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|Birth name||Stefan Alexander Bo Olsdal|
31 March 1974|
|Genres||Alternative rock, electronic music|
|Instruments||Bass, guitar, piano, keyboards, double bass, Omnichord, xylophone, glockenspiel, drums, percussion, dulcimer, vocals|
|Labels||current: Elevator Lady Ltd, past: Universal Germany, EMI, Virgin Records, PIAS, Hut Records, Caroline Records|
|Associated acts||Placebo, Digital 21 + Stefan Olsdal, Hotel Persona, Hotel Persona DJs, SPAM, Lantalba, Digital 21|
He moved to Luxembourg when he was young and went to the American International School of Luxembourg along with fellow band member Brian Molko (though the two did not cross paths at this time). Olsdal began playing music in his school's orchestra in 1987. He completed his high school education in Sweden and moved to London in 1993, where he attended the Musicians Institute.
In 2013, he mixed the EP "El Encanto" of Lantana and produced two of the songs of the album, also playing some of the synthesisers, bass and guitars. He also did a lot of the programming for the album.
In 2016 Olsdal produced 'La Chica Con Los Ojos Dorados', and the Fangoria album "Canciones Para Robots Romanticos" as well as the release of the debut album "Inside" from his band Digital 21 + Stefan Olsdal.
He has worked as producer, arranger, musician and mixer on an LP by Lantana.
Olsdal met Molko by chance outside South Kensington tube station in 1992. The two of them formed Ashtray Heart, a lo-fi duo, playing mostly on toy instruments. They wrote four songs, but decided to try out as a serious band, so they invited Steve Hewitt who could not be in the band because he was already signed to another record company. After that, Olsdal invited old schoolmate Robert Schultzberg (who was at the time studying in UK) to join as Placebo's drummer (Hewitt would later replace him as the full-time drummer).
Digital 21 + Stefan Olsdal
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With two hyperactive musicians circling each other for long enough, there was to come a time when fate would have them work together.
The fringe-music scene in Madrid provided the backdrop to the beginning of both their friendship and professional relationship. Digital 21’s past in electronica proved a good fit for Olsdal, who had years of experience in the iconic, guitar-led alternative rock band Placebo and, in 2013, they decided to join forces simply as “Digital 21 + Stefan Olsdal”. Both are multi-instrumentalists, and Miguel is the band’s visual artist, creating the artwork and live visuals.
Both equally sharing a passion for electronic, rock and classical music, they have now created, in their debut album, Inside, a contemporary hybrid of electronic music, mixing up club sounds and real instruments, including a strong focus on strings.
Working from their studios in Madrid and London, the album grew over many trips back and forth, “The process of creation long-distance gave the songs a fruitful journey,” muses Olsdal, “Like sending the tracks into orbit and slowly pulling them back to earth covered in space dust.”
With strings recorded in the legendary RAK studios in London, the tracks developed first as instrumentals, then evolving into songs with the addition of female vocalists, and the album features the singers Cuushe (Japan), Margrét Rán from Vök (Iceland), Helen Feng from Nova Heart (China) and Julienne from Saschienne (France / Germany). “There’s an intimacy to all these vocals, we felt like we were travelling to different parts of the planet through their voices” says Miguel.
Digital 21 & Stefan Olsdal have fine-tuned their live performance over the last few years, appearing at Pohoda and Sonorama festivals, as well as putting on underground shows in both London and Madrid. Most shows are augmented by a live string quartet, most recently while supporting Placebo around Spain and Portugal.
Hotel Persona began when Olsdal and David Amen started providing dance tunes to friends' house parties; Javier Solo was recruited to sing Spanish vocals, and Olsdal sang the English versions. As the music was coming together, Olsdal and Amen did DJ work under the Hotel Persona name in such locations as Milan, Paris, London, Barcelona and Rio. They have also remixed songs by various bands, including Queens of the Stone Age, Placebo and She Wants Revenge.
Their debut album In the Clouds was recorded and mixed in London, Madrid and New York over two years and features a wide array of additional vocals from various artists including Brian Molko, Samantha Fox, Miguel Bosé and Alaska of Fangoria.
In 2007, they remixed the song "Siempre" for Lantana.
- 2017: Inside by Digital 21 + Stefan Olsdal: producer
- 2016: Sinestesia (bonus track) from the album Canciones Para Robots Románticos by Fangoria: producer
- 2015: La Chica de los Ojos Dorados (LP) by Lantalba: producer, musician and mixing
- 2013: El Encanto (EP) by Lantana: musician and mixer
- 2013: "La noche de los muertos vivientes" (single) by Lantana: producer, musician, mixing and mastering
- 2008: Into The Clouds by Hotel Persona: producer
- 2007: "Siempre - Hotel Persona" (remix) by Lantana: remixer
- Lantana "Siempre" Hotel Persona Remix
- She Wants Revenge "I Want To Tear You Apart" Hotel Persona Remix
- Placebo "Infra-Red" Hotel Persona Remix (https://en.wikipedia.org/wiki/Infra-Red_(song))[permanent dead link]
- Placebo "I Do" (Material Mix) Remix (Placebo - I Do (Material Mix) (Once More With Feeling (Singles 1996-2004) Mexican Limited Edition Album)
Olsdal uses a variety of instruments, including a Gibson Thunderbird (three: one vintage used since 2003, one modern black which replaced the Flying V in 2006 and one white used since 2009), Fender Jazz Bass, Fender Bass VI, Gibson Les Paul Custom and a Gretsch Anniversary. In live versions of "Teenage Angst", "Centrefolds" and most acoustic performances he used a Technics keyboard. During the Meds era, he also used an Epiphone Flying V Bass for live performances of "Nancy Boy", "Come Home" and other occasional songs (mostly rarely played songs from the first album), which appeared on the "Infra-Red" video, although this guitar was smashed by Olsdal at the end of their 2006 Reading Festival set. He is seen playing an olympic white Fender Jaguar Bass in the "For What It's Worth" video, and played a white Rickenbacker bass in live performance on television programs. He has also been playing a Charger bass, built by the luthiers TAO Guitars in Brussels.
His amplification is a mixture of Ampeg (for basses) and Marshall (for guitars) amplifiers. He also played the xylophone in acoustic performances of some songs from Meds ("Pierrot The Clown", "Post Blue"). In Hotel Persona live shows he mostly uses a Fender Telecaster also used when performing "Scared Of Girls", "Slave To The Wage" and "Evil Dildo". In the early years (1994–1996) he used Boss bass pedals when playing live, but this practice ended after Bill Lloyd became a full-time touring member.
For the Loud Like Love tour, Olsdal's pedalboard (with separate guitar and bass signal chains) included the Electro-Harmonix Memory Boy analog delay, Electro-Harmonix Micro Q-Tron envelope filter, MXR Slash Octave Fuzz distortion, TC Electronic Hall of Fame reverb, Boss TR-2 tremolo, Electro-Harmonix POG octave generator, MXR Micro Amp booster, Roger Mayer Voodoo-Vibe Jr chorus and vibrato, Boss PS-6 Harmonist harmony shifter, two Boss TU-3 Chromatic Tuner units (one for guitar and one for bass), Electro-Harmonix Stereo Memory Man with Hazarai digital delay/looper, Boss DD-3 digital delay, Electro-Harmonix LPB-2ube stereo tube preamp, Electro-Harmonix Bass Big Muff Pi distortion, Electro-Harmonix Bass Micro Synthesizer analog microsynth and Ernie Ball VP Jr 250K volume pedal.
Olsdal contributes backing vocals sparingly in Placebo's live performances and recordings as well as lead and backup vocals on most Hotel Persona tracks.
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