 2021, the single "Unisil" was released two days before Sophie's death.[56] Sophie had made the song alongside Product and initially released it as a digital bonus track.[57]

Sound and image[edit]

Sophie primarily used the Elektron Monomachine and Ableton Live to create music.[59] Apart from vocals, synthesized sounds were used rather than samples.[26] Likening the construction of a track to building a sculpture out of different materials, Sophie used the Monomachine to create sounds resembling "latex, balloons, bubbles, metal, plastic, [and] elastic".[26][59][60] AllMusic wrote that Sophie's "sophisticated, hyperkinetic productions" feature a "surrealist, blatantly artificial quality", typically making use of high-pitched female vocals in addition to "sugary synthesizer textures, and beats drawing from underground dance music styles" as well as "experimental sound design."[4] The New York Times described Sophie's work as "giddy fun, but [...] also an invitation to consider pop's pleasures, structures and gender expectations, and pop's commercial status as both a consumer item and an emotional catalyst."[61] The Fader likened it to "K-Pop, J-Pop, Eurodance at its most chaotic, and even turn of the millennium American/UK boybandisms."[62] Sophie told Billboard that the genre of music produced was "advertising".[13] Variety and The New York Times described the work of Sophie as pioneering the 2010s style known as "hyperpop".[63][64]

Sophie's early visuals came from a series of colourful images described as "Homemade Molecular Cooking",[17] with the singles' cover art often depicting objects made from plastic or other industrial materials, an idea that originated from discussions with John Roberts, a fellow electronic musician.[65]

Personal life[edit]

Identity[edit]

Sophie was described as a reclusive figure, and remained anonymous for some time; the artist's identity was concealed in interviews through voice masking, as well as by covering parts of Sophie's body.[17][22][cleanup needed] Early in Sophie's career, Sophie's real-life identity was the subject of press speculation. Prior to coming out as a trans woman, some commentators accused Sophie of "feminine appropriation", on the assumption that Sophie was a man using a female stage name.[66][67][68] In a 2013 Pitchfork e-mail interview, when asked about the choice of Sophie as a stage name, Sophie responded: "It tastes good and it's like moisturizer."[17] At one Boiler Room show, drag performer Ben Woozy was recruited to mime a DJ set while Sophie pretended to be a bodyguard.[69]

The music video for "It's Okay to Cry", released in October 2017, was the first time Sophie's voice and image were used in a release, with Sophie appearing nude from the bust up against a backdrop of clouds. This was widely interpreted as a coming out announcement as a trans woman.[43] Sophie confirmed a trans identity in subsequent interviews, also speaking of feeling boxed-in by labels and describing music as "my chosen method of communication" and self-expression.[70] After Sophie's death, one representative informed Pitchfork that Sophie preferred not to use gendered or non-binary pronouns as an artist.[8]

Death[edit]

Sophie died at around 4 AM local time on 30 January 2021, aged 34, at Attikon University Hospital in Athens, Greece,[71] following an accidental fall from a balcony.[9][72] A senior Athens police official confirmed that the artist fell from the rooftop of a three-storey building while attempting to take a photograph of the full moon. The police investigation of the fall is ongoing. Sophie's girlfriend said that "it took the police and fire brigade around 90 minutes to get [Sophie] out" before their arrival to the hospital where Sophie died.[73][74] Many artists, including Rihanna, Sam Smith and Christine and the Queens, expressed condolences.[10][75][76]

Discography[edit]

Full-length releases[edit]

Awards and nominations[edit]

Year Award Category Work Result
2018 AIM Independent Music Awards[78][79] UK Breakthrough of the Year Sophie Nominated
Innovator Award Won
Independent Album of the Year Oil of Every Pearl's Un-Insides Nominated
2019 Grammy Award[80] Best Dance/Electronic Album Nominated
Libera Award[81] Best Dance/Electronic Album Nominated
2020 AIM Independent Music Awards[82] Best Creative Packaging Oil of Every Pearl's Un-Insides Non-Stop Remix Album Nominated

References[edit]

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External links[edit]