Church of St Mary-at-Hill, pictured in 2008
|Denomination||Church of England|
|Previous denomination||Roman Catholic (pre-1536)|
|Architect(s)||Sir Christopher Wren|
|Bishop(s)||Rt Rev & Rt Hon Richard Chartres, Bishop of London|
|Priest in charge||Rev Prebendary Rose Hudson-Wilkin|
|Director of music||Robert Mingay-Smith|
Originally founded in the 12th century, it was first known as "St. Mary de Hull" or "St. Mary de la Hulle". It was severely damaged in the Great Fire of London in 1666, afterwards being only partially rebuilt and has been much altered since, although some of its mediaeval fabric survives.
The Church of St Mary-at-Hill is situated among some of the City's most ancient lanes: St Mary at Hill EC3, in which has a large double-faced clock extending several feet into the street and which provides the best view of the church's elegant exterior; a narrow alleyway running alongside, but with no right of way; and, its entrance on Lovat Lane EC3, its postal address.
History and architecture
St Mary-at-Hill dates to 1336. The north aisle was rebuilt at the end of the 15th century, and a south aisle and steeple were added a little later. John Stow, writing at end of the 16th century, described it as "the fair church of Saint Marie, called on the Hill, because of the ascent from Billingsgate".
The Great Fire of 1666 started in the neighbouring street of Pudding Lane severely damaging the church. After the blaze, the parish of St Mary's was united with that of St Andrew Hubbard, whose church was not rebuilt.
Sir Christopher Wren rebuilt the church's interior and east end, managing to retain its medieval walls on the other three sides, and the west tower to which he added a lantern. Wren included in his design a venetian window at the east end, now blocked up, and a pediment, now broken. His interior displays four free-standing corinthian columns, supporting barrel vaults in a Greek cross pattern, and a coffered central dome. The church is 96 ft long and 60 ft wide.
There have been considerable further alterations since the 17th century. In 1787–88, George Gwilt rebuilt the west wall and replaced the tower in brick and in 1826–27 James Savage installed round-headed iron-framed windows in the north wall and replaced the vaults, ceilings and plasterwork. In 1848–49 he added a cupola to the dome and cut windows through the chancel vault. In 1849, the 17th century wooodwork was sympathetically augmented and adapted by W. Gibbs Rogers. In 1904 the church's parish was united with that of St George Botolph Lane, and St Mary-at-Hill received the sword rests, plate, royal arms, ironwork, organ and organ case from St George.
The church survived the Blitz unscathed but was severely damaged by a fire in 1988, after which its roof and ceiling required rebuilding. Much of the woodwork, including box pews, was unable to be reinstated.
Writing before St Mary's 1988 fire, John Betjeman said of the church: "This is the least spoiled and the most gorgeous interior in the City, all the more exciting by being hidden away among cobbled alleys, paved passages, brick walls, overhung by plane trees…"
The church was designated a Grade I listed building on 4 January 1950. On the street St Mary at Hill, there is an adjacent Grade II brick and stone rectory of 1834 designed by James Savage, incorporating a vestry of the late 17th century.
Music and traditions
From 1510 the Chapel Royal choir sang here. The organ-builder Mighaell Glocetir worked at St Mary-at-Hill from 1477 to 1479. He is possibly the same person as Myghell Glancets who worked on St Michael, Cornhill, in 1475. The great composer Thomas Tallis was organist at St Mary-at-Hill between 1538–39. A William Hill organ was installed in 1848 and partly restored after the 1988 fire, but its complete restoration did not commence until 2000. The church is a popular venue for its regular concerts and recitals.
In several books on English folklore, or about ceremonies of London, there is mention of the Costermongers' Festival held here every October. It also goes by the name "Fish Harvest Festival" or "Harvest of the Sea", associated with the fishmarket that was held at Billingsgate. Another notable ceremony is Beating the Bounds, where notables and children process around the boundary of a parish or ward on Ascension Day, carrying slender rods. Originally the children were whipped (not severely) at points along the route. Almost every such example died out in the middle of the 19th century, but the account books of St Mary-at-Hill testify to its existence here. Four shillings were paid for the provision of fruit on the day of the "Perambulation" in 1682. In another example at Chelsea the whipped children were given four pence. Rare surviving examples of Beating the Bounds are at the nearby City Church of All Hallows-by-the-Tower (every three years), and at The Queen's Chapel of The Savoy, Westminster.
Parliament outlawed new burials in the City of London during the Victorian era, forcing the closure of its churchyards; in 1847 the Church purchased burials rights 'in perpetuity' in a small section of the consecrated ground at West Norwood Cemetery for the parish's own use. It stood out from the main cemetery through its railed enclosure and planting, including monkey puzzle trees.
The London Borough of Lambeth subsequently compulsorily-purchased the main cemetery and removed the memorials in this section during 1990–91. A subsequent Chancery Court hearing found this to be illegal and ordered a mechanism be set up to restore those monuments at the request of descendants.
- Richard Beearde, hymn writer, was Rector of St Mary-at-Hill, 1560–1574
- Edward Young, poet and author of Night Thoughts, was married at St Mary-at-Hill in 1731
- John Brand, an antiquarian, was appointed Rector of St Mary-at-Hill in 1784
- William Turner Alchin, another antiquarian, was born 1790 in the parish
- Wilson Carlile, founder of the Church Army, was a minister at the church in the late 19th/early 20th century
- Rose Hudson-Wilkin, the current priest-in-charge, is also Chaplain to the Speaker of the House of Commons
- Bradley, Simon; Pevsner, Nikolaus (1998). London: The City Churches. New Haven: Yale Universsity Press. p. 111. ISBN 0-300-09655-0.
- Henry A Harben (1918). "Mary (St.) at Hill – Mary (St.) de Cricherche, Chapel". A Dictionary of London. Institute of Historical Research. Retrieved 19 December 2011.
- "The Visitors Guide to the City of London Churches" Tucker,T: London, Friends of the City Churches, 2006 ISBN 0-9553945-0-3
- Godwin, George; John Britton (1839). The Churches of London: A History and Description of the Ecclesiastical Edifices of the Metropolis. London: C. Tilt. Retrieved 17 December 2011.
- Metcalf, David Michael (1998). An atlas of Anglo-Saxon and Norman coin finds, c.973–1086. Royal Numismatic Society. p. 222.
- Weinreb, Ben and Hibbert, Christopher (1992). The London Encyclopaedia (reprint ed.). Macmillan. p. 728.
- "The Parish Church of St Mary-at-Hill Eastcheap".
- Historic England. "Details from image database (199605)". Images of England. Retrieved 23 January 2009.
- Historic England. "Details from image database (199729)". Images of England. Retrieved 24 January 2009.
- William Hill's organ Mander Organs
- English Heritage Survey of London: volume 26 St Mary-at-Hill in West Norwood
- Friends of West Norwood Cemetery, Newsletter No 17, Jan 1994
- "History". St Mary at Hill.
- "Clergy Moves October 2014". Diocese of London. 20 October 2014. Retrieved 17 January 2015.
|Wikimedia Commons has media related to St Mary-at-Hill.|
- The Parish Church of St Mary-at-Hill, Eastcheap
- Chapel Royal (authorisation required)
- British Institute of Organ Builders Medieval builders
- Thomas Tallis
- The medieval records of a London City church – St Mary at Hill, 1420–1559
- www.private-eye.co.uk, Jan 2014
- 360° panorama inside St Mary-at-Hill