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|Born||Susan Margaret Blane
April 23, 1949
Wolverhampton, Staffordshire, England
|Known for||The Rocky Horror Show
The Rocky Horror Picture Show
Life and career
Before The Rocky Horror Show in 1972, Blane had already met Tim Curry in 1971 at the Citizen's Theatre in Glasgow, where they were both involved in a production of Jean Genet's The Maids. Blane also designed the costumes for other Rocky Horror productions, including the 1975 Broadway production and film, and created the costume designs for the sequel, Shock Treatment (1981).
Since The Rocky Horror Picture Show was released, fans have been recreating the designs as part of screenings audience participation. A common sudience "callback" at Rocky Horror showings plays off the similarity of the name "Blane" to the word "blame." When a character in the film says someone – or something – is "to blame," audience members shout, "No, Sue's to Blane!" It is also common for audience members to shout out Blane's name during "Don't Dream It", making the character Frank N. Furter seem to say, "I wanted to be dressed by Sue Blane" (instead of "dressed just the same," as written).
Blane also created the costume designs for Jonathan Miller's The Mikado for the English National Opera. Other opera credits include David McVicar's Carmen for Glyndebourne, Keith Warner's Lohengrin for the Bayreuth Festival, Lulu at the New National Theatre, Tokyo, Disney's The Hunchback of Notre-Dame (Berlin): The Love for Three Oranges (Opera North/ENO); The Three Musketeers (Young Vic); Capriccio (Staatsoper, Berlin); Guys and Dolls (RNT); Into the Woods (Old Vic / West End); Porgy and Bess (Glyndebourne) and La Fanciula del West, with Plácido Domingo (La Scala, Milan).
Sue's many production design credits include The Relapse, voted Best Design by What's On readers, (RNT), The Nutcracker and Alice in Wonderland for the English National Ballet; Midsummer Night's Dream (Royal Dramaten Theatre, Stockholm and RSC; Cabaret (Donmar Warehouse); Sylvia (Birmingham Royal Ballet); King John, The Learned Ladies, and Antony and Cleopatra all for the Royal Shakespeare Company; Barber of Seville (Scottish Opera); The Duenna and Thieving Magpie (Opera North); Christmas Eve (ENO) and Lee Miller (Minerva Chichester). Her designs also feature in a new ballet for English National Ballet based on Oscar Wilde's novella of The Canterville Ghost conceived and choreographed by Will Tuckett.
She was nominated for a 1997 Laurence Olivier Award for Outstanding Achievement in Dance for her design of English National Ballet's Alice in Wonderland and a BAFTA nomination for Peter Greenaway's The Draughtsman's Contract (1982). Her current designs can be seen in Dance of the Vampires in Vienna, directed by Roman Polanski.
- Information about Blane's design credits
- Article about Blane and her receipt of an MBE
- Biography at IMDB site
- Profile of Blane