Promotional movie poster for the film
|Directed by||Michael Laughlin|
|Produced by||Walter Coblenz|
|Written by||Bill Condon
Walter Halsey Davis
|Music by||John Addison|
|Edited by||John W. Wheeler|
|Distributed by||Orion Pictures (1983, original) MGM (2001, DVD)|
Strange Invaders is a 1983 science-fiction film directed by Michael Laughlin. It was made as a tribute to the sci-fi films of the 1950s, notably The Invasion of the Body Snatchers. It stars Paul Le Mat, Nancy Allen and Diana Scarwid. The film was intended to be the second installment of the aborted Strange Trilogy with Strange Behavior, another 1950s spoof by Laughlin, but the idea was abandoned after Strange Invaders failed to attract a wider audience. Scarwid's performance earned her a Razzie Award nomination for Worst Supporting Actress.
In 1958, the town of Centerville, Illinois, was invaded by a race of aliens. The invaders could fire lasers from their eyes and hands and reduce humans to "crystallized" glowing blue orbs. They took over the form of the humans who were either captured or killed.
Twenty-five years later, university lecturer Charles Bigelow (Paul Le Mat) learns that his ex-wife, Margaret Newman (Diana Scarwid), has disappeared while attending her mother's funeral in Centerville, and travels there to find her. The disguised aliens all appear human and the town of Centerville appears to have not progressed beyond 1958. The aliens try to capture Bigelow as he escapes, but only capture his dog, Louie.
Seeing a photo of an alien in a tabloid magazine, Bigelow soon finds Margaret, who is now revealed to be one of the aliens. She warns Bigelow to escape with Elizabeth (Lulu Sylbert), their human/alien hybrid daughter, to protect her from the aliens, who want to take her to their home-world. Bigelow and Elizabeth escape from the departing alien ship and the townsfolk's blue orbs are transformed back to their original human forms.
- Paul Le Mat as Professor Charles Bigelow
- Nancy Allen as Betty Walker, The National Informer writer
- Diana Scarwid as Margaret Newman Bigelow, Charles Bigelow's former wife and mother of Elizabeth
- Michael Lerner as Willie Collins,
- Louise Fletcher as Mrs. Benjamin, Government employee overseeing aliens
- Wallace Shawn as Earl, Superintendent of Betty Walker's apartment building
- Fiona Lewis as Waitress/Avon Lady
- Kenneth Tobey as Arthur Newman, Centerville resident
- June Lockhart as Mrs. Bigelow
- Charles Lane as Professor Hollister, Charles Bigelow's department head
- Lulu Sylbert as Elizabeth Bigelow, Charles & Margaret's human/alien hybrid daughter
- Joel Cohen as Tim
- Dan Shor as Teen Boy in Prologue
- Dey Young as Teen Girl in Prologue
- Jack Kehler as Gas Station Attendant
- Mark Goddard as NYPD Detective
- Thomas Kopache as State Trooper
- Bobby Pickett as Editor
- Connie Kellers as Connie
- Nancy Johnson as Stewardess #1
- Betsy Pickering as Stewardess #2
- Jonathan Ulmer as Room Service Waiter
- Ron Gillham as First Alien
- Al Roberts as Man in Dark Glasses
- Edwina Follows as Nurse
- Patti Medwid as Room Service Waitress
Director Michael Laughlin re-teamed with Bill Condon, his co-writer and associate producer from Strange Behavior. The first image Laughlin came up with was that of a midwest landscape with an "old-fashioned mothership sliding in". He wrote the first few pages himself and then he and Condon completed the screenplay in two parts, each writing different sections. They wrote the script without any deal in place but were confident that it was going to be made into a film. They even figured out the budget, scouted locations, cast the actors, and worked on the production design while arranging the financing. This pre-production was all done at the expense of Condon and Laughlin. To help produce the film, Laughlin brought in his friend Walter Coblenz, who had been the assistant director on the Laughlin-produced film Two-Lane Blacktop. They shopped the script for Strange Invaders around Hollywood.
Laughlin's previous film, Strange Behavior, had been released by a small distributor and this time around he wanted his film to be handled by a major. Orion Pictures liked the script and was looking for a good film at a modest price with mainstream appeal. Orion provided half of the film's $5.5 million budget with England's EMI Films coming up with the rest. Orion received distribution rights for North America while EMI handled the rest of the world. As part of the financing deal, Orion and EMI demanded several script changes, which Condon and Laughlin found difficult, because they had to try to explain their ideas verbally. The financial backers influence reduced the film's scope. For example, in the original script, the American government was a much bigger threat, with a big sequence taking place at an Air Force base. These changes bothered Laughlin, because they resulted in a lack of a well-defined middle section in the script.
Orion and EMI also influenced the casting process and approved every choice Laughlin made. The original script was written with Michael Murphy in mind — he had been in Strange Behavior — but EMI refused to allow him to be cast much to the director's confusion "because there didn't seem to be a good reason for his rejection. I guess it was a matter of personal taste". Orion and EMI suggested Mel Gibson and Powers Boothe instead but Laughlin's choice was Paul Le Mat, because he had not played that kind of role before and had a "Joel McCrea quality" that he was seeking. For the role of Betty, Laughlin wanted an actress from New York and not someone from California playing a New Yorker. Condon was a big fan of Brian De Palma's films and Nancy Allen who appeared in several of them. Louise Fletcher's government agent was originally written as a man, a "Bob Balaban bureaucrat", but during the screenwriting process, Condon and Laughlin decided to change the character to a woman and cast Fletcher who had been in Strange Behavior.
Condon and Laughlin created a visual plan in advance and this helped them shoot the film quickly — in only five weeks. Laughlin was helped out by a second unit that worked on the film's visual and prosthetic effects. He hired Private Stock Effects to work on the visual effects. They had previously worked on Battle Beyond the Stars and Escape from New York. For the prosthetic alien effects, he hired James Cummins, a veteran of the John Carpenter film the The Thing, and later, the writer and director of the cult horror classic The Boneyard, who had his name removed from the credits after heated debates with Laughlin about the way the effects were being used and shot. Laughlin relented and allowed Cummins to reshoot a lengthy scene near the end of the film where the aliens shed their human guises as they prepare to embark on a 1950s style spacecraft. Laughlin planned a third film in a proposed "Strange Trilogy", titled, The Adventures of Philip Strange, a World War II spy thriller with science fiction elements and hoped to cast many of the same actors and crew from his two previous films.
In his review for The New York Times, Vincent Canby called it, "a tasteful monster movie with a terrible secret: it eats other movies". Newsweek magazine's David Ansen wrote, "Hovering unclassifiably between nostalgia and satire, this amiably hip genre movie confirms Laughlin as a deliberately minor but unique stylist. It's up to the viewer to determine just how faux his naif style is, but either way you choose to take it, Strange Invaders offers a good deal of laid-back fun". Jay Scott in his review for the Globe and Mail wrote, "Strange Invaders is a pastiche, a film-school jumble of aphorisms and winks at the audience that are neither as knowing nor as amusing as they are meant to be".
- Swires, Steve (January 1983). "Michael Laughlin: Attack of the Killer Cliches". Starlog. p. 60.
- Swires 1983, p. 61.
- Swires 1983, p. 62.
- Swires 1983, p. 63.
- Canby, Vincent (September 16, 1983). "Monster Power in Strange Invaders". The New York Times. Retrieved 2009-06-08.
- Ansen, David (September 19, 1983). "Aliens in the Corn". Newsweek.
- Scott, Jay (November 4, 1983). "Sci-fi schlock is bad but not bad enough". Globe and Mail.