Boyd in 1961
4 July 1931
Glengormley, County Antrim, Northern Ireland, UK
|Died||2 June 1977
Northridge, Los Angeles, California, U.S.
|Cause of death||Heart attack|
|Resting place||Oakwood Memorial Park Cemetery|
|Spouse(s)||Mariella di Sarzana (1958-1959; divorced)
Marisa Mell (1971); gypsy wedding, not considered a legal marriage
Elizabeth Mills (1974-1977; his death)
|Parent(s)||James Alexander Millar (father)
Martha Boyd (mother)
Stephen Boyd (4 July 1931 – 2 June 1977) was an actor from Glengormley, County Antrim, Northern Ireland. He appeared in some 60 films, most notably as Messala in Ben-Hur (1959), a role that earned him the Golden Globe Award for Best Supporting Actor – Motion Picture. He received his second Golden Globe Award nomination for Billy Rose's Jumbo (1962).
Boyd was born William Millar in 1931 (some references say 1928). One of nine siblings, he attended Ballyclare High School. At the age of seven he became well known in Belfast for his contributions to the Ulster Radio's Children Hour. At the age of sixteen, Boyd quit school and joined the Ulster Group Theater. Boyd learned the behind the scenes tasks of the theater, and eventually worked his way up to character parts and leads, touring both Canada and the United States with stock companies. By the time he was twenty, Boyd had a wide range of theater experience, but he longed for the big stage. In 1952 Boyd moved to London and worked in a cafeteria and busked outside a cinema in Leicester Square to get money as he was literally close to starvation. Boyd caught his first break as a doorman at the Odeon Theatre. The Leicester Square Cinema across the street recruited him to usher attendees during the British Academy Awards in the early 1950s. During the awards ceremony he was noticed by actor Sir Michael Redgrave, who used his connections to introduce Boyd to the director of the Windsor Repertory Group.
Boyd's first role which brought him acclaim was as an Irish spy in the movie The Man Who Never Was, based on the book by Ewen Montagu. The movie was released in 1956. Shortly thereafter he signed a contract with 20th Century Fox. Boyd starred in two Rank productions after this film. Hell in Korea was a small role for Boyd, but an interesting movie which featured several renowned actors in early roles, such as Michael Caine and Robert Shaw. The Beast of Marseilles was a World War II romance set in Nazi-occupied Marseilles with Boyd as the main star. For Twentieth Century Fox, Boyd would be cast in the racially provocative film Island in the Sun, based on the Alec Waugh novel. For Columbia pictures he was cast in the nautical, ship-wreck adventure Abandon Ship! starring Tyrone Power. In early 1957 Brigitte Bardot was given the opportunity to cast her own leading man after her success in Roger Vadim's And God Created Woman (1956 film), and she chose Boyd. During late 1957, Bardot, Boyd and renowned actress Alida Valli filmed the lusty romance The Night Heaven Fell, directed by Roger Vadim, in Paris and in the region of Málaga, Spain, specifically the small town of Mijas. Being in the Bardot spotlight added much to Boyd's film credit, in addition to bringing him notice in Hollywood.
Boyd's first true Hollywood role came as a renegade cowboy in the Fox western The Bravados, which starred Gregory Peck and Joan Collins. It was during the making of this film in Mexico in the early part of 1958 that Boyd was finally persuaded to audition for the coveted role of Messala in MGM's upcoming epic Ben-Hur. Many other actors had tried for the role, and Boyd initially wasn't interested. But he eventually signed and began filming in the summer of 1958. Boyd was required to wear brown contact lenses as Messala, which irritated his eyes and caused vision problems for a few months after the movie was completed. Despite this, Boyd described the filming experience of Ben-Hur (which took place in Cinecittà Studios in Rome), as the most exciting experience of his life.
After Ben-Hur filming was completed, Boyd starred with Academy Award winner Susan Hayward in the California-based drama Woman Obsessed. Some advertisements for this movie labeled Boyd as "The New Gable." He was then part of another excellent ensemble cast in the adaptation of Rona Jaffe's novel The Best of Everything, filmed in early 1959.
Ben-Hur was released in December 1959 and made Boyd an international star overnight. His portrayal of the Roman tribune Messala brought in rave reviews. Press columnist Erskine Johnson wrote, "A brass hat and the armor of a Roman warrior in Ben-Hur does for Stephen Boyd what a tight dress does for Marilyn Monroe." Ruth Waterbury, in her Boyd feature in the Pittsburgh Post Gazette, would describe Boyd's character as "the dangerously masculine and quite magnificent Messala." Modern Screen magazine in 1960 stated that Boyd's ruthless Messala had "lost the chariot race but captured the sympathy and sex appeal of Ben-Hur." He was featured in the popular TV program This Is Your Life on 3 February 1960, a show which featured many of Boyd's family members and acquaintances (including Michael Redgrave) telling stories about his early life and film career. This should be some indication of how "Stephen Boyd fever" was catching. Newspaper columnists were getting swarmed with letters from female fans of all ages wanting to know more about Boyd. He was being sent dozens of starring roles, which most he had to turn down due to other obligations, or he himself turned down. He opted out of the biblical epic The Story of Ruth, which didn't please Fox studios, and he was one of the front-runners to star with Marilyn Monroe in her picture Let's Make Love.
In early 1960 Boyd won the Golden Globe Award for Best Supporting Actor – Motion Picture for his performance in Ben-Hur. He made a guest appearance alongside the silent-era Ben-Hur stars Francis X. Bushman and Ramon Novarro on Hedda Hopper's special television programme Hedda Hopper's Hollywood. In February 1960 he starred in the Playhouse 90 television performance called The Sound of Trumpets with Dolores Hart, which garnered good reviews. He also appeared as a singing guest on Dinah Shore's St. Patrick's Day special in March 1960, where he performed two popular Irish songs with Dinah Shore, "I Know My Love" and "Molly Malone".
Boyd himself chose to do roles which he felt comfortable in. His next choice was The Big Gamble, which featured Darryl F. Zanuck's current paramour and French icon Juliette Gréco. It was filmed on the Ivory Coast of West Africa, Dublin and the Southern Part of France in the spring and summer of 1961. The adventure of making this film almost outdid the adventure in the film itself as the crew slept in tents in the jungle that were guarded by natives on parole for cannibalism. Boyd nearly drowned in the Ardèche river during the making of the film. Luckily he was saved by his co-star and excellent swimmer David Wayne. Boyd spoke about this incident during his appearance on the popular TV programme What's My Line?, which aired on 11 December 1960.
Boyd was originally chosen to play Mark Antony opposite Elizabeth Taylor in 20th Century Fox's epic production of Cleopatra (1963) under the direction of Rouben Mamoulian. He began film work in September 1960 but eventually withdrew from the problem-plagued production after Elizabeth Taylor's severe illness postponed the film for months. (Cleopatra was later directed by Joseph L. Mankiewicz, and the role of Mark Antony went to Richard Burton.)
After several months without active work, Boyd was thrilled to finally get his first post-Cleopatra role. The film was The Inspector, renamed Lisa for the American release. It was based on the novel by Jan de Hartog and co- starred actress Dolores Hart. The film was made in Amsterdam , London and Wales during the summer of 1961. In January 1962 Boyd starred in a television film from General Electric Theater called The Wall Between. Next, Boyd was again loaned out to MGM Studios to star with Doris Day in the circus-musical Billy Rose's Jumbo, filmed during the early part of 1962; the role earned Boyd a nomination for the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy. Boyd flew back to Rome in the summer of 1962 to act with Italian superstar Gina Lollobrigida in her long-time pet project Imperial Venus, a romantic epic about the many loves of Pauline Bonaparte, the sister of Napoleon. This film was the first film to be banned by the Motion Picture Association of America for male nudity. Boyd appeared in a humorous bedroom scene, naked, but covered by a sheet. The suggestion of nudity was too much for the censors and the movie was never released in the United States.
Immediately upon finishing this film, Boyd arrived in Spain to begin work on The Fall of the Roman Empire. This was filmed during the early part of 1963 during a severe winter in Europe. Boyd's co-star was another Italian legend, Sophia Loren. Boyd also had the opportunity to ride another chariot in this film. Boyd flew back to Hollywood in the summer to star in a General Electric Theater TV Program with Louis Jourdan called War of Nerves. He then returned to Europe to film the suspenseful The Third Secret (film) starring Pamela Franklin and Sean Connery's wife, Diane Cilento.
On December 23, 1963, Stephen Boyd became a naturalized U.S. citizen during a ceremony at the Federal Building in Los Angeles, California. 
Throughout 1964 Boyd continued to make films in Europe, traveling to Yugoslavia to star as the villain Jamuga in the epic Genghis Khan. Boyd was the top billed and therefore the top paid star in the epic, and this apparently caused friction with up-and-coming star Omar Sharif. After completing Genghis Khan, Boyd trekked to Cairo, Egypt for a short stint in yet another epic, The Bible.
After all this globe-trotting, the world weary Boyd was very happy to return to the United States to start work on the Twentieth Century Fox science fiction adventure Fantastic Voyage, co-starring with soon-to-be icon Raquel Welch. This was filmed in the early part of 1965. In the summer of 1965, Boyd joined German star Elke Sommer and music legend Tony Bennett to film the Hollywood drama The Oscar, based on the eponymous Richard Sale novel. The movie was a popular success, but maligned by film critics. The producer of the film, Joseph Levine, however, was so pleased with Boyd's performance that he hired him for his next project as well, The Caper of the Golden Bulls. This film was made in Spain in the summer of 1966, and the actors took part in the famous Feria del Toro de San Fermin festival in Pamplona (known as the Running of the Bulls). Next, Boyd starred in a James Bond-like spy thriller Assignment K with Swedish model/actress Camilla Sparv, which was filmed in Germany and London during the winter of 1966.
In 1967 Boyd was excited to get back to the stage to star in a play called The Bashful Genius, about Irish playwright George Bernard Shaw. The play had a very brief run during the summer of 1967. Boyd was cast opposite Sean Connery in the western adventure Shalako, which was based on the Louis L'Amour novel. It also cast him opposite Brigitte Bardot again, 10 years after the first film they made together. Shalako was filmed in the early part of 1968 in Almería, Spain. Returning to the United States, Boyd was cast as the cruel slave master Nathan MacKay in the Southern "Slavesploitation" drama Slaves, also starring Ossie Davis and songstress Dionne Warwick. The film was loosely based on the famous Harriet Beecher Stowe novel Uncle Tom's Cabin. It was filmed during the summer of 1968 at the supposedly haunted Buena Vista plantation near Shreveport, Louisiana . The film was released during the volatile civil rights era and in May 1969 Boyd attended the premiere alongside Dionne Warwick in Baltimore, Maryland Closely following Slaves, Boyd starred in another story about racial tension, this time a World War II made-for-television drama called Carter's Army (or Black Brigade) which aired in August 1970, featuring a young Richard Pryor.
During this time, or earlier, is when Boyd began his interest in L. Ron Hubbard's Church of Scientology, which would make him one of the first Hollywood stars to be involved in it. Boyd had always expressed an interest in esoteric religions. In an interview in August 1969 with the Detroit Free Press, he said that Scientology helped him through the filming of Slaves, and that it is "a process used to make you capable of learning. Scientology is nothing. It means only what you want it to. It is not a church you go to to pray, but a church that you go to to learn. It is no good unless you apply it. It is the application". Boyd apparently had been elevated to a Scientology Status of OC 6, a position beneath that of Clear. Boyd would actually go on to star and narrate a Scientology recruiting film called Freedom in 1970. A copy of this film can be found at the Library of Congress, but it is not available online via any Scientology resource, which may indicate a falling out Boyd had with Scientology using his name for recruiting purposes. There is no documentation of his later involvement with it.
During the 1970s demand for Boyd in Hollywood had diminished, so he focused his attention on European films and several television pilots and shows. He made three films in Spain with director José Antonio Nieves Conde, including Marta in 1970, The Great Swindle in 1971, and Casa Manchada in 1975. He worked with cult director Romain Gary in the drug thriller Kill! in 1971. He also made several Westerns, including Hannie Caulder with Raquel Welch in 1971, The Man Called Noon in 1973, Those Dirty Dogs in 1973 and Potato Fritz in 1976. He also kept travelling to exotics destinations to act, including Australia for The Hands of Cormac Joyce in 1972, South Africa for Control Factor and The Manipulator in 1972-1973, Jamaica for the scuba diving adventure The Treasure of Jamaica Reef in 1972, Florida for the television pilot Key West in 1973 and Hawaii in his last acting stint as a guest star on the popular television show Hawaii Five-O in 1977. The episode Up the Rebels was the premiere episode of Hawaii Five-O's tenth season, and it aired after Boyd's death on 15 September 1977. His most critically acclaimed role during the 1970s was as a colourful Irish gangster in the UK crime thriller The Squeeze in 1977.
A letter from film producer Euan Lloyd (who produced such films as Shalako, The Man Called Noon and The Wild Geese), states that "Stephen Boyd was one of the nicest, kindest people I have met in my lifetime, rare in this profession."
Although Boyd spent most of his adult life traveling abroad for film work, he made his permanent home in southern California. At one point in the 1960s, he had three homes there— one above the Sunset Strip, one in Tarzana and another in Palm Springs, where he enjoyed his favorite pastime, golf.  He would make frequent trips back to his hometown of Belfast in Northern Ireland. to visit his family. On one particular visit to Belfast in 1971, Boyd exclaimed his dismay about the situation in Northern Ireland at that time: "Because of the divisiveness, the potential for displaying to the world all that is good in that lovely land is lost, perhaps even destroyed." Boyd was valued so highly by his native city of Belfast that during his visits he was always given a military escort from the airport to his home for security reasons.
Boyd died of a massive heart attack on June 2, 1977 at the age of 45 while playing golf with his wife Elizabeth Mills at the Porter Valley Country Club in Northridge, California. "Stephen and Elizabeth were in a golf cart between the fifth and sixth tees when suddenly he said. 'I don't feel well,' and slumped over. Elizabeth dragged him out of the cart and gave him artificial respiration, but it was too late."  He was in talks to play the role of the Regimental Sergeant Major in Euan Lloyd's The Wild Geese before his death. Boyd was interred in Oakwood Memorial Park Cemetery in Chatsworth, California. His wife Elizabeth Mills Boyd was interred with him at the time of her death in 2007.
Silver Screen Magazine in 1960 wrote this about Boyd:
A supreme individualist, like most Irishman, he has a wonderful actor's face that easily switches from an engaging smile to sinister menace. Far handsomer in person than on the screen ... Stephen Boyd is a lean (180 pounds), well built (six-foot-one) charmer of 31, with a dazzling dimple, light brown curly hair, fair skin and the kind of grey eyes which take on color from what he is wearing. A man of tremendous vitality, moody and volatile, a typical Celt, he veers from humor to anger in the wink of an eye. He dresses conservatively; speaks wittily, and extremely well, though he confesses that he's had almost no formal schooling; is genial and friendly ('I have my brooding hours which wipe that grin off my face').
Boyd was first married in 1958 to Italian-born MCA executive Mariella Di Sarzana during the filming of Ben-Hur. They separated after just three weeks. Concerning his short-lived marriage to Sarzana, Boyd would explain, "It was my fault. I'm an Irish so-and-so when I'm working. I hadn't been married a week when we both knew we had made a mistake. She is a nice girl but we were just not meant for each other. I suppose I wasn't ready for marriage. Maybe I was still too much of an adolescent."  They officially divorced in early 1959.
Boyd lived as a bachelor for most of his life and was wary of marriage after his first experience. His secretary Elizabeth Mills was a permanent resident at his Tarzana home during these years though the two did not marry until 1974. He was very popular with the Hollywood columnists, including his friend Hedda Hopper and her rival Louella Parsons due to his honest, open comments and sense of humor.
He dated some very prominent women in Hollywood, including Anna Kashfi (Marlon Brando's ex), Belfast socialite Romney Tree, actress Joan Collins, TV star and Playboy centerfold Marilyn Hanold and Israeli actress Elena Eden. Hollywood columnists would also make note of Boyd's flirtation with Hope Lange. Hope Lange would later say in a Vanity Fair interview about The Best of Everything: "During the film we had a great camaraderie. He had that wonderful Irish charm, and wonderful humor. And anyone who has humor I'm a sucker for." Boyd was rumored to have been a romantic interest of Doris Day during the filming of Jumbo, which Boyd vehemently denied. Boyd seems to have been much enamored of his co-star Sophia Loren during the filming of the epic The Fall of the Roman Empire. Boyd said during an interview in 1963 that "I wouldn't die exactly for Sophia, but I'd come close to it.". He would also comment in an interview in 1976 that Sophia was "the most beautiful person I've ever met".
Raquel Welch would claim in 2013 that during the filming of Fantastic Voyage in 1965, she became infatuated with Boyd, who rejected her advances. In her comments she would imply that Boyd was gay. No actual valid mention of Boyd being gay exists. However he possibly did play his most famous character Messala in Ben-Hur with a homosexual twist as instructed by screenwriter Gore Vidal. In Gore Vidal's autobiography "Palimpsest"  Vidal describes his discussion with Boyd concerning the character Messala's underlying motivation. This was based on an idea by Vidal to enhance the tension between the two main antagonists . Vidal would subsequently argue years later with director William Wyler and actor Charlton Heston about Boyd's performance and the implications surrounding Ben-Hur. Neither Wyler or Heston believed that a homoerotic undertone existed in Ben-Hur'. 
Boyd had a deep and lasting friendship with actress and French icon Brigitte Bardot. Boyd starred in two movies with Bardot — The Night Heaven Fell in 1958 and Shalako in 1968. During the filming of Shalako in Almeria, Spain, Bardot and Boyd's close relationship sparked numerous rumors. It even caused Brigitte's husband at the time, Gunter Sachs, to ask for a divorce. In Bardot's autobiography, she described the events and states that Boyd "was never her lover, but a tender and attentive friend." In an interview with Photoplay Film in 1968, Boyd said, "Bardot is always Bardot. She's marvelous. She's an enormous star and she's a unique, marvelous woman. I adore her." 
Boyd also had a close relationship with actress Dolores Hart. Hart describes what would be her only romance with a co-star in her autobiography The Ear of the Heart. Boyd eventually rejected her advances, but they remained close friends even after she turned to the cloistered life of a nun in 1963. He visited her in 1966 at the Abbey of Regina Laudis in Connecticut and remained in communication with her up until the early 1970s.
Boyd had a short but passionate affair with Austrian actress Marisa Mell. They married in a gypsy style wedding outside of Madrid, which included a ritual wrist-cutting ceremony. The marriage was not considered legal, but Marisa Mell said, "Who cares? In our minds it will be real." According to Marisa Mell, their affair was so intense that while living in Rome they made a trip to the Italian town of Sarsina for a ritual exorcism at the Cathedral of St. Vicinius. A short time later, Boyd became physically ill over the affair, and abruptly left Rome to return first to Belfast, then onto Jamaica to begin filming The Treasure of Jamaica Reef in early 1972.
Boyd's last marriage took place in 1974 to Elizabeth Mills, a secretary at the British Arts Council, whom he had known since 1953. Elizabeth Mills followed Boyd to the United States in the late 1950s and was his personal assistant, secretary and confidante for many years before marrying him in the mid- 1970s.
- Black 13 (1953) as Policeman (uncredited)
- Lilacs in the Spring (1954) as Beaumont's Poolside Companion (uncredited)
- An Alligator Named Daisy (1955) as Albert O'Shannon
- Born for Trouble (1955)
- The Man Who Never Was (1956) as Patrick O'Reilly
- A Hill in Korea (1956) as Pvt. Sims
- Seven Waves Away (1957) as Will McKinley
- Island in the Sun (1957) as Euan Templeton
- Seven Thunders (1957) as Dave
- Les bijoutiers du clair de lune (1958) as Lambert
- The Bravados (1958) as Bill Zachary
- Woman Obsessed (1959) as Fred Carter
- The Best of Everything (1959) as Mike Rice
- Ben-Hur (1959) as Messala
- The Big Gamble (1961) as Vic Brennan
- The Inspector (1962) as Peter Jongman
- Jumbo (1962) as Sam Rawlins
- Imperial Venus (1962) as Jules de Canouville
- The Third Secret (1964) as Alex Stedman
- The Fall of the Roman Empire (1964) as Livius
- Genghis Khan (1965) as Jamuga
- The Oscar (1966) as Frank Fane
- The Poppy Is Also a Flower (1966) as Benson
- Fantastic Voyage (1966) as Grant
- The Bible: In the Beginning... (1966) as Nimrod
- The Caper of the Golden Bulls (1967) as Peter Churchman
- Assignment K (1968) as Philip Scott
- Shalako (1968) as Bosky Fulton
- Slaves (1969) as MacKay
- Carter's Army (1970) (TV) as Capt. Beau Carter
- Historia de una traición (1971) as Arturo
- Marta (1971) as Don Miguel
- African Story (1971) as Arnold Tiller
- Hannie Caulder (1971) as The Preacher (uncredited)
- The Great Swindle (1971) as Dave Barton
- Kill! Kill! Kill! Kill! (1971) as Brad Killian
- The Devil Has Seven Faces (1972) as León Urrutía, joyero
- Those Dirty Dogs (1973) as Cpt. Chadwood Willer
- The Big Game (1973) as Leyton van Dyk
- The Man Called Noon (1973) as Rimes
- The Treasure of Jamaica Reef (1974) as Hugo Graham
- The Left Hand of the Law (1975) as Lanza
- L'uomo che sfidò l'organizzazione (1975) as Inspector Stephen McCormick
- Potato Fritz (1976) as Bill Ardisson
- Lady Dracula (1977) as Graf Dracula
- The Squeeze (1977) as Vic
- Impossible Love (1977) as Alvaro
- Women in Hospital (1977) as Dr. Oberhoff
- "Stephen Boyd: The Busker Who Became a Screen Idol" BBC News; retrieved 14 April 2014.
- Profile, daggy.name/cop/bkofdead; accessed 28 June 2014.
- The Journal News - White Plains New York, 09 Jul 1969
- Movie Screen Stephen Boyd Interview, June 1960
- The Journal News - White Plains New York, 09 Jul 1969
- "Irish-Canadian Film Actor Gains Stardom in Big Part". Ottawa Citizen. 5 April 1956. p. 28. Retrieved 29 December 2015.
- Lambert, John (4 May 1958). "Bardot Picks a Co-Star". The Sydney Morning Herald. Retrieved 29 December 2015.
- The Salt Lake Tribune, 24 June 1958, Ireland's Boyd- A Man Apart — And all Because of Bardot
- Heffernan, Harold (4 December 1958). "Stephen Boyd Endures Agony for Art's Sake". Toledo Blade. Retrieved 29 December 2015.
- Toledo Blade 12 August 1958
- The Odessa American, 19 December 1959, "Actor Stephen Boyd Really Packs Wallop"
- Waterbury, Ruth (15 July 1961). "Boydie". Pittsburgh Post-Gazette. Retrieved 29 December 2015.
- Modern Screen, Stephen Boyd "Introducing the Sensational Star of Ben Hur and Best of Everything", October–December 1960
- "Maids, Matrons Here Cheering For Stephen Boyd" Pittsburgh Press 9 March 1960
- The News Review 24 March 1960, "Oscar Ground Rules Hazy For Supporting Actor Roles"
- IMDb profile, imdb.com; accessed 28 June 2014.
- "Hedda Hopper's Show on Sunday" Ocala Star Banner, 8 January 1960
- (Arizona Republic, 13 March 1960)
- "Trout Fly With Sequins- That's French Fishing Flair". Ocala Star-Banner. 1 August 1960. p. 5. Retrieved 29 December 2015.
- Bacon, James (2 October 1960). "Africa's Most Rabid Film Fans". The Victoria Advocate. London. Associated Press. p. 11. Retrieved 29 December 2015.
- "She Slept with the Cannibals". Daytona Beach Morning Journal. 25 September 1960. p. 5C. Retrieved 29 December 2015.
- "Wayne Saves Drowning Actor". Milwaukee Sentinel. 5 July 1960. Retrieved 29 December 2015.
- Stephen Boyd at the Internet Movie Database
- (The Bridgeport Post, July 11, 1961, "Stephen Boyd Ends Big Wait")
- Ottawa Citizen, 10 July 1964, "Nude Movie Scenes…How about Lassie?"
- "Names Etcetera". Reading Eagle. Knight-Ridder. 4 December 1984. p. 30. Retrieved 29 December 2015.
- "Some Portuguese See Their First Snow". Sarasota Herald-Tribune. London. Associated Press. 5 February 1963. p. 10. Retrieved 29 December 2015.
- Los Angeles Time, Dec 25, 1963
- Miami News 25 June 1965, "More Dramatics than Spectacle in Genghis Khan"
- Chicago Tribune, 29 December 1964, "Steve Boyd Is Back After Stint Abroad"
- "Movie Actor Seeks Hollywood Home". Sarasota Herald-Tribune. Hollywood. UPI. 18 March 1965. Retrieved 29 December 2015.
- The Daily Times News, Burlington North Carolina, 1 August 1966, "Movie Argument Continues"
- "Sheilah Graham". Pittsburgh Press. 11 July 1966. p. 23. Retrieved 29 December 2015.
- "Film being made about slavery". Montreal Gazette. 5 September 1968. p. 8. Retrieved 29 December 2015.
- "Opening Night". Baltimore Afro-American. 10 May 1969. p. 17. Retrieved 29 December 2015.
- "Scientology Auditor Magazine, 1968 article, https://mikemcclaughry.wordpress.com/2016/03/19/blast-from-the-past-ben-hur-actor-stephen-boyd-featured-in-scientology-auditor-mag-1968/"
- "Stephen Boyd; Loner Who Is Never Alone" Ocala Star Banner, 6 September 1966
- Detroit Free Press, 1 August 1969, "Screen Star Stephen Boyd, Since that Chariot Race"
- "Snapping America's Epidemic of Sudden Personality Change by Flo Conway, page 145 '... it turned out to be a Scientology meeting. We heard a lecture and saw the introductory film, which was narrated by Stephen Boyd, the film star. It started out in a planetarium and he was standing there as if Scientology had found the stars or something.
- Cushnan, Joe Stephen Boyd: From Belfast To Hollywood ISBN 9781782990864
- The Daily Reporter, Dover, OH, 23 March 1968
- Wiedrich, Bob. Chicago Tribune "Tower Ticker", 5 November 1971
- Detroit Free Press June 9, 1977.
- Euan Lloyd interview, Cinema Retro #1
- Stephen Boyd at Find a Grave
- Silver Screen Magazine, June 1960; "Stephen Boyd - Sex Appeal + Blarney" by Maxine Block
- Screen Album, August–October 1960, page 46.
- The Free Lance-Star 20 December 1958, "The Divorce Set"
- "Stephen Boyd Serious In Romantic Ventures" Toledo Blade, 28 April 1960
- Movie Life Jan 1963, article, "Let me tell you about Steve Boyd (his very best friend reveals all" and The Courier Journal (Louisville Kentucky), Dec 30 1962, "Stephen Boyd is Glad he Escaped Cleopatra with Liz Taylor" : Excerpt, "There's an English girl who looks after his house in the Valley here, but marriage does not seem to be on their agenda."
- The Raleigh Register, 29 January 1960 and Milwaukee Sentinel, 9 January 1960
- Milwaukee Sentinel - 7 April 1960
- (http://www.whosdatedwho.com/dating/stephen-boyd and http://leglatin.pagesperso-orange.fr/boyd/sbarte9.htm)
- The Evening Standard, Uniontown PA, 25 February 1966
- Anderson Daily Bulletin 24 March 1960
- Redlands Daily Facts, 28 July 1960
- Jacobs, Laura (March 2004). "The Lipstick Jungle". Vanity Fair. Retrieved 29 December 2015.
- Anderson Daily Bulletin 5 December 1962
- The Daily Intelligencer, 5 August 1963
- Stephen Boyd interview for Photoplay, October 1976
- Village Voice, 13 February 2012
- Palimpsest by Gore Vidal, pages 303 to 307, published in 1996
- The Milwaukee Journal, 8 March 1968
- "Stephen n'ayant jamais été mon amant, mais uniquement un ami tendre et attentionné!" Bardot, Brigitte. Initials B.B., 1995
- Photoplay Film, September 1968, "Boyd and Bardot- the Truth Behind Those Rumors"
- Hart, Dolores. The Ear of the Heart, 2013
- "Stephen Boyd to Visit Dolores Hart, now Nun" Milwaukee Sentinel, 7 February 1966
- The Record Argus, 26 October 1971, "Boyd's Bride will be Blood Brother"
- The San Bernardino County Sun, 10 November 1971
- Mell, Marisa. Coverlove, 1990
- Schneider, Andre. Die Feuerblume: Über Marisa Mell und ihre Filme, 2013
- Detroit Free Press June 9, 1977 'Just a few of the late Stephen Boyd's closest friends knew that three years ago in London he married Elizabeth Mills, whom he had been going with for many years
- Stephen Boyd infosite; accessed 28 June 2014.
|Wikimedia Commons has media related to Stephen Boyd.|
- Stephen Boyd at the Internet Movie Database
- Stephen Boyd at the TCM Movie Database
- "Stephen Boyd: The Busker Who Became a Screen Idol" BBC News; retrieved 23 July 2011
- "The Man Who Never Was?" Literary Belfast; retrieved 23 July 2011