Stone Quarry Hill Art Park
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42°54′42″N 75°50′04″W / 42.9117348°N 75.834509°W
Stone Quarry Hill Art Park is a public, outdoor art park located in Cazenovia, New York. It consists of 104 acres (44 ha) of land and over four miles of hiking trails. Founded by Dorothy and Robert Riester, it became an official venue in 1991 and is one of the first art parks to be established in the United States.[1]
The Art Park serves a dual mission: preservation of the land, and the creation and exhibition of works inspired by the relationship between art and nature.[2] It showcases both established and emerging artists including sculptors, installation artists, performance and 2-dimensional fine artists. Its venues include permanent and visiting outdoor installations, the Winner Gallery and an artist in residency program. In addition, the park hosts several annual events including the Syracuse Ceramic Guild Pottery Fair, and Kite Fest. Its educational program hosts demonstrations and lecturers, as well as a children's summer camp. The park is operated by a small hired staff, a working Board of Directors, and volunteers.
Cazenovia was established in 1793 by John Linklaen. In the 1840s the quarry was opened, giving the area its name today. The foundations, hedgerows and a few apple tree plantings make up the "Homestead Site," the oldest remains on the property. This was the site of the early 19th century farm of Mary Hackley.[3] Edwin and Gulda Clark united the land briefly in the 1920s. The Riesters made their first land purchase in 1958, which included the then uninhabited hilltop. From 1959–1965 they worked on building a house on the hilltop. Dorothy designed the house, shaped like a cone on its side, in keeping with the contours of the hill and considering the wind direction and bedrock of the land.[4] The Hilltop House is a work of art in itself, much of it hand built by the couple. It is complete with a six-walled library and music room, a greenhouse plant room, handmade tiles for the kitchen and bath, sand-cast walls and fireplace, concrete work and painting, all entering from an ivy-inhabited Genkong. An A-frame art studio was also built to accommodate Dorothy's practice. In 1970 the site began its path as a place of artistic activity with the addition of the Art Barn studio, which became a base for the Syracuse Ceramic Guild. The studio was equipped with electric, salt and raku kilns, and has hosted lectures from ceramicists including Franz Wildenhain and Daniel Rhodes.
Pieces
Barbara Andrus | resident in 2007 | |||
Michele Brody | Elusive Walkways, Piney Wood Path | 1999 | cement and pigment | 15′×3′ |
Howie Sneider | Outcropping | 2011 | cement and wool | |
Reiko Aoyagi | Flow | 2006 | earth | |
Dianne Banks | Layers of Time | 2005 | exercise ball, tape, and hay | |
Emilie Brzezinski | Spruce Echos | 2005 | spruce trunks | 15′ high |
Anne Cofer | A Sense of Place | 2003 | overgrown tree limbs | |
Ene Osteraas-Constable and Scott Constable | Mary Hackley Treehouse | 2002 | wood and other materials | 14'×10'×10' |
Charles Frazier | Effendi | 1996 | wood lattice and clematis | 32′×18′×16′ |
John Fitzsimmons | With Quiet Eyes | 2007 | glass | |
Frank Gonzales | Gnomen | 1995 | steel | 17.75′×9′×18′ |
Rita Hammond | My First Leica | 1999 | bronzed Leica camera | |
David Harper | A Tree Fell | 2005 | found wood, welded steel | |
David Harper | In Box | 2005 | wood | |
Sook Jin Jo | Meditation Space | 2000 | metal, wood | 168″×162″×150″ |
Jonathan Kirk | Archimedes' Principle | 1998 | galvanized steel | 48″×120″×102″ |
Eva and Milan Lapka | Inamoviblita | 1994 | ceramic | 1 unit 4′ tall, 3 units 18″×6″ |
Richard Lee | Supplication | inst 1995 | carved granite | |
Dariusz Lipski | Induction | 1992 | one-ton boulders, steel, ashes | 80′×10′×4′ |
Enriquo Lopez-Chicheri | Blizardo Diablo | 1993 | steel, concrete | 8′×6′×18′ |
Rodger Mack | Hallelujah Handel | welded steel | ||
Jazz Getz | 1989 | welded steel | 114″×84″×35″ | |
Jazz Diz | 1990 | welded steel | 83″×56″×30″ | |
John McCarty | Grey Eminence/Tremblay | |||
Carl Reed | The Outlyers | 1995 | hardwood timbers, wedges, steel | 8 units 11′×12′×12′ |
Brian Rust | Earth Ear | 1995 | soil, cement, steel mesh | 5′×10′×30′ |
Steven Siegel | Facing Love 30 | 1999 | newspaper and trees | 12′×20′×17′ |
Denise Stillwagon Leone | 9/11 Memorial | 2004 | glass, steel, wood | |
Takashi Soga | Silent Beam | 2001 | painted steel | 11′×27.25′×11.6′ |
John VonBergen | Dervish and Grand Camore III | 2007 | welded steel | |
Kim Waale | Amphitheater | concrete | ||
Pat Warner | Woodland Nostalgia | 2002 | wood | |
[Matthew Weber] [1] | Tile Cone Stacks | 2005 | salvaged clay roofing tiles | six stacks, variable diameters × 3′ high |
Susan Winks | Earth | 2002 | adobe and cement | 2.5′×7.5′ |
Water | 2002 | adobe and cement | ||
Al Zaruba | The Scent of Light (The Boat) | 2000 | wood, trees, stone, CDs, mixed media, fire | 16′×25′×82′ |
References
- ^ Stone Quarry Hill Art Park Website - About
- ^ Art and the Land Dorothy Riester, 2006
- ^ Art and the Land Dorothy Riester, 2006
- ^ Art and the Land Dorothy Riester, 2006
External links
- Stone Quarry Hill Art Park's Official Website
- Stone Quarry Hill Art Park Event Archive
- Images of The Pieces
- Images of the Park Landscape
- Images of Park Events
- Article on Sculpture.net Forumn vBulletin v3.6.8, Copyright ©2000–2008, Jelsoft Enterprises Ltd
- "Sculpture In the Open Air" article by Leah Hansen