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|Other names||Steel drum, pan|
|Hornbostel–Sachs classification||111.241.12, 111.241.22|
(Gongs with divided surface sounding different pitches, Sets of gongs with divided surface sounding different pitches)
The steelpan (also known as a pan, steel drum, and sometimes, collectively with other musicians, as a steelband or steel orchestra) is a musical instrument originating from Trinidad and Tobago. Steelpan musicians are called pannists.
Drum refers to the steel drum containers from which the pans are made; the steel drum is more correctly called a steel pan or pan as it falls into the idiophone family of instruments, and so is not a drum (which is a membranophone). Some steelpans are made to play in the Pythagorean musical cycle of fourths and fifths. 
Pan is played using a pair of straight sticks tipped with rubber; the size and type of rubber tip varies according to the class of pan being played. Some musicians use four pansticks, holding two in each hand. This grew out of Trinidad and Tobago's early 20th-century Carnival percussion groups known as tamboo bamboo. Pan is the national instrument of Trinidad and Tobago and also appeared as the final logo of their former national airline, BWIA and on the tails of their aircraft.
After stick-fighting and African percussion music were banned in the 1880s, in response to the Canboulay riots, they were replaced by bamboo sticks beaten together, which were themselves banned in turn. In 1937 they reappeared in Laventille, transformed as an orchestra of frying pans, dustbin lids, and oil drums. These steelpans are now a major part of the Trinidadian music scene and are a popular section of the Canboulay music contests. In 1941, the U.S. Navy established a presence in Trinidad. The pannists, who were associated with lawlessness and violence, helped to popularise steelpan music among the soldiers, which began its international popularisation. At the time of the steelpan's popularity in Trinidad it was seen as being associated with a violent or derelict crowd. It was unacceptable for women to be involved in such activities. Culturally the stigma was focused on the idea that women belonged in the home or with the children and not out in the street with the pan players. As the instrument became more mainstream women were allowed to join and the stigma that went along with playing the instrument subsided.
The first instruments developed in the evolution of steelpan were tamboo bamboos, tunable sticks made of bamboo wood. These were hit onto the ground and with other sticks in order to produce sound. Tamboo bamboo bands included percussion of a (gin) bottle and spoon. By the mid-1930s, bits of metal percussion were being used in the tamboo bamboo bands, the first probably being either the automobile brake hub "iron" or the biscuit drum "boom". The former replaced the gin bottle-and-spoon, and the latter the "bass" bamboo that was pounded on the ground. In 1939 the first all-steel band, Alexander's Ragtime Band, emerged, and by 1940 it had become the preferred carnival accompaniment of young underprivileged men. The 55-gallon oil drum was used to make steelpans from around 1947. The Trinidad All-Steel Pan Percussion Orchestra (TASPO), formed to attend the Festival of Britain in 1951, was the first steelband whose instruments were all made from oil drums. Members of TASPO included Ellie Mannette and Winston "Spree" Simon. Hugh Borde led the National Steel Band of Trinidad & Tobago at the Commonwealth Arts Festival in England, as well as the Esso Tripoli Steel Band, which played at the World's Fair in Montreal, Canada, and later toured with Liberace. They were featured on an album with him.
Evolution and developments
Anthony Williams designed the "fourths and fifths" arrangement of notes, known as the circle of fifths. This has become the standard form of note placement for lead pans. Other important developments include the tuning of harmonic overtones in individual notes, developed simultaneously and independently by Bertie Marshall and Alan Gervais.
The Caribbean Research Institute CARIRI investigated possibilities to mass-produce raw forms with the use of pressing machines in the 1970s. Much of this project took place in Sweden in collaboration with the Saab Company. Although first results were promising, the project has been abandoned due to lack of finances and support by local pan tuners in Trinidad. Another method of shaping the pan was attempted: by spinning. The pan was spun on a lathe-like device, and a roller on the end of a bar was used to sink the pan. While this did create pre-sunk pans, a problem was that there would often be scratches and grooves in the steel.
Since the steel is stretched and thin, any scratch will expand and often crack. Usually, drums have lettering embossed into the bottom. If done carefully, these can sometimes be stretched without breaking, but cracks around lettering on some drums is common. To avoid this problem, makers position the inner notes to avoid most of the letters. Brazing over the holes and grinding, will often fix the problems, without damaging the sound, but it has to be done nearly at the end of the sinking process and well before any final shaping.
A Swiss steelpan manufacturer (PANArt) researched the field of fine-grain sheet steel and developed a deep-drawn raw form which was additionally hardened by nitriding. This process, and the new instruments they called pang, were presented at the International Conference of Steel pan and Science in Port-of-Spain in 2000.
Electronic steelpans have also been developed. One such version is the E-Pan, invented by Salmon Cupid, who holds utility patents for it. Another is the Percussive Harmonic Instrument (PHI).
The note's size corresponds to the pitch—the larger the oval, the lower the tone.
The size of the instrument varies from one pan to another. It may have almost all of the "skirt" (the cylindrical part of the oil drum) cut off and around 30 soprano-range notes. It may use the entire drum with only three bass notes per pan, in which case one person may play six such pans. The length of the skirt generally corresponds to the tessitura (high or low range) of the drum. The pans are usually either painted or chrome plated. Other processes such as nickel plating, powdercoating, or hardening can also be applied as a finish.
Despite being a relatively new member of the percussion family, steelpan tuning techniques have advanced rapidly. Strobe tuners are ideally suited for the task. The need to see the first few overtones further makes a strobe tuner a necessity for steelpan tuning. Steelpan makers have used strobe tuners since it was discovered that, by adjusting the overtones (first (fundamental), second, and third partial), the pan's sound seemed to sparkle in a way that it did not previously.
There are several ways in which a steelpan may become out of tune (most commonly this is caused by playing the steelpan with excessive force and incorrect handling) and it is quite common that steelbands arrange to have their instruments tuned once or twice a year. A tuner must have great skill in their work to manage to make the notes sound both good and at the correct pitch. Much of the tuning work is performed using hammers.
In 2019 Kyle Dunleavy created fully cromatic Steelpans with sharps and flats, and would go down to the C below middle C. 21
In the beginning of the steelband movement, players would play a single pan only, now commonly called around the neck instruments. Later on, some steelpans became chromatic by using multiple pans, particularly for the bass registers, which have fewer notes per pan owing to the larger sizes of the lower note areas. Following are some of the most popular instruments:
|Single Tenor, or Ping Pong||Soprano||Winston "Spree" Simon|
|Spiderweb Lead||Soprano||Tony Williams|
|Invader Lead||Soprano||Ellie Mannette|
|Double Tenor||Mezzo-soprano||Bertie Marshall|
|Double Second||Alto||Ellie Mannette|
|Double Guitar||Baritone||Jonathan Francis|
|Quadrophonic (four pans)||Baritone||Rudolph Charles|
|Triple Guitar||Baritone||Ellie Mannette|
|Tenor Bass||Bass||Ellie Mannette|
|Six Bass||Bass||Ellie Mannette|
|Nine Bass||Bass||Rudolph Charles|
|Twelve Bass||Bass||Rudolph Charles|
Music and competitions
The repertoire of the steelband is extensive. Steelbands in Trinidad have a tradition of re-interpreting the current year's calypsos for carnival performance; rarely will a calypso from a previous year be heard at carnival or the Panorama music competition. Bands that perform all year round (both in Trinidad and in the so-called 'pan diaspora')[by whom?] have long prided themselves on being able to perform many types of music, particularly Latin and jazz numbers, film music and other popular tunes. Pannists also have a tradition of performing classical music which dates back to 1946, both in calypso tempo (known as "The Bomb") and straight (generally in concert or music festival contexts). In these contexts, accuracy and faithfulness to the original are highly prized.
An international festival, the World Steelband Music Festival, has been held intermittently in Trinidad since 1964, where steelbands perform a test piece (sometimes specially composed, or a selected calypso); a piece of choice (very often a "classic" or European art-music work); and calypso of choice, in a concert-style venue. Panorama, the largest steelband contest in the world, occurs during Carnival celebrations in Trinidad. In 2020, the world's first online steelband competition, PanoGrama, was launched.
Steelpans were introduced to the genre of jazz fusion by players such as Dave Samuels and Othello Molineaux in the 1980s, and Jonathan Scales in the 2000s. They are featured in the early fusion album Morning Dance by Spyro Gyra.
A pannist (sometimes panist or panman), is a person who plays the steelpan. A professional pannist may perform solo, play with a steel band, or accompany singers or solo instrumentalists.
The pannist's top position in a Panorama steelband is that of the captain. These large ensembles often include section leaders: accomplished pannists that monitor the various voices in the band.
Musicians Jimmy Buffett and Lord Kitchener are known for composing music later adapted to the steel pan. Noted pan tuners and producers include Darren Dyke, Mappo, Bertrand Kelman, and Herman Guppy.
- Hang (instrument) - a similar instrument with a convex rather than concave surface
- Handpan - a musical instruments created from Hang
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21 New Yorker Magazine page 17 December 20. 2021
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