String Quartet (Elgar)
The String Quartet in E minor, Op. 83, was one of three major chamber music works composed by Sir Edward Elgar in 1918. The others were the Violin Sonata in E minor, Op. 82, and the Piano Quintet in A minor, Op. 84. Along with the Cello Concerto in E minor, Op. 85 of 1919, these were to be his last major works prior to his death in 1934.
The String Quartet lasts for around 25 minutes and is in three movements:
- Allegro moderato, 12/8
- Piacevole (poco andante), 3/8
- Allegro molto, 4/4
The middle movement was a favourite of Elgar's wife Lady Elgar, who described it as "captured sunshine". It was played at her funeral in 1920, by Albert Sammons, W. H Reed, Lionel Tertis and Felix Salmond. It contains a quotation from Elgar's Chanson de Matin.
This movement also contains a feature that Elgar, near the end of his life, in conversation with Arthur Troyte Griffith, claimed to be something "that has never been done before". When asked what he meant, Elgar merely replied: "Nothing you would understand, merely an arrangement of notes". Musicologists have mulled over this claim ever since, without coming to a general consensus as to what it refers to.
Elgar had written a string quartet much earlier in his career, to which he assigned the opus number 8, but destroyed it. He made several other attempts, which all came to nothing. For example, he put aside work on a quartet to work on his First Symphony.
This quartet originated from a request by Carl Fuchs, cellist of the Brodsky Quartet and professor at the Royal Manchester College of Music. In February 1900, Elgar and his wife attended a performance of his Enigma Variations in Manchester, conducted by Hans Richter. At supper after the concert Richter introduced Elgar to Adolph Brodsky and his wife, and to Carl Fuchs. Fuchs then asked Elgar to compose a quartet for them.
In 1917, Elgar was ill and depressed by war-time London. He began work on the String Quartet on 25 March 1918, while recovering at home at Severn House after having his tonsils removed. He finished only the first subject of the first movement at that time. Lady Elgar found "Brinkwells", a cottage surrounded by woods near Fittleworth in Sussex, in which he could work in seclusion away from the cares of the world. Then he turned his focus to the Violin Sonata in E minor, completing it on 15 September. He then immediately set to work on the Piano Quintet in A minor. He interrupted work on that piece on 8 October to return to the Quartet; he completed the middle movement on 26 November, and the final movement on 24 December. He completed the Piano Quintet in January 1919. The Quartet was first performed privately at the London home of his friend Frank Schuster, on 26 April 1919.
The String Quartet in E minor was dedicated to the Brodsky Quartet, led by Adolph Brodsky, in honour of the promise Elgar had made years earlier to write a work for them. However, the members of the Brodsky Quartet were now around 70 years of age. The Quartet's public premiere was given by Albert Sammons and W. H. Reed, violins; Raymond Jeremy, viola; and Felix Salmond, cello on 21 May 1919, at the Wigmore Hall, London, the Piano Quintet in A minor also receiving its premiere on this occasion. The group was billed as the "British String Quartet". (Some sources say the London String Quartet gave the premiere, but Albert Sammons was the only member common to both groups.)
- Reisig, Wayne. "String Quartet in E minor, Op. 83 - Edward Elgar". AllMusic.
- McVeagh 2007, p. 177: "At its reprise Elgar seamlessly quotes from his Chanson de matin ... His wife likened the movement to 'captured sunshine' ... He finished [the Quartet] on Christmas Eve 1918." Cite error: Invalid
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- Kennedy 1987, p. 281: "Lady Elgar was particularly fond of the C major slow movement [of the Quartet] (it was played at her funeral service)."
- Moore 1984, p. 754: "The funeral was on 10 April  ... W.H. Reed remembered: ... Sammons, Tertis, Salmond and I went to Malvern and played in the little gallery at the west end of the Church."
- McVeagh 2007, p. 39: "Elgar quoted the climax [of Chanson de matin] in the Piacevole movement of his Quartet of 1918."
- Moore 1984, p. 731: "Listening to a gramophone record of [the second movement] years later, Troyte Griffith said to Edward: 'Surely that is as fine as a movement by Beethoven.' He said quite simply, 'Yes it is, and there is something in it that has never been done before.' I said, 'What is it?' He answered, 'Nothing you would understand, merely an arrangement of notes.'"
- Access My Library[dead link]
- Walton, Andrew (1997). "Elgar: String Quartet in E minor, Op.83 / Piano Quintet in A minor, Op. 84 - About this Album". ClassicsOnline.
- Moore 1984, p. 299: "Early in February  Edward and Alice were in Manchester again for the second of two Richter performances of the Variations ... At supper after the Manchester concert, [Richter] introduced ... Adolf Brodsky, and his wife ... The Brodskys were becoming keen admirers of Edward's music. So was the cellist of the Brodsky Quartet and Professor of Violoncello at the Manchester College, Carl Fuchs. Fuchs extracted from Edward a promise to write something for the cello one day."
- Moore 1984, p. 715.
- Moore 1984, pp. 721–731.
- Moore 1984, p. 734: "Before they packed for the final evacuation, on 24 December the Quartet was finished. Keeping an old promise from the turn of the century, [Elgar] dedicated it to the Brodsky Quartet. Adolf Brodsky was now nearly seventy." Cite error: Invalid
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- Kennedy, Michael (2001). "Elgar: String Quartet · Quintet". Chandos Records. Retrieved 26 September 2010.
Elgar resumed work on the Piano Quintet in January 1919, finishing it in London later that month.
- Moore 1984, p. 740: "On 26 April 'a very distinguished gathering' was invited to Frank Schuster's house ... to hear the Quartet."
- Reed 1946, p. 122: "The author was there ... helping, with his violin in the writing of the chamber music, much as he had done with the violin Concerto eight years before."
- No relation to the Brodsky Quartet formed in 1972.
- Kennedy 1987, p. 355.
- Kennedy, Michael (1987). Portrait of Elgar (Third ed.). Oxford University Press. ISBN 0-19-284017-7.
- McVeagh, Diana (2007). Elgar the Music Maker. Woodbridge, Suffolk: Boydell Press. ISBN 978-1-84383-295-9.
- Moore, Jerrold Northrop (1984). Edward Elgar: A Creative Life. Oxford University Press. ISBN 0-19-315447-1.
- Reed, W. H. (1946). Elgar. London: Dent. OCLC 8858707.