Source Tags & Codes

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Source Tags & Codes
SourceTags&Cods.jpg
Studio album by ...And You Will Know Us by the Trail of Dead
Released February 26, 2002
Genre
Length 45:54
Label Interscope
Producer Mike McCarthy, ...And You Will Know Us by the Trail of Dead
...And You Will Know Us by the Trail of Dead chronology
Relative Ways
(2001)
Source Tags & Codes
(2002)
The Secret of Elena's Tomb
(2003)

Source Tags & Codes is the third studio album by American rock band ...And You Will Know Us by the Trail of Dead. It was released as the band's major-label debut on Interscope Records on February 26, 2002 to wide critical acclaim. The album is often cited as the band's finest work, though the band continues to deny it to this day, claiming that their best album "is the one they're currently working on".[1]

Music videos were produced for "Another Morning Stoner" and "Relative Ways", which saw airplay on MTV2.

Recording and production[edit]

After releasing two albums on indie record imprints, Trail of Dead signed a multi-release deal with Interscope Records and began recording a follow-up to 1999's Madonna with the same producer, Mike McCarthy.[2][3] Their major label budget improved recording quality and allowed intricate orchestral pieces, yielding a sound texture unlike previous records.[4] Source Tags & Codes was recorded in Cotati, California and mixed in Nashville, Tennessee on a budget of 150,000 dollars.[1]

Music[edit]

The song 'Baudelaire' refers to the French poet, Charles Baudelaire, and 'Days of Being Wild' is named after the Hong Kong film of the same name. "After the Laughter" samples the song "Someday (You'll Want Me to Want You)" written by Jimmie Hodges and performed by Mary Margaret Ragan. The song "Homage" is a homage to Unwound. On the day "Homage" was recorded, producer Mike McCarthey woke Keely up that morning by throwing cold water in his face for him to be aggressive enough to record the drum track.

In the song "It Was There That I Saw You": "Keely had intended to conjure up the intoxicating thrill of living in Austin Texas in the mid-nineties, before America had gone to shit. The inspiration came from a girl he used to work with that he had a crush on, and several late nights spent in the company of people on drugs" [1]

The title of "Another Morning Stoner" refers to getting an erection in the morning or smoking marijuana. The song is inspired by Keelys relationship with his ex-girlfriend who was raised Christian. "It recalls a moral dilemma he underwent when he realized that eventually theology would drive them apart more than anything else, because of his strong negative feelings towards organized religion."[2]

Critical reception[edit]

Professional ratings
Aggregate scores
Source Rating
Metacritic 85/100[5]
Review scores
Source Rating
AllMusic 4.5/5 stars[6]
Blender 4/5 stars[7]
Entertainment Weekly A−[8]
The Guardian 2/5 stars[9]
Los Angeles Times 3.5/4 stars[10]
NME 8/10[11]
Pitchfork Media 10/10[12]
Q 3/5 stars[13]
Rolling Stone 3.5/5 stars[14]
Uncut 4/5 stars[15]

Source Tags & Codes was met with critical acclaim, receiving a score of 85 out of 100 on review aggregate site Metacritic, indicating "universal acclaim".[5] The Austin Chronicle's Michael Chamy called Source Tags & Codes "an album that absolutely cannot be ignored",[16] while Billboard's Annie Zaleski stated that "what makes Source Tags & Codes such an amazing album is how the band teeters on the edge of this implosion but always yanks its songs back from collapse at the very last second."[17] Noel Murray of The A.V. Club wrote that the band "plays imaginative alt-rock with intense passion, and Source Tags & Codes lets the pressure build exquisitely."[18] Noting its "angular, Sonic Youth-style guitar and earnest anger", Blender's Michael Leonard credited the album for being "more engaging than many of [the band's] post-rock peers",[7] while Uncut similarly wrote that "compared to so many noisemongers, TOD understand that restraint enables unleashed firepower to be exhilarating and awesome."[15] Matt LeMay of Pitchfork Media awarded Source Tags & Codes a perfect score and wrote that the album "will take you in, rip you to shreds, piece you together, lick your wounds clean, and send you back into the world with a concurrent sense of loss and hope,"[12] though Conrad Keely considers this rating to be "preposterous", as "it is clearly nowhere close to a perfect album".[1]

Hobey Echlin of The Village Voice wrote that Source Tags & Codes "captures the fuzzy-math sound from too many gray-area indie bands—and it rocks hard where geezers like Mercury Rev just drift away."[3] Mojo described the album as "not a crossover record, but invigorating."[19] Among average reviews, Q felt that the band "has reached a point where the need for convention outweighs the joy of using guitars as weapons."[13] In The Village Voice, Robert Christgau awarded the album a "dud" ((dud)) rating,[20] indicating "a bad record whose details rarely merit further thought."[21] While noting that "there's a fantastic EP in here somewhere", Maddy Costa of The Guardian nonetheless felt that the album "is ablaze with emotion – it roars and pulses and oozes angst – but it never inspires".[9]

Kludge included it on their list of best albums of 2002.[22] In 2009, Source Tags & Codes was placed at number 100 in Pitchfork Media's list of the top 200 albums of the 2000s.[23]

Track listing[edit]

All songs written and composed by ...And You Will Know Us By the Trail of Dead. 

No. Title Length
1. "Invocation" (co-written with James Olsen) 1:32
2. "It Was There That I Saw You"   3:57
3. "Another Morning Stoner"   4:33
4. "Baudelaire"   4:16
5. "Homage"   3:29
6. "How Near How Far"   3:55
7. "Life is Elsewhere"   0:55
8. "Heart in the Hand of the Matter"   4:48
9. "Monsoon"   5:53
10. "Days of Being Wild" (co-written with James Olsen) 3:27
11. "Relative Ways"   4:03
12. "After the Laughter"   1:15
13. "Source Tags & Codes"   6:08
14. "Blood Rites" (bonus track) 1:58

"Invocation", "Life is Elsewhere" and "Blood Rites" are not included on the North American release of the album.

Personnel[edit]

Credits adapted from the album's liner notes.[24]

…And You Will Know Us by the Trail of Dead
  • Conrad Keelylead vocals (on "It Was There That I Saw You", "Another Morning Stoner", "How Near How Far", "Relative Ways", "Source Tags & Codes" and "Blood Rites"), guitar, string arrangements, art direction, artwork
  • Jason Reece – lead vocals (on "Homage", "Heart in the Hand of the Matter" and "Days of Being Wild"), drums, artwork
  • Neil Busch – lead vocals (on "Baudelaire" and "Monsoon"), bass
Additional personnel

References[edit]

  1. ^ a b c "Source Tags & Codes". TrailOfDead.com. Retrieved March 3, 2016. 
  2. ^ "Artist Biography - ...And You Will Know Us by the Trail of Dead". Billboard.com. Retrieved 2009-02-23. 
  3. ^ a b Echlin, Hobey (March 5, 2002). "Atomic Prog". The Village Voice. Retrieved July 3, 2013. 
  4. ^ "Trail of Dead's Source Tags & Codes, 02.28.02". Flak Magazine. February 28, 2002. Retrieved February 23, 2009. 
  5. ^ a b "Reviews for Source Tags & Codes by ...And You Will Know Us by the Trail of Dead". Metacritic. Retrieved July 3, 2013. 
  6. ^ Phares, Heather. "Source Tags & Codes – ...And You Will Know Us by the Trail of Dead". AllMusic. Retrieved July 3, 2013. 
  7. ^ a b Leonard, Michael (February–March 2002). "...And You Will Know Us by the Trail of Dead: Source Tags & Codes". Blender (5): 110. Archived from the original on August 8, 2004. Retrieved July 6, 2016. 
  8. ^ Hermes, Will (March 8, 2002). "Source Tags & Codes". Entertainment Weekly. Retrieved July 3, 2013. 
  9. ^ a b "New age jewels". The Guardian. March 1, 2002. Retrieved July 3, 2013. 
  10. ^ "Weary Confessions and Vital Emotions". Los Angeles Times. February 24, 2002. Retrieved March 3, 2016. 
  11. ^ Segal, Victoria (March 1, 2002). "And You Will Know Us By The Trail Of Dead : Source Tags And Codes". NME. Retrieved July 3, 2013. 
  12. ^ a b LeMay, Matt (February 28, 2002). "And You Will Know Us by the Trail of Dead: Source Tags and Codes". Pitchfork Media. Retrieved July 3, 2013. 
  13. ^ a b "...And You Will Know Us by the Trail of Dead: Source Tags & Codes". Q (187): 104. February 2002. 
  14. ^ Wolk, Doug (February 19, 2002). "And You Will Know Us By the Trail of Dead: Source Tags & Codes : Music Reviews". Rolling Stone. Archived from the original on March 24, 2008. Retrieved July 3, 2013. 
  15. ^ a b "...And You Will Know Us by the Trail of Dead: Source Tags & Codes". Uncut: 111. April 2002. 
  16. ^ Chamy, Michael (April 12, 2002). "...And You Will Know Us by the Trail of Dead: Source Tags & Codes (Interscope)". The Austin Chronicle. Retrieved July 3, 2013. 
  17. ^ Zaleski, Annie (February 25, 2002). "...And You Will Know Us by the Trail of Dead: Source Tags & Codes". Billboard. Archived from the original on April 9, 2002. Retrieved July 3, 2013. 
  18. ^ Murray, Noel (March 29, 2002). "...And You Will Know Us By The Trail Of Dead: Source Tags & Codes". The A.V. Club. Retrieved February 9, 2011. 
  19. ^ "...And You Will Know Us by the Trail of Dead: Source Tags & Codes". Mojo: 114. March 2002. 
  20. ^ Christgau, Robert (June 10, 2003). "Consumer Guide: Eating Again". The Village Voice. Retrieved February 9, 2011. 
  21. ^ Christgau, Robert. "Key to Icons". RobertChristgau.com. Retrieved January 30, 2014. 
  22. ^ "The Best of 2002". Kludge. Archived from the original on July 22, 2004. Retrieved November 25, 2015. 
  23. ^ Pitchfork staff (September 28, 2009). "The Top 200 Albums of the 2000s: 200–151". Pitchfork Media. Retrieved October 1, 2009. 
  24. ^ Source Tags & Codes (CD liner notes). …And You Will Know Us by the Trail of Dead. Interscope Records. 2002. 493 248-2. 

External links[edit]