Space: Above and Beyond

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Space: Above and Beyond
Space above.jpg
Title sequence
Created by Glen Morgan
James Wong
Starring Lanei Chapman
Kristen Cloke
Joel de la Fuente
James Morrison
Rodney Rowland
Morgan Weisser
Theme music composer Shirley Walker
Country of origin United States
Original language(s) English
No. of seasons 1
No. of episodes 23 (list of episodes)
Location(s) Australia
United States
Running time 60 minutes
Production company(s) Hard Eight Pictures
20th Century Fox Television
Original network FOX
Picture format NTSC/480i60
Audio format Dolby Surround
Original release 24 September 1995 – 2 June 1996

Space: Above and Beyond is an American science fiction television show on the FOX Network, created and written by Glen Morgan and James Wong. Originally planned for five seasons, it ran only for the single 1995–1996 season, due to low ratings. It was nominated for two Emmy Awards and one Saturn Award. It was ranked "50" in IGN's top 50 Sci-Fi TV Shows, described as "yet another sci-fi show that went before its time".[1]

Set in the years 2063–2064, the show focuses on the "Wildcards", members of the United States Marine Corps Space Aviator Cavalry, 58th Squadron. They are stationed on the space carrier USS Saratoga, and act as infantry and pilots of SA-43 Endo/Exo-Atmospheric Attack Jet ("Hammerhead") fighters.


In the years leading up to 2063, humanity has begun to colonize other planets. Lacking FTL technology, this is accomplished by taking advantage of transient but predictable, naturally-occurring wormholes. Without warning, a previously unknown alien species, the "Chigs", attack and destroy Earth's first extra-solar colony and then destroy a second colony ship. The bulk of the Earth military forces sent to confront the Chigs are destroyed or outflanked, in part because the Chigs have some form of FTL, affording them greater freedom of movement (although this technology appears limited, and the Chigs also primarily utilize natural wormholes).

At the opening of the show, the Chigs have defeated all counterattacks, and have entered the Solar System. In desperation, unproven and under-trained outfits like the 58th "Wildcards" are thrown against the Chigs. The Wildcards are the central focus of the series, which follows them as they grow from untried cadets into veterans. Although the unified Earth forces come under the control of a reformed United Nations, the UN has no armed forces of its own and therefore navies such as the U.S. Navy and the Royal Navy operate interstellar starships.

Prior to the events of the show, there was a war between humans and android artificial intelligences known as Silicates. These human-looking androids, referred to as "walking personal computers", have rebelled, formed their own societies, and wage a guerrilla war against human society from a number of remote bases. The Silicates are also suspected of having some involvement with the Chigs.

In an attempt to defeat the Silicates, a new underclass of genetically engineered and artificially gestated humans were bred to quickly swell the ranks of the military. These troops, collectively known as In Vitroes or sometimes, derogatorily, "tanks" or "nipple-necks", are born at the physical age of 18, and trained solely for combat. In the post-war period the tanks have attempted (with mixed success) to re-enter human society.

Story arcs[edit]

Space: Above and Beyond connects episodes through several prominent story arcs beside that of the main arc, the Chig War. In an approximated descending order of significance, these are:

Chig War (2063–)[edit]

See also: Chigs

The Chig War, taking place six years after the AI War (2047–2057), represents a major setback for human space exploration. In the first half of the season, and up to approximately episode 1.16, the Chig War progressed rather grimly for humanity (e.g. episodes 1.09, 1.15), but with superior military strategies, covert operations and disinformation (episodes 1.13, 1.21), the humans are able to gain an upper hand and are able to launch major offensives (episodes 1.22, 1.23), although neither the War nor the story arc concludes at the end of the series.

With the Chig War as the main story arc of the series, Space: Above and Beyond probes human emotion in extreme desperation and conflict. The important motifs presented in this story arc can be found in a variety of war dramas: loyalty, courage, and the significance of individual actions.

In Vitroes[edit]

See also: In Vitro

As artificially gestated humans, the In Vitroes do not share social equality with the so-called "naturally born". Literally removed ("born") from their individual gestation tanks at physical age of eighteen, they are educated swiftly and harshly to enable them to enter society with at least a nominal idea of how to comport themselves. They are derisively termed "tanks" by regular humans, which seems to be a double entendre, describing not only their method of birth but also their physical toughness, which is always greater than "naturals", and the disposable nature of them, the first to come in battle, the "tanks" that open the way for the infantry.

Unfortunately, due to their limited amount of emotional development, their deployment in the AI War as troops was not as successful as the pioneers of the In Vitro program nor the military would have liked, as the In Vitro battalions had no emotional connection beyond the most basic to their country, planet or even race; this led to their racial reputation as "lazy" and "not caring for anything or anyone" (episode 1.01/1.02), which contributed to the prejudice against them from "naturals". In Vitroes also seem to refer to themselves as "tanks" amongst themselves. Before its abolition, they were subject to indentured servitude (episode 1.05), and there is still considerable racial segregation and resentment by normal humans (e.g. episodes 1.01, 1.07), and governmental abuse for morally dubious purposes (episode 1.13). Two main characters, Cooper Hawkes and T. C. McQueen, have to face all the ramifications of such a society from their perspective as In Vitroes.

This repeating theme explores topics such as racism and prejudice in a society, and also freedom. It differs from other story arcs in its complexity in the form of a division into two substories. One is presented as historical narration by the characters (e.g. episodes 1.05, 1.18) or flashbacks (episode 1.13); the second occurs in the present, with the experiences of Cooper Hawkes and T. C. McQueen, including a subtle substory of the shifting relationship between Nathan West and a maturing Hawkes (e.g. episodes 1.07, 1.11).


The Silicates, or AI rebels, stole military spacecraft at the end of the AI War and went into space (episode 1.04). During the Chig War, Silicates collaborate with the Chigs, acting as mercenaries (episodes 1.04, 1.16, 1.19) and operating Chig mining and prison facilities (episode 1.10). There is a sub-story, Paul Wang and Elroy EL, in which Paul Wang must deal with the fact that under torture, he falsely confessed to having committed war crimes (episodes 1.10, 1.16, 1.19).

The Silicates also provided an important part of the background story for Vansen, having killed her parents in front of her when she was a child. This became a major psychological hurdle for her to overcome and showed her growth over the series as the race which caused her childhood nightmares reemerged from the dark of space.

Aero-Tech and the UN[edit]

The dark Aero-Tech and UN story arcs inject elements of conspiracy and high-level cover-up. Aero-Tech, founded in 2015 (episode 1.24), appears to be a monopolistic aerospace and defense supplier. It is connected with the UN by Aero-Tech's clearly evident political power, both with the UN (with a former Aero-Tech director becoming the United Nations Secretary-General in episode 1.07) and with the armed forces, as evidenced by its control over advanced technologies (episodes 1.03, 1.10, 1.16). It is also suspected that Aero-Tech was aware of the Chigs before the rest of humanity, and deliberately endangered the Vesta and Tellus colonists (episodes 1.07, 1.24). Aero-Tech further gathers, uses or withholds key strategic information in pursuit of its own corporate agenda (e.g. episodes 1.03, 1.09, 1.10, 1.16).

The Aero-Tech and the UN story arc explores topics such as power, intrigue, politics, the military-industrial complex and perhaps to some degree also the ethics of science in the service of military and corporate interests and moral responsibility.

Other topics explored[edit]

Beside the story arcs described above, there are 5 "disconnected" episodes not used to carry on any of the story arcs beside the overall Chig War story arc. These are episodes 1.06, 1.08, 1.11, 1.14, and 1.20. Some of the episodes have a less prominent motif, while others explored topics outside any of the main story arcs. Yet other topics also have been explored in episodes related to a story arc. Examples of these additional topics are: fear and revenge (episode 1.04), loss and sacrifice (episodes 1.06, 1.11), subconscious fears (episode 1.08), parapsychological abilities and responsibility (episode 1.14), drug addictions (episode 1.20), desperation and hope (episodes 1.13, 1.22). Beside the story arcs, several episodes also explore other private relationships of the characters in war time (e.g. episodes 1.05, 1.15, 1.18).


The final episode ends in a cliffhanger, with T. C. McQueen badly injured and most of the major cast apparently killed or missing in action, with only Cooper Hawkes and Nathan West remaining. Yet with Earth in a much stronger strategic position, there is hope despite the losses and sacrifices. These closing elements of the plot were written at a point when the producers knew that the show was likely to be cancelled. Even so, the producers still planned a possible continuation in a second season, with T. C. McQueen returning to Earth to treat his injuries, possibly given an AI prosthetic leg, and meeting up with his ex-wife Amy. The "Wildcards" receiving a new female commanding officer who is disliked by everyone except Shane Vansen.[2][3]


Cast (from left to right): Cloke, de la Fuente, Weisser, Morrison, Rowland, Chapman.

58th Squadron aka Wildcards[edit]

  • Kristen Cloke — Capt. Shane Vansen (USMC), callsign first episodes "Ace of Diamonds", later changed to "Queen of Diamonds". The eldest of three daughters, Vansen was born to two career marines. Her parents were executed at the hands of a patrol of Silicates during the A.I. war (she would later discover on interrogating a Silicate that her home was invaded and her parents killed as she and her sisters watched due to a coin toss (the Silicates adhering to their doctrine of "Take a chance" (Ep1.04) She joined the Marine Corps to honor their memories, and with ambitions to be one of the elite of the 127th Squadron, the "Angry Angels". A natural leader, solid tactician and outstanding pilot, she was quickly chosen by her peers to be in command of her squadron in the early days of the Chig war, (ep1.02)and this choice was reflected in her being selected as 'honcho' by her superiors in missions thereafter. (ep1.04) During the war, she would repeatedly encounter the Silicates, and would demonstrate a cool head under pressure even when facing these nightmares of her childhood.(ep1.04, 1.06, 1.08,1.09) Reflecting her war record, having been wounded several times in combat, received repeated citations for achievement in battle as well as the continued respect of her peers and superiors, 1st Lt. Vansen was promoted to Captain in late 2063. (ep 1.17) She was close friends with all of her squadron, subconsciously slipping into the 'big sister' role that she had been denied as she and her sisters had drifted apart in the aftermath of their parents' deaths.
  • Morgan Weisser — 1st Lt. Nathan West (USMC), callsign "King of Hearts", Hammerhead dubbed "Above and Beyond" (ep. 1.01)Arguably the heart of the 58th Squadron, Nathan West had never intended to become a Marine. His choice or career and by definition, lifestyle had been in the Tellus Colony program. He and his girlfriend, Kylen Celina had worked long and hard to be selected for the program,with the kind of strong moral conviction of the truly adventurous. They had also been long-standing advocates of In Vitro rights. On the eve of their mission to colonise Tellus, they were advised that one of them was being summarily replaced by an In Vitro, a political decision that had ironically robbed them of their dream. Although Nathan tried to stow away, he was unsuccessful, and was removed from the transport. Kylen stayed on, handing a photo of them together, with a recorded message of "I believe in you" to Nathan. He watched as Kylen and his life flew away.Having been advised that a USMC sentry might be stationed at Tellus, he joined the Marine Corps, and was halfway through training when the news arrived that the Vesta & Tellus colonies had been preemptively attacked by the extraterrestrial species that came to be known as the "Chigs". After undergoing Accelerated Training, he and the rest of the nascent 58th Squadron participated in the "Battle of the Belt"; the Earth forces' first victory against the enemy. 1st Lt. West was credited with six confirmed kills in this space battle. Along with the other members of his Squadron, he was awarded a prestigious medal for this decisive victory. (ep.1.01/1.02)
  • Rodney Rowland — 1st Lt. Cooper Hawkes (USMC, In Vitro), callsign "Jack of Spades", Hammerhead dubbed "Pag's Payback". (ep. 1.01) After being scheduled to be "erased" for asking a single question about freedom, Hawkes subdued one of his monitors and killed him in retaliation. Escaping the In Vitro training facility in Philadelphia, Hawkes lived on the streets until being arrested while chasing an In Vitro racist who had tried to hang him. The judge ordered him to the Marines, where he found the only people he ever cared about: The Wild Cards. He bonded especially with his fellow soldier Mike "Pags" Pagodin, who was K.I.A in the early stages of the conflict with the Chigs; and Lt. Col. "T.C." McQueen, who became a father figure to him.
  • Joel de la Fuente — 1st Lt. Paul Wang (USMC), callsign "Joker". After growing up in poverty in his hometown of Chicago, Illinois, Wang enlists and is assigned to the Wildcards. He was especially known for his sense of humor, attachment to the Chicago cubs and Wrigley field, and his budding romance with Lt. Stroud (played by Melissa Bowen, who later married Joel de la Fuente) and squadmate Vanessa Damphousse.
  • Lanei Chapman — 1st Lt. Vanessa Damphousse (USMC), callsign "Ace of Hearts". Originally from Upstate New York, Damphousse graduated from Caltech with a degree in nuclear physics. She functions as the squad's technical expert. She is in a relationship with a previously married man, who is later revealed to have left her for her best friend. She is close to Paul Wang, with whom she becomes romantically involved over the course of the series.
  • James Morrison — Lt. Col. Tyrus Cassius "T. C." McQueen (USMC, In Vitro) callsign "Queen 6". McQueen is the commander who leads the 58th. Prior to assuming this position, McQueen has commanded the 127th squadron, the Angry Angels; the unit was decimated during the first contact with the Chigs, leaving McQueen as the sole survivor. He is a veteran of the AI wars, during which he was captured and tortured. McQueen is divorced from his wife due to his inability to procreate naturally. McQueen has a strong bond with Hawkes, for whom he functions as a father figure.

Recurring characters[edit]

  • Tucker Smallwood — Commodore Glen van Ross (USN)
  • David Jean Thomas — Gen. Alcott (USMC)
  • David St. James — ADM Broden (USN)
  • Amanda Douge — Kylen Celina (Aero-Tech, Tellus colonist)
  • Tasia Valenza — 1st Lt. Kelly Anne Winslow (USMC) callsign "Queen of Spades"
  • Edmund L. Shaff — "Chaplain" (USN)
  • Bill Hunter — Secretary General Spencer Chardwell (UN)
  • Robert Crow — Officer Crow (Lt. Pruitt in last episode) (USN)
  • Doug Hutchison — Elroy EL (AI)
  • Kimberly Patton — Feliciti OH (AI)
  • Harriet Sansom Harris — Ambassador Diane Hayden (UN) (Secretary General, UN in ep. 1.07)
  • John Lendale Bennett — "Master at Arms" (USN)
  • Michael Mantell — Howard Sewell (Aero-Tech, member of the Board of Directors)
  • James Lesure — Charlie Stone (USMC)
  • Melissa Bowen — LTJG Stroud (USN)
  • Gennie Nevinson, Loren Chase — Anne West
  • Angus Grant, Marc Worden — Neil West (Private, USMC in ep. 1.07)
  • Iva Franks-Singer — Sabrine EW (AI)

One-time characters[edit]

  • Coolio — The Host
  • David Duchovny (uncredited) — Alvin El 1543 aka "Handsome Alvin" (Silicate)[4]
  • Dale Dye, Capt., USMC (ret.) — Major Jack Colquitt (USMC)
  • R. Lee Ermey, GySgt., USMC (ret.) (uncredited) — Sergeant Major Bougus (USMC)
  • Adam Goldberg — Sergeant 1st Class Louie Fox, Seventh Cavalry, U.S. Army
  • Richard Kind — Colonel Burke
  • Steve Rankin — Lieutenant Colonel Raymond Thomas Butts, callsign "Kick Butts" and "Deuce" (ep. 1.05, "Raymond Butts")
  • Gail O'Grady (uncredited) — Colonel Klingman in the episode "Stardust"
  • Martin Jarvis — Major Cyril MacKendrick (episode "Pearly")
  • Jennifer Balgobin — Communications Lieutenant Price in episode "Sugar Dirt" (USN)


According to the producers, the main fictional work that influenced Space: Above and Beyond was the 1974 science fiction novel The Forever War by Joe Haldeman, in addition to other fictional works such as the 1948 World War II biographic novel The Naked and the Dead by Norman Mailer, the 1895 American Civil War novel The Red Badge of Courage by Stephen Crane, and the Iliad, and the 1962 television series "Combat!."[5] At the same time, Space: Above and Beyond also shares conspiracy elements with other television shows co-produced by the same team, such as The X-Files and Millennium.

Cinematography and visual effects[edit]

The series featured a very dark and desaturated color grading, apparently inherited from the cinematography of series such as The X-Files and Millennium, co-produced by the same team, but taken to a greater extreme. The strength of desaturation employed in many scenes reaches the level that makes them almost black and white (quantitatively, the saturation in CIE xy color subspace of a typical scene in Space: Above and Beyond is in the range 0.03–0.15, approximately 1/4 of a typical contemporary film or television program).

With the increasing affordability of computer systems with performance suitable for 3D rendering, Space: Above and Beyond relied heavily on computer generated imagery (CGI) for space scenes. Physical special effects still played a significant role. The computer generated effects of Space: Above and Beyond, were created by the visual effects company Area 51 using NewTek LightWave 3D. Some of the models used, such as the USS Saratoga and the alien carriers, lack detailed textures and bump maps, which gave them a strongly polygonal appearance.


Wong and Morgan were looking for a more traditional musical approach than the synthesiser scoring favored on The X-Files; visual effects supervisor Glenn Campbell introduced the producers to the music of Shirley Walker, who had worked on Batman: The Animated Series. Wong and Morgan were initially unconvinced on hearing Walker's synth demos, until it was explained that her musical ideas would be filled out by the orchestra. Wong went on to describe the scoring session as "(his) favorite part of filmmaking."[6] Walker scored the pilot and the entire series, receiving an Emmy nomination for "The River Of Stars," and reunited with Wong and Morgan on many of their later projects (her final film score was for their remake of Black Christmas).

In 2011 La-La Land Records issued a three-disc limited edition featuring Walker's score for the pilot and music from most of the episodes ("The Enemy," "Choice or Chance," "Level of Necessity," "R&R" and "Stardust" do not have any score cues on the album).

Sound Effects[edit]

The sound effects used on the show are often reused on the animated series Futurama.


A notable criticism from the actor Joel de la Fuente has been quoted in an article by P. G. Min & R. Kim[7] (under the pseudonym "Michael", on p. 744), in which he describes his perception of a possibly stereotypical nature of his character Lt. Paul Wang, for which (referring to the Silicates story arc) he felt "discomfort" for a role that he describes as "a cowardly soldier who betrayed his comrades":

International broadcasts[edit]

Country Channel Local name
 Australia Seven Network
 Austria ORF
 Belgium VT4
 Brazil Rede Record Comando Espacial (Space Commando)
 Canada Space
 Chile TVN
 Croatia HRT Svemirski marinci (Space Marines)
 Denmark TV 2 "Rummet år 2063" (Space, Year 2063)
 Finland Paikallistelevisio "Space 2063"
 France M6 "Space 2063"
 Germany VOX "Space 2063"
 Germany &  Austria Pro Sieben "Space"
 Hungary TV3 "Űrháború 2063" (Space War 2063)
 India STAR World India
 Indonesia RCTI
 Ireland RTÉ
 Israel Channel 2
 Malaysia RTM2
 Netherlands SBS 6
 New Zealand TV3
 Norway TV 2 "Skvadron 58" (Squadron 58)
 Panama RPC Canal 4
 Philippines RPN 9
 Poland Polsat Gwiezdna eskadra (Star Squadron)
 Portugal SIC
 Russia NTV
 Singapore Channel 5
 Slovakia Markíza "Vesmír bez hraníc" (Universe Without Borders)
 Slovenia Kanal A
 South Africa SABC
 Spain Telecinco "Space"
 Sweden TV4 "Slaget om Tellus" (The Battle for Tellus)
  Switzerland TSR "Space 2063"
 Thailand iTV
 United Kingdom Sky One & BBC 2
 United States Fox Network & Sci Fi Channel
 Venezuela Televen


DVD release[edit]

Space: Above and Beyond was released on DVD in the United States and Canada by 20th Century Fox as a set of five DVD-10 discs on November 8, 2005.[8] Episodes feature closed captioning, and the set also contains some of the original television promotional advertisements for the series. Certain pressings feature a distorted image of the Babylon 5 space station—which is unrelated to and does not appear in the series—on the discs' title screens.[9]

In 2011, Space: Above and Beyond was released on Region 2 PAL DVD in Germany by KSM GmbH.[10]

In April 2012, Space: Above and Beyond was released on Region 2 PAL DVD in the UK by Fremantle Media / Medium Rare Entertainment. It contained a new documentary, cast interviews, some episode commentaries, galleries and deleted scenes. The pilot episode is included in the full season set but has also been released separately with just a commentary.


There were several books and comic books released based on the show's episodes.[11][12]


  1. ^ "Top 50 Sci-Fi TV Shows". February 21, 2011. 
  2. ^ "Space: Above and Beyond (S:AAB)'s Glen Morgan & James Wong, January 27, 1998". . January 27, 1998. Archived from the original on September 20, 2006. 
  3. ^ "James Morrison, May 26, 1998". May 16, 1998. Archived from the original on September 12, 2006. 
  4. ^ ""Space: Above and Beyond" R & R (1996) - Full cast and crew". Retrieved 2013-10-02. 
  5. ^ "Space Above and Beyond - The Complete Series: Morgan Weisser, Kristen Cloke, Rodney Rowland, Joel de la Fuente, Lanei Chapman, James Morrison, Tucker Smallwood, Robert Crow, Tasia Valenza, Michael Mantell, Ashlyn Gere, Edmund L. Shaff, Glen Morgan, James Wong: Movies & TV". Retrieved 2010-01-20. 
  6. ^ "Deck Shuffled, Wild Cards Dealt," Jeff Bond, liner notes, Space: Above And Beyond soundtrack album, LLLCD 1192
  7. ^ P. G. Min, R. Kim (2000). "Formation of ethnic and racial identities: narratives by young Asian-American professionals". Ethnic and Racial Studies. pp. 735–760. Retrieved 2013-10-02. 
  8. ^ "Space: Above and Beyond (1995)". CBS Interactive. Retrieved 2016-08-13. 
  9. ^ "The Third Edge of the Sword". Retrieved 2013-10-02. 
  10. ^[dead link]
  11. ^
  12. ^

External links[edit]