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|Initial release||April 1989|
8.5 / December 2, 2015
|Operating system||Microsoft Windows, OS X|
|Type||Digital audio workstation|
Cubase is a music software product developed by German musical software and equipment company Steinberg for music recording, arranging and editing as part of a digital audio workstation. The first version, which ran on the Atari ST computer and recorded via MIDI only, was released in 1989.
Cubase creates projects, which allow the operator to edit MIDI files, raw audio tracks, and other associated information like lyrics, and to present them in a range of formats including musical scores, editing console, event lists, etc. The operator can also mix the various tracks down into a stereo .wav file ready to be burned to a compact disc (CD) in Red Book format, or .mp3 burned to CD or DVD as files, or to be published on the Web.
|Cubase 1.0 Atari||April 1989||Originally called Cubeat, later on Cubit, but changed to Cubase due to trademark issues, this was the successor to Pro-24. Cubase for Atari was MIDI only and ran on the Atari 520ST and Atari 1040ST computers, provided they had 1 Mb of RAM (the 520 with 1 Mb of RAM is effectively a 1040 anyway). It required use of an Atari SM-124 monochrome monitor, which gave a then impressive resolution of 640x400.
The main innovation of Cubase was the graphic arrange page, which allowed for the graphic representation of the composition using a vertical list of tracks and a horizontal timeline. This was much more intuitive and allowed much easier editing than the prior system of parameter lists. It has since been copied by just about every other similar product.
|Cubase 1.0 Macintosh||1990||Cubase 1.0 is released for Apple Macintosh computers.|
|Cubase 2.0 Atari||April 1990||Only supports format 0 MIDI files.|
|Cubase Audio||1991||Macintosh, this version relied on the TDM system from Digidesign for the audio portion.|
|Cubase Audio||1993||Release on Atari Falcon 030. This version brings digital signal processor (DSP) built-in effects with 8-track audio recording and playback using only native hardware. It was an incredible solution for the price at this time. Later versions enable 16-track mode using audio compression.|
|Cubase 3.0 Atari||1992|
|Cubase for Windows 3.0||1992|
|Cubase Score for Windows 3.11||1993||Cubase Score is released for Windows offering key, list, logical, drum, and score editing, printing, and a GM/GS editor.|
|Cubase 2.8 for Windows||1996||The Arrange Window was redesigned. Features included the Interactive Phrase Synthesizer, CueTrax and StyleTrax: the "virtual Band".|
|Cubase Audio 1.6 Windows||1996||Cubase Audio 1.6 supported the hard disk recording functions of Session8 and Yamaha's CBX D3/D5 Cubase Audio supported Digidesign's new AudioMedia III PCI card. Used in conjunction with AudioMedia III Cubase Audio gave 8 audio tracks, EQ and automation.|
|Cubase Audio 3.0 TDM for Macintosh||1996||Cubase Audio 3.0 TDM had up to 16 Audio Tracks with TDM Support for up to 48 Physical Audio Tracks. Cubase Audio 3.0 TDM contained all the new features of Cubase Score 2.0. It also had OMS II Support and MovieManager Support.|
|Cubase Audio XT 3.0||1996||This release provides extended hardware support not featured in other versions of cubase. Hardware options included the Digidesign Session 8 & AudioMedia III PCI, Yamaha CBXD3 & CBXD5, Akai DR8 & DR16, & the Creamware Master port. Recording multiple tracks at once was possible. One of the last versions of Cubase that is still compatible with windows 3.11|
|Cubase Score 3.0||1996||At the time of this release, the Cubase lineup consisted of the following programs (in hierarchical order) Cubasis(midi), Cubasis Audio, Cubase (standard, included audio), Cubase Score (Audio+Notation), Cubase Audio XT (Flagship product). This version was upgradeable to Cubase Audio XT. One of the last versions of Cubase still compatible with windows 3.11|
|Cubase VST3.0 Macintosh||1996||Up to 32 tracks of digital audio. Up to 128 realtime EQs. Professional effects rack with 4 multi-effect processors. Plug in interface for external plug-ins, allowing external audio technology to be integrated into the Cubase environment. Professional score printing, up to 60 staves per page, 8-voice polyphony. Had a bug limiting memory in the host system to 64 MB on the PowerMac. Was eventually resolved with a patch.|
|Cubase VST3.5 Macintosh||Aug 1997||Separate access to all audio inputs + outputs in conjunction with multi i/o audio hardware (amIII, 1212) via a flexible audio routing system; new channel plugins: chorus2, electrofuzz, wunderverb3; new master plugin scorpion; backup option via dat stream|
|Cubase VST 3.5 for Windows 95||Oct 1997||Windows Cubase VST provided up to 32 tracks of digital audio, 128 equalizers in real time, a fully equipped effects rack with four multi-effect processors, a master section and an open plug-in interface for additional real time effects and mastering tools. VST for Windows also supported Active Movie compatible plug-ins. Cubase Audio VST 3.5 + Wavelab 1.6 + Waves AudioTrack was bundled in the first "Producer Pac". This version is native windows 95 code + is the first version of Cubase for windows that is incompatible with windows 3.11|
|Cubase VST3.5.5 for Windows 95||1998||Other new features include updated implementation of DirectX plug-ins, allowing the user to organize the list of installed plug-ins according to personal preferences. Support for Recycle export files (.REX files). This allows the use of 'recycled' sample loops right in VST audio tracks without using a dedicated hardware sampler. VST Audio Engine can now be disabled while VST is running (from within the Audio System Menu) or by launching the program while holding the Shift key.|
|Cubase VST24 3.6||1998||96 tracks, submixers, ReWire, 8 FX sends and eight aux. VST/24 3.6 supports the entire functionality of Yamaha's DSP Factory card.|
|Cubase VST24 3.7 Windows||Jul 1999||This version introduced VST 2.0, which allowed VST plugins to receive MIDI data from Cubase. It also introduced the concept of VST instruments - earlier implementations of VST had been biased towards effects plugins - and included Neon, a free VST instrument. VST24 3.7 was the first sequencer ever to support VST instruments, as Steinberg had invented the "VSTi" specification.|
|Cubase VST24 4.0 Macintosh||1998||Macintosh only. Cubase VST24 4.0 now offers 96 tracks of 24 bit, 96 kHz digital audio with Digidesign Pro Tools 24 digital audio hardware systems.|
|Cubase VST24 4.1 Macintosh||Jul 1999||Macintosh only. Downloadable as a free upgrade to owners of VST24 4.0. Introduced VST 2.0 (and thus, first to provide VST instrument ability on the mac), ASIO 2.0, DSP Factory support, TDM support and more. Also, the Cubase VST/24 Mixer/EQ section included an extension with five new real-time processing modules — Compressor, Limiter, Auto Gate, Auto Limit and Soft Clip. Several VST elements could also now be controlled remotely by external devices such as the Yamaha 01-V.|
|Cubase VST32 5.0||Sep 2000||Large update to the Windows product bringing it in sync with the Macintosh product which had included more features such as: 15,360 ppqn internal resolution, Folder Tracks, Marker Tracks, Long Track Names, Transport Bar display options, User-definable Toolbar and key commands, Extended Inspector, Improved drag and drop, Enhanced Toolbox (including Range Selection tool), New Controller Editor, Grooves and Logical presets, Window Sets, Dedicated MIDI Track Mixer. The last version still compatible with windows 95. Applying the update to 5.1 is said to require windows 98.|
|Cubase VST32 5.1||2001||Was available individually and as part of a Producer's Pack featuring Recycle loop editor and Rebirth virtual instrument (non-VST format), programs developed by Propellerheads but distributed by Steinberg. The Propellerheads products came on Mac and PC compatible CDs, but the disc and serial hasp for Cubase were PC-only. Primarily was introduced to run on the new Windows XP operating system.|
|Cubase SX1.0/Cubase SL1.0||2002||Cubase SX1.0 was released as the next generation after Cubase VST. It was based on a contemporary sister program, Nuendo V1.0, and was a total rewrite over the prior versions of Cubase. Although bringing vast improvements in stability and feature quality, there were many features from Cubase VST that didn't make it into the new version, much to the annoyance of users upgrading from prior versions. Schools use it and it is aimed at years 9 and upwards.
One notable improvement of Cubase SX was its sound. The sound of Cubase VST was considered inferior to its competitors and Cubase SX corrected this with its inheritance of Nuendo's audio engine.
Cubase SX1 gained responsiveness, having a bare minimum of intrusive copy protection code. Notably the copy protection code was embedded in the Key Editor, where users could move MIDI notes. One of the caveats of Cubase SX1 was the loss of the Dynamic Events, a major feature of Cubase VST.
SX 1.0 was the first Cubase version not to open Cubase VST songs and projects. SX 1.0 allows importing VST projects and saving them in the new *.cpr format. However the import feature doesn't work very well.
|Cubase SX 2.0/Cubase SL2.0||2003||Cubase SX2.0 was hailed by many as a huge leap in functionality. One of the most innovative features was called Timewarp. This allowed users to record music either as MIDI and/or Audio in freetime, without click or metronome, and then move the bars and beats grid to the music, automatically creating a tempo track. The Timewarp tool allowed users to move gridlines.
Cubase SX2.0 also saw the introduction of Full PDC (plug-in delay compensation). Many plug-ins, particularly those which run on DSP Cards such as UAD-1 or Powercore, cannot process their audio within a 1-sample time period and thus introduce extra latency into the system. Unchecked, this will cause some audio channels to end up out of sync with others. PDC checks all the various latencies introduced by such plug-ins and creates audio delay buffers to ensure that audio from all channels is correctly synchronized.
|Cubase SX 3.0||2004||One of the major features to arrive with Cubase SX3.0 was Audiowarp. It allowed Audio to remain in sync with the project even after changing its tempo. It also allowed users to apply 'tempo anchors' to an imported audio file so it would sync to the tempo of the project regardless of the original tempo.
Audiowarp was largely successful, but had a major flaw in that it didn't work with variable tempo projects. This was because the tempo map it copied to the Audio file when musical mode was enabled was derived from the fixed tempo setting of the project rather than from the tempo track.
Nonetheless Audiowarp was an important addition to the musical features of Cubase. Despite the caveats, having the ability to change the tempo of a musical piece and have the audio tracks follow this new tempo was an important ability in music production.
|Cubase SX 3.1||August 31, 2005|
|Cubase SX 3.1.1||October 20, 2005|
|Cubase 4.0||2006||Cubase 4.0 marked the end of the SX, SL and SE designations, with SX becoming Cubase 4, SL becoming Cubase Studio 4 and SE becoming Cubase Essentials 4. It also marked the end of DirectX plugin (DX) support, introducing the new VST 3 plug-in standard. Whatever technical or economic reason Steinberg had for dropping the use of DX plug-ins in Cubase 4, it had a big impact on customer satisfaction. Further, no prior announcement occurred before release to allow users to plan ahead. It was up to a user on the Cubase forums to announce that DX plug-ins were no longer supported in the program.
On the other hand, DirectX plug-ins can be integrated using third-party DirectX-VST wrappers. DirectX plug-ins have lost their important role in the plug-in market, which is now mainly based on Virtual Studio Technology (VST) and Audio Units (AU).
Cubase 4 was the first Cubase version not to support the import of Cubase VST songs and projects. To give the ability to import older Cubase VST projects and songs, Steinberg decided to make the prior Cubase SX3 and Cubase SL3 versions available as downloads.
Cubase 4.0 brought a GUI change. In general the GUI was darker than the prior version, Cubase SX3, and on the whole was warmly welcomed, although some elements are considered by many users to be a little too dark on some monitors.
With this version the preset system was changed. The FXP (Preset) and FXB (Bank) files were discontinued along with the drop-down menu XML presets. They were replaced by a preset system that integrates in a new feature, the Media Bay, which allows deeper categorizing and managing of presets at the expense of ergonomics and speed.
|Cubase 4.1||October 23, 2007||Apart from many bug fixes, V4.1 added some new features, including Sidechaining, Free Group Routing, Project Logical Editor, and Recording from Sum Objects. Existing Features were also improved including the Play Order Track and the Audiowarp, which is now integrated into the Audio Sample editor.|
|Cubase 4.5||September 3, 2008|
|Cubase 4.5.2||September 11, 2008|
|Cubase 5.0||January 27, 2009|
|Cubase 5.0.1||April 8, 2009|
|Cubase LE 5||2009||Cubase LE 5 is a simplified version of Cubase for less intricate recording, often bundled with the purchase of digital audio interfaces.|
|Cubase 5.1||August 24, 2009|
|Cubase 5.1.1||December 12, 2009|
|Cubase 5.5.1||June 21, 2010|
|Cubase 5.5.2||November 9, 2010|
|Cubase 5.5.3||March 29, 2011|
|Cubase 6.0||January 17, 2011||Cubase 6.0 was designed to run on 64-bit Windows 7. Its predecessor could run up to the Windows Vista operating system but it works on Windows 7 also. Cubase 6 features the new VST 3.5 standard, that introduces new features such as Note Expression. With Note Expression, the limits of MIDI controller events are circumvented, enabling articulation information for individual notes, even in polyphonic arrangement (e.g. chords).|
|Cubase 6.5||February 29, 2012|
|Cubase 7.0||December 5, 2012||New features include MixConsole, an improved workflow including full-screen ability, and redesigned channel strips and channel centrals. It also includes a new Chord Track and a Chord Assistant.|
|Cubase 7.5||December 4, 2013||Enhancements of workflow like the alternative TrackVersions and track visibility management system. It also included Groove Agent SE 4, HALion Sonic SE 2, LoopMash FX and the REVelation reverb.|
|Cubase 8.0||December 3, 2014||Performance boost for more instruments, more tracks and shorter loading/saving times. VCA faders for complex mixing and automation workflows. Render in-place: Bounce MIDI and audio parts easily. Chord pads: A great way to playfully and creatively compose with chords. Improved windows handling on PC, dockable rack and MediaBay plus a redesigned Track List. Groove Agent SE 4 Acoustic Agent gives you a world-class virtual acoustic drummer. Plug-in manager: Arrange, sort and group your effects and instruments. New Virtual Bass Amp, Quadrafuzz v2, Multiband Expander, Multiband Envelope Shaper effects. Mixing updates: Virgin territories automation mode, direct routing and Wave Meters. Allen Morgan Pop-Rock Toolbox: 30 construction kits, each with 25 to 30 audio and MIDI loops.|
|Cubase 8.5||December 2, 2015||Enabled saving and sharing arrangements in clouds via "VST Transit", upgrade of analogue synthesizer "Retrologue" (implementation of third oscillator, 12 new filter types, a third bipolar envelope curve, an own effects rack and four-track step sequencer), enabled option to import tracks from other projects and improved Drag and drop.|
Cubase has existed in three main incarnations. Initially Cubase, which featured only MIDI, and which was available on the Atari ST, Macintosh and Windows.
After a brief period with audio integration, the next version, Cubase VST, featured fully integrated audio recording and mixing along with effects. It added Virtual Studio Technology (VST) support, a standard for audio plug-ins, which led to a plethora of third-party effects, both freeware and commercial. Cubase VST was only for Macintosh and Windows; Atari support had been effectively dropped by this time, despite such hardware still being a mainstay in many studios. Cubase VST was offering a tremendous amount of power to the home user, but computer hardware took some time to catch up. By the time it did, VST's audio editing ability was found to be lacking, when compared with competitors such as Pro Tools DAE and Digital Performer MAS.
To address this, a new version of the program, Cubase SX (based on Steinberg's flagship post-production software Nuendo) was introduced, which dramatically altered the way the program ran. This version required much relearning for users of older Cubase versions. However, once the new methods of working were learned, the improvements in handling of audio and automation made for a more professional sequencer and audio editor.
A notable improvement with the introduction of Cubase SX was the advanced audio editing, especially the ability to 'undo' audio edits. Early versions of Cubase VST did not have this ability. Cubase SX also featured real-time time-stretching and adjustment of audio tempo, much like Sonic Foundry's ground-breaking ACID.
In September 2006 Steinberg announced Cubase 4 - the successor to Cubase SX3. Notable new features include 'control room', a feature designed to help create monitor mixes, and a new set of VST3 plug-ins and instruments.
There are also lighter economic alternatives by Steinberg, originally named Cubasis, later becoming Cubase SE and then Cubase Essential at version 4. For its sixth generation, the program was renamed Cubase Elements 6. The name change was done presumably, because its rival Cakewalk had taken the Essential branding for its own entry-level DAW software, Sonar X1 Essential.
While the full version of Cubase features unlimited audio and MIDI tracks, lesser versions have limits. For instance, Cubase Elements 6 has a maximum of 48 audio track and 64 MIDI tracks and Cubase Artist 6 offer 64 audio and 128 MIDI tracks.
In 2013, Steinberg introduced Cubasis for iPad, a Cubase for iOS. This version was a full rewrite and supports MIDI and audio tracks, audiobus and virtual MIDI to work with external music apps from the first versions. 2014 Updates brought automation and Inter-App Audio (Apple's technology to connect audio apps).
Cubase VST 3.7 in 1999 introduced a virtual instrument interface for software synthesizers known as VSTi. This made it possible for third-party software programmers to create and sell virtual instruments for Cubase. This technology has become the de facto standard for other DAW software, when integrating software based instruments on the Macintosh and Windows platforms. A new version of VST, VST3, was introduced with Steinberg's Cubase 4 which introduced sidechaining, among other features. Cubase 6 includes VSTs such as HALion Sonic SE, Groove Agent ONE, LoopMash 2 and VST Amp Rack.
- Cables are still sold today  (2015) to adapt the output to a VGA for use with this legacy software which still has a fan following
- Sound On Sound: Steinberg Cubase VST 3.7, September 1999
- "Sound On Sound". Sound On Sound. Retrieved 24 June 2013.
- Official Steinberg site - New features in Cubase 7
- Official Steinberg site - New features in Cubase 7.5
- Steinberg (official website).
- "Cubase", Products (official website), Steinberg.
- Cubase (user forums), Steinberg.
- Werner Kracht on the history of Cubase, DE: Werner Kracht (Developer at Steinberg since 1985).
- Cubase Expression Maps, Instructional Videos, Patch Name Scripts, Device Panels, VST Presets, and other tools, US: Riveted Studios.
- Unofficial Cubase and Nuendo User Forums, Cubendo.