|Comune di Sperlonga|
|• Mayor||Rocco Scalingi|
|• Total||18 km2 (7 sq mi)|
|Elevation||55 m (180 ft)|
|Population (31 March 2015)|
|• Density||190/km2 (480/sq mi)|
|Time zone||CET (UTC+1)|
|• Summer (DST)||CEST (UTC+2)|
|Patron saint||St. Leo and St. Roch|
|Saint day||September 2–5|
Located near the Via Appia, but also on the edge of the Pontine Marshes, Roman "Spelunca" (Latin for cave or grotto) was only known for the grotto on the coast, after which it was named. A later Republican villa was probably later owned by the emperor Tiberius (41°15'2.58"N 13°27'3.88"E), including the grotto.
After the fall of the Western Roman Empire, in the 6th century, the ruins of the imperial residence served as refuge for local people. Later the population began to move to the nearby promontory of St. Magnus, in order to escape the unhealthy marshes and the Saracen attacks. The danger posed by the Saracens is made clear by the presence of many watchtowers all along the coast to Gaeta. In 1534 the small centre was destroyed by the Ottoman fleet under Barbarossa.
In the 18th and 19th centuries Sperlonga recovered and acquired some noble residences, and agriculture flourished. However, the touristic expansion occurred only after the opening of the coastal road Terracina-Gaeta (the via Flacca) in 1957, the building of which led to the discovery of the sculptures in the grotto.
Villa of Tiberius
Sperlonga's main cultural attraction is the museum erected in the grounds of the former Villa of Tiberius showing the groups of sculpture found in the grotto celebrating the deeds of Odysseus. According to Tacitus and Suetonius, the roof of the grotto collapsed while Tiberius was dining, and Sejanus rushed to save Tiberius, for which Tiberius in gratitude promoted him, launching his rise to power. Tiberius moved to Capri after 26 AD.
The villa included a grotto where some famous sculptures, now housed in the museum, have been found: these portrayed the assault of Scylla to Odysseus' ship, the blinding of Polyphemus, the theft of the Palladium and Odysseus lifting Achilles's corpse. The works have been attributed to Rhodian sculptors Agesander, Athenedoros and Polydoros, and are thought to be the same authors of the group of "Laocoön and His Sons" (as attributed by Pliny the Elder). Yet whether the very same artists are responsible is questionable. Some scholars believe them to be related, but not the same people; apart from Athenedoros (II) who was the last to be credited as an artist on the Laocoon group, but first to be credited with the Scylla series - suggesting that he was the youngest during the creation of the Laocoon group, but eldest artist who worked on the Scylla group. Furthermore, the differentiation in 'classicism' between the two set of works implies that one preceded the other with separation, and thus that not all artists are the same people, but descendents.
The most ancient church is that of Santa Maria (early 12th century), currently used for cultural events and spectacles: it is home to some mediaeval mosaics discovered during the last restorations.
Sperlonga is mostly a tourist town thanks to it beaches, a long beach on its west side going all the way to Terracina, and a series of short beaches and rocky cliffs on its east side towards Gaeta.
- Aubière, France
- Tib. 30
- Description at Wikimapia
- von Blanckenhagen, Peter H., review of: Die Skulpturen von Sperlonga by Baldassare Conticello and Bernard Andreae, American Journal of Archaeology, Vol. 80, No. 1 (Winter, 1976), pp. 99–104, JSTOR
Media related to Sperlonga at Wikimedia Commons