|Directed by||Tim Burstall|
|Produced by||Tim Burstall|
|Written by||David Williamson|
|Based on||play The Coming of Stork by David Williamson|
|Music by||Hans Poulsen|
|Edited by||Edward McQueen-Mason|
Tim Burstall and Associates
Bilcock and Copping Film Productions
|Distributed by||Tim Burstall and Associates (initial release)|
|27 December 1971|
|Box office||A$224,000 (Australia)|
Stork is a 1971 Australian comedy film directed by Tim Burstall. Stork is based on the play The Coming of Stork by David Williamson. Bruce Spence and Jacki Weaver make their feature film debuts in Stork, being honoured at the 1972 Australian Film Institute Awards, where they shared the acting prize. Stork won the prize for best narrative feature and Tim Burstall won for best direction. Stork was one of the first ocker comedies. Stork was the first commercial success of the Australian cinema revival called the Australian New Wave.
Stork is a 6-foot 7 hypochondriac who dreams of revolution and works at General Motors Holden. He is sacked from his job after doing a strip tease at work and goes to live in a share house in Carlton with his friend Westy and two trendy young men, Tony and Clyde, who share the same girlfriend, Anna. Stork loses his virginity to Anna and falls in love with her.
Anna falls pregnant and Clyde decides to marry her. Stork interrupts the wedding.
- Bruce Spence as Graham 'Stork' Wallace
- Jacki Weaver as Anna
- Graeme Blundell as Westy
- Sean McEuan as Tony
- Helmut Bakaitis as Clyde
- Madeleine Orr as Stork's mother
- Peter Green as clergyman
- Peter Cummins as sculptor
- Michael Duffield as judge
- Alan Finney as tailor
- Robin Copping as explorer
- David Bilock Jnr as explorer
- Larry Stevens as farmer
- Nanette Good as farmer's wife
- Kerry Dwyer as nun
- Brendan Cassidy as gallery manager
- Lynne Flanagan as matron
- George Whaley as businessman
- Jan Friedl as woman's libber
- Dennis Miller as uni lecturer
- Terry Norris as Anna's father
- Max Gillies as Uncle Jack
- The Captain Matchbox Whoopee Band
It had a kind of gaiety and brio. It was good-natured and it celebrated our own lives in a very straightforward way. It wasn't the precious or arty. It was Australian comedy of a pretty straightforward sort, but also of a pretty well-observed and accurate sort.
Most of the budget was raised privately; Burstall had obtained $7,000 from the Experimental Film and Television Fund to make a film called Filth which project manager Fred Schepisi allowed him to transfer over to Stork; $5,000 came from Bilcock and Copping, a company of Burstall's, with $21,000 from the sale of Burstall's Arthur Boyd paintings. Everyone was paid $200 a week. The film was shot in Melbourne in March and April 1971 on 16mm stock and a crew of twelve.
Williamson later said he felt Burstall directed Spence "a little bigger than I would have liked" and clashed in a few places with the director but on the whole the collaboration was a good one.
Tim Burstall and his associates initially released the film themselves at St Kilda Palais, where it ran for a six-week season, earning $50,000 and returning $20,000 to the producers. They expanded the number of cinemas it played in, moving into Sydney. Hoyts and Greater Union refused to distribute but the film was picked up by Roadshow, who played it throughout Australia, using 35 mm prints blown up from the original. The film was popular at the box office, taking $224,000 in film hire and returning $150,000 to the producers. It proved that low-budget films could be made and released profitably in Australia. This success led to Burstall and Roadshow establishing the production company Hexagon Productions.
The film won the following awards:
- 1972 Australian Film Institute Awards:
- $5,000 prize from Australian Film Development Corporation for best narrative feature
Stork was released on DVD by Umbrella Entertainment in September 2011. The DVD is compatible with region codes 2 and 4 and includes special features such as interviews with Tim Burstall, Alan Finney, Bruce Spence, David Williamson, Betty Burstall, Jacki Weaver and Rob Copping, a short film title Three Old Friends and the making of Three Old Friends.
- Scott Murray, 'Tim Burstall', Cinema Papers Sept-Oct 1979 p493-494
- Stork (at IMBd), retrieved 12 January 2018
- Murray, Scott, ed. (1994). Australian Cinema. St.Leonards, NSW.: Allen & Unwin/AFC. pp. 76, 295. ISBN 1-86373-311-6.
- McFarlane, Brian; Mayer, Geoff (1992). New Australian cinema: sources and parallels in American and British film. Cambridge University Press. p. 149. ISBN 978-0-521-38363-9.
- Reade, Eric (1979). History and heartburn: the saga of Australian film, 1896-1978. Harper & Row Publishers. pp. 175–176. ISBN 978-0-8386-3082-2.
- Interview with Tim Burstall, 30 March 1998 Archived 15 November 2013 at the Wayback Machine accessed 14 October 2012
- David Stratton, The Last New Wave: The Australian Film Revival, Angus & Robertson, 1980 p25
- Jones, Dave (1 January 1974). "David Williamson". Cinema Papers. No. 1. p. 7.
- Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998 p262
- "Umbrella Entertainment". Retrieved 8 May 2013.