Statesboro Blues

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"Statesboro Blues"
Single by Blind Willie McTell
A-side "Three Women Blues"
Released 1928
Format 78 RPM Record
Recorded October 17, 1928,
Atlanta, Georgia
Genre Piedmont blues
Length 2:30
Label Victor V-38001
Writer(s) Blind Willie McTell
Blind Willie McTell singles chronology
"Writin' Paper Blues" / "Mama, 'Tain't Long 'Fo Day"
"Three Women Blues" / "Statesboro Blues"
"Dark Night Blues" / "Love Talking Blues"

"Statesboro Blues" is a blues song in the key of D written by Blind Willie McTell; the title refers to the town of Statesboro, Georgia. Covered by many artists, the version by The Allman Brothers Band is especially notable and was ranked #9 by Rolling Stone in their list of the 100 Greatest Guitar Songs of All Time.[1] In 2005, The Atlanta Journal-Constitution ranked "Statesboro Blues" number 57 on its list of 100 Songs of the South.[2]


The lyrics, a first-person narrative, appear to relate the story of a man pleading with a woman to let him in her house; the speaker calls himself "Papa McTell" in the first stanza ("Have you got the nerve to drive Papa McTell from your door?"). Throughout the song, the woman, addressed as "mama," is alternately pleaded with (to go with the speaker "up the country") and threatened ("When I leave this time, pretty mama, I'm going away to stay"). Throughout the non-linear narrative, the "Statesboro blues" are invoked—an unexplained condition from which the speaker and his entire family seem to be suffering ("I woke up this morning / Had them Statesboro blues / I looked over in the corner: grandma and grandpa had 'em too").[3] Later versions, such as the one played by The Allman Brothers Band, have shorter, simplified lyrics.

As with many blues lyrics, it can be difficult to establish rules for the narrative order of the stanzas. In the case of "Statesboro Blues," Richard Blaustein attempted a structural analysis of McTell's song in an approach influenced by Claude Lévi-Strauss;[4] it is unclear whether his results are applicable to other blues songs also.[5]

McTell borrowed part of the lyrics from a 1923 Sippie Wallace recording of "Up the Country Blues," which was later popularized by Canned Heat as "Goin' up the Country."[citation needed]

Blind Willie McTell's original recording[edit]

Because of the song, rumor had it that McTell was born in Statesboro; he was, in fact, born in Thomson, Georgia, though in an interview he called Statesboro "my real home." McTell made the first recording of the song on Victor,[6] on October 17, 1928 (Victor #38001).[7][8] The eight sides he recorded for Victor, including "Statesboro Blues," were described as "superb examples of storytelling in music, coupled with dazzling guitar work."[9]

An original recording Statesboro Blues, is available from The Archive.


The song is included on the following McTell compilations:[10]

  • McTell, Blind Willie (1990). Complete Recorded Works, Vol. 1 (1927-1931). Document. 

Cover versions[edit]

The song has since been covered by many other artists, including John Mayall, The Youngbloods, Dave Van Ronk, Chris Smither, David Bromberg, Brooks Williams, Alice Stuart, Deep Purple, Pat Travers, Tom Rush, Roy Book Binder and The Devil Makes Three.

Taj Mahal (1968)[edit]

Taj Mahal made a "wonderful modernized version"[8] on his eponymous, 1968 debut album. The song (and Taj Mahal himself, who had yet to acquire fame) reached a wide audience through being featured on the best-selling Columbia/CBS sampler album The Rock Machine Turns You On.[11] His arrangement is credited with inspiring The Allman Brothers Band.[12] Mahal had recorded "Stateboro Blues" prior to the aforementioned rendition, in 1965 or 1966, as a member of the group Rising Sons; this recording was not released until 1992.[13]

The Allman Brothers Band (1971)[edit]

Duane Allman

The most familiar version of the song is by The Allman Brothers Band,[14] as recorded at the Fillmore East in March 1971 and first released on the 1971 album At Fillmore East. This version is famous also for Duane Allman's slide guitar playing, which, as Rolling Stone would write years later, featured "the moaning and squealing opening licks [that] have given fans chills at live shows."[15]

Allman's slide riffs on "Statesboro Blues" have been analyzed and transcribed in guitar magazines many times over[16][17][18][19] and the tones of Allman and Dickey Betts's guitars on the song were hailed by Guitar Player as some of the "50 Greatest Tones of All Time."[20] Allman's version comes from when his brother Gregg gave him a record by Taj Mahal (containing his version of "Statesboro Blues") and a bottle of Coricidin pills, both for his birthday and as Duane had a cold that day; A short while later, Duane, who had never played slide guitar before, washed the label from the Coricidin bottle after emptying out the pills and learned how to play the song, even exhibiting it to Gregg. After Allman's death in a motorcycle accident later that year, the performance was included on the 1972 album Duane Allman: An Anthology. In 2008, Rolling Stone magazine ranked The Allman Brothers Band's version of "Statesboro Blues" as #9 in its list of the 100 Greatest Guitar Songs of All Time.[15]

The song is still a staple of The Allman Brothers Band's live shows, now either with Derek Trucks or Warren Haynes on slide. Dickey Betts also continues to play the song live.[21] It can also be found on the compilation album The Road Goes On Forever.


  1. ^ Brandon. "Rolling Stone‘s 100 Greatest Guitar Songs Of All Time". Stereogum. Retrieved 8 April 2015. 
  2. ^ Bryan Perry (producer), Shane Harrison, Sonia Murray, Nick Marino, and Soyia Ellison, 100 Songs of the South. Retrieved: 2009-10-11.
  3. ^ Sackheim, Eric; Jonathan Shahn (2003). The blues line: blues lyrics from Leadbelly to Muddy Waters. Thunder's Mouth. p. 333. ISBN 978-1-56025-567-3. 
  4. ^ Richard, Blaustein (1971-11-14). "The curative function of the blues: A structural analysis". Annual Meeting of the Society for Ethnomusicology. Chapel Hill. 
  5. ^ Taft, Michael (2006). The blues lyric formula. CRC. p. 106. ISBN 978-0-415-97499-8. 
  6. ^ Bastin, Bruce (1995). Red River blues: the blues tradition in the Southeast. U of Illinois P. p. 129. ISBN 978-0-252-06521-7. 
  7. ^ "Victor V-38000 series: Numerical Listing". Retrieved September 13, 2015. 
  8. ^ a b Herzhaft, Gérard; Paul Harris; Jerry Haussler; Anton J. Mikofsky (1997). Encyclopedia of the blues. U of Arkansas P. p. 278. ISBN 978-1-55728-452-5. 
  9. ^ Bogdanov, Vladimir; Chris Woodstra; Stephen Thomas Erlewine (2003). All music guide to the blues: the definitive guide to the blues. Hal Leonard. p. 391. ISBN 978-0-87930-736-3. 
  10. ^ Bogdanov, Vladimir; Chris Woodstra; Stephen Thomas Erlewine (2003). All music guide to the blues: the definitive guide to the blues. Hal Leonard. p. 392. ISBN 978-0-87930-736-3. 
  11. ^ Bogdanov, Vladimir; Chris Woodstra; Stephen Thomas Erlewine (2003). All music guide to the blues: the definitive guide to the blues. Hal Leonard. p. 369. ISBN 978-0-87930-736-3. 
  12. ^ "Night Beat". The Atlanta Journal-Constitution. 1992-06-05. p. E.4. 
  13. ^
  14. ^ Bogdanov, Vladimir; Chris Woodstra; Stephen Thomas Erlewine (2003). All music guide to the blues: the definitive guide to the blues. Hal Leonard. p. 716. ISBN 978-0-87930-736-3. 
  15. ^ a b Serpick, Evan. "9: "Statesboro Blues," The Allman Brothers Band". The 100 Greatest Guitar Songs of All Time. Rolling Stone. Retrieved 2009-09-28. 
  16. ^ Ellis, Andy (March 1999). "Bottleneck Meltdown". Guitar Player 33 (3): 74–82. 
  17. ^ Ellis, Andy (July 2004). "How to Play Like...Duane Allman". Guitar Player 38 (7): 96. 
  18. ^ Aledort, Andy (April 2007). "Slide of Hand: Get Finger-Lickin' Good with this Complete Guide on how to Play Duane Allman's Bottleneck Boogie". Guitar World. pp. 78–86. Retrieved 2009-09-28. [dead link]
  19. ^ Grass, Jesse (April 2007). "10 Things You Gotta Do to Play Like Duane Allman". Guitar Player 41 (4): 110–17. 
  20. ^ Blackett, Matt (October 2004). "The 50 Greatest Tones of All Time". Guitar Player 38 (10): 44–66. 
  21. ^ Fox, Darrin (December 2005). "Rev. of Dickey Betts and Great Southern, Back Where It All Begins". Guitar Player 39 (12): 106.