Sorry We Missed You
|Sorry We Missed You|
British release poster
|Directed by||Ken Loach|
|Produced by||Rebecca O'Brien|
|Written by||Paul Laverty|
|Music by||George Fenton|
|Edited by||Jonathan Morris|
Principal photography began in September 2018 in the Newcastle area in north-east England. It was selected to compete for the Palme d'Or at the 2019 Cannes Film Festival. Despite having a broken arm in a sling, Loach appeared to promote the film at Cannes, where he said that it would be his final film to compete at the festival. It received the audience award for best European film at the 2019 San Sebastián International Film Festival
The film was released in the United Kingdom on November 1, 2019, and is scheduled to be released in the United States on March 6, 2020.
Ricky (Kris Hitchen) and his family have been fighting an uphill struggle against debt since the 2008 financial crash. An opportunity to wrestle back some independence appears with a shiny new van and the chance to run a franchise as a self employed delivery driver. It's hard work, and his wife's job as a carer is no easier. The family unit is strong but when both are pulled in different directions everything comes to breaking point.
- Kris Hitchen as Ricky Turner
- Debbie Honeywood as Abby Turner
- Rhys Stone as Seb Turner
- Katie Proctor as Lisa Jane Turner
- Ross Brewster as Maloney
- Charlie Richmond as Henry
- Julian Ions as Freddie
- Sheila Dunkerley as Rosie
- Maxie Peters as Robert
- Christopher John Slater as Ben
- Heather Wood as Mollie
- Alberto Dumba as Harpoon
- Natalia Stonebanks as Roz
- Jordan Collard as Dodge
- Dave Turner as Magpie
- Stephen Clegg as Policeman
- Darren Jones as Council worker
- Nikki Marshall as Traffic warden
- Linda E Greenwood as Driver
- Linda Wright as A&E receptionist
On Rotten Tomatoes, the film holds an approval rating of 84% based on 70 reviews, with an average rating of 7.61/10. The site's critical consensus reads "Sorry We Missed You may strike some as tending toward the righteously didactic, but director Ken Loach's passionate approach remains effective." Metacritic, which uses a weighted average, assigned the film a score of 79 out of 100, based on 16 critics, indicating "generally favorable reviews".
David Rooney in The Hollywood Reporter wrote that the film "is an expertly judged and profoundly humane movie, made without frills or fuss but startlingly direct in its emotional depiction of the tough stuff that is the fiber of so many ordinary lives."
Peter Bradshaw in The Guardian believed it was superior to Loach's previous film I, Daniel Blake (2016), which won the Palme d'Or at Cannes. Bradshaw wrote: "it is more dramatically varied and digested, with more light and shade in its narrative progress and more for the cast to do collectively. I was hit in the solar plexus by this movie, wiped out by the simple honesty and integrity of the performances." The review in The Times praised the performance of newcomer Debbie Honeywood as Abbie, who was cast after a talent search of non-professionals. Contributor Kevin Maher believed the film should have concentrated on her character instead of Ricky, Abbie's husband.
Geoffrey Macnab wrote in The Independent that Loach's film "captures brilliantly the alienation and existential anguish that its main characters feel. There is nothing they can do to help themselves. The more they fight to change their circumstances, the worse those circumstances become." Macnab commented that Loach and his screenwriter Laverty "pursue their story to its logical conclusion, ending the film in a way that is both ingenious and devastating."
Owen Gleiberman of Variety writes: "Loach stages all of this with supreme confidence and flow" leading to "a fraught, touching, and galvanizing movie." Raphael Abrahams, in his review for the Financial Times, states: "In the end credits he [Loach] gives thanks to those drivers whose testimony informed the film but who wished to remain anonymous. He is their much-needed voice and remains that of our moral conscience."
Trevor Johnston of British film publication Sight & Sound wrote "While Sorry We Missed You may not be as sentimentally affecting as [I, Daniel Blake], it delivers a more nuanced, troubling and provocative state-of-the-nation address. As such, it’s surely among Loach and Laverty’s most sinewy efforts."
- Wiseman, Andreas (11 September 2018). "Ken Loach Begins Shoot On Drama 'Sorry We Missed You', eOne To Release in UK". deadline.com. Retrieved 12 September 2018.
- "Ken Loach's 'Sorry We Missed You' begins shoot, eOne to release in UK". screendaily.com. Retrieved 12 September 2018.
- Mitchell, Robert (11 September 2018). "New Ken Loach Film, 'Sorry We Missed You,' Picked Up by eOne for U.K." Variet. Retrieved 12 September 2018.
- "Cannes festival 2019: full list of films". The Guardian. Retrieved 18 April 2019.
- Sight and Sound, Volume 29 (Issue 7), July 2019, page 25
- Wiseman, Andreas; Wiseman, Andreas (28 September 2019). "San Sebastian: Brazilian Drama 'Pacified' Takes Home Festival's Golden Shell Top Prize". Deadline. Retrieved 17 October 2019.
- Maher, Kevin (17 May 2019). "Review: Sorry We Missed You at the Cannes Film Festival". The Times. Retrieved 17 May 2019. (subscription required)
- "Sorry We Missed You (2019)". Rotten Tomatoes. Fandango Media. Retrieved 12 October 2019.
- "Sorry We Missed You Reviews". Metacritic. CBS Interactive. Retrieved 12 October 2019.
- Rooney, David (16 May 2019). "'Sorry We Missed You': Film Review (Cannes 2019)". The Hollywood Reporter. Retrieved 17 May 2019.
- Bradshaw, Peter (16 May 2019). "Sorry We Missed You review – Ken Loach's superb swipe at zero-hours Britain". The Guardian. Retrieved 17 May 2019.
- Gleiberman, Owen (16 May 2019). "Cannes Film Review: Ken Loach's 'Sorry We Missed You'". Variety. Retrieved 17 May 2019.
- Macnab, Geoffrey (17 May 2019). "Sorry We Missed You, Cannes 2019, review: Ken Loach makes everyday problems seem the stuff of epic drama". The Independent. Retrieved 17 May 2019.
- Abrahams, Raphael (17 May 2019). "Cannes: Ken Loach's Sorry We Missed You — a piercing drama about a zero-hours-contract driver". Financial Times. Retrieved 17 May 2019.
- Johnston, Trevor (31 October 2019). "Sorry We Missed You review: Ken Loach counts the cost of striving in austerity Britain". Sight & Sound. Retrieved 11 November 2019.