Stella Lewis Marks MVO, RMS, ASMP (November 27, 1887 – November 18, 1985) was born in the City of Melbourne, Australia. She was an artist, active in Australia, the United States of America, and Great Britain. She is best known as a portrait miniaturist, although she also made larger works in oils, charcoal, and pastels.
She was a member of the Royal Society of Miniature Painters, Sculptors and Gravers, and the American Society of Miniature Painters. In the early 20th century, she painted a number of well-known personalities, particularly in America, before moving to the UK in 1934.
In 1948, she was commissioned to paint a portrait miniature of Queen Elizabeth II, who was then H.R.H. the Princess Elizabeth, by the Duke of Edinburgh, and since then she painted 14 miniatures of members of the British royal family. She was awarded the honor, Member of the Royal Victorian Order on December 30, 1978.
Life and work
Stella Marks was born in Carlton, Melbourne, Australia, to Mary (nee Fennell) Lewis and James Joseph Lewis. She received her artistic training at the National Gallery of Victoria Art School under Lindsay Bernard Hall and Frederick McCubbin.
She moved to New York City with her husband in 1914 and quickly made a name for herself in artistic and society circles. In 1916 she was commissioned by the Governor General of Canada, the Duke of Connaught and Strathearn, to paint a miniature of his daughter, the Princess Patricia of Connaught. It was reported that 100,000 copies of the miniature, which was considered by the Princess to be the best existing portrait of herself, were printed and sold on behalf of the Canadian Red Cross. Signed copies were given by Princess Patricia to the next-of-kin of each fallen member of her regiment, "The Princess Pat's".
Some other notable portrait miniatures painted between 1915 and 1934 during her time in America (which also included trips to Japan, Australia, and Great Britain) were of the famous spy, Sydney Reilly, and his 'wife' Nadine; the actresses Marjorie Williamson, Mrs. Madge Carr and Edith Day; musician, Jan Cherniavsky; multi-millionaire, Knox Studebaker; a Japanese lady, Mrs. T. Akaboshi; the occultist, Aleister Crowley; musician and dancer, Maud Allan; and Joseph McKenna, Associate Justice of the Supreme Court of the United States. The latter two were purchased by the Felton Bequest on behalf of the National Gallery of Victoria's permanent collection.
In 1934, although not an American citizen, Marks was offered the presidency of the American Society of Miniature Painters. She had to turn down the honor due to her move to the UK. She left New York because her husband, Montagu Marks, joined the film mogul Alexander Korda and became general manager of London Films Productions. At the time Montagu Marks was pivotal in helping to secure funding for Alexander Korda from Prudential Insurance.
In 1948, on the recommendation of Sir James Mann, director of the Wallace Collection, the Duke of Edinburgh commissioned Marks to paint H.R.H. the Princess Elizabeth. As a result of this Royal commission, she painted miniatures of Prince Philip and all the royal children, including the first ever portrait of Prince Charles, aged two.
Another notable miniature of Marks' later work was a "miniature within a miniature" of Sir Winston Churchill painted in 1966.
On December 30, 1978, Marks was awarded the honor, Member of the Victorian Order.
In 1980, she resigned from the Royal Miniature Society because she had become almost completely blind.
Marks died on November 18, 1985, in Kent, United Kingdom.
- The Age, Melbourne (February 17, 1926) page 15
- Women and Home Magazine, February, 1967, Prince Philip's paintings on pages 22 and 57
- Foskett, Daphne (1987) Miniatures: Dictionary and Guide, London: Antique Collectors' Club, Pages 461-462. ISBN 1-85149-063-9
- The London Gazette, December 30, 1978, issue/47723/supplement/page 4
- Charles Drazin (2002) Korda: Britain's Movie Mogul, London: Sidgwick & Jackson Ltd, Chapter 9, ISBN 978 1 84885 695 0
- Foskett, Daphne, Op cit.
- "A Melbourne Letter", The Leader, January 29, 1938, pages 42 and 49
- Table Talk Magazine, February 18, 1926, page 23
- Colour Magazine, December, 1916, pages 178 and 179
- The Buenos Aires Herald, November 10, 1936, page 9
- The Daily Telegraph, November 13, 1967, page 16
- The Age, Op. cit.
- The National Gallery of Victoria. Accession Numbers 456/4, Felton Bequest 1938, and 1957/3, Felton Bequest 1926
- "A Melbourne Letter", Op. cit.
- Drazin, Charles, Op.cit.
- London Royal Academy of Fine Arts Exhibitions, Frick Art Reference Library: (1931), page 125 numbers 1049, 1122, 1130; (1936) page 127 numbers 1074, 1104, 1144; (1937) page 127 numbers 971 and 1048; (1940) page 26 numbers 1016 and 1068
- The Daily Telegraph, November 1, 1941, page 2
- "Finest Hour", Journal of the International Churchill Society, Summer, 1986, page 5
- Women and Home Magazine, Op.cit.
- Foskett, Daphne, Op.cit.
- The Daily Express, December 2, 1950, page 5
- The Daily Telegraph, October 19, 1966, page 21
- The London Gazette, Op. cit.