Susanne Bier

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
Susanne Bier
Susanne Bier 2013 (cropped).jpg
Bier in 2013
Born (1960-04-15) 15 April 1960 (age 58)
Copenhagen, Denmark
NationalityDanish
Alma materBezalel Academy of Arts and Design,
Architectural Association in London,[1]
National Film School of Denmark
OccupationDirector, writer, producer
Years active1991–present
Spouse(s)Philip Zandén (1995–?; divorced)
Jesper Winge Leisner (?-present)
Children2

Susanne Bier (Danish pronunciation: [susanə ˈbiɐ̯ˀ], born 15 April 1960) is a Danish film director. She is best known for her feature films Brothers, After the Wedding, the Academy Award-winning In a Better World[2] and the TV miniseries The Night Manager. Bier is considered one of the greatest living female film directors and she is the first female director to win a Golden Globe, an Academy Award, an Emmy Award[3] and an European Film Award.

Early Life and Education[edit]

Susanne Bier was born to a Jewish family in Copenhagen, Denmark on April 15, 1960. Her father's family, Rudolf Salomon Baer (born 1930), emigrated from Germany to Denmark in 1933 after Hitler's rise to power. Her mother's family, Heni (nee Jonas) (born 1936), emigrated to Denmark from Russia at the beginning of the 20th century, to escape rising anti-semitism. In 1943, the two families fled from Denmark to Sweden, together with most Danish Jews, to escape the deportation to the Nazi death camps. Three years after the end of World War II, they returned to Denmark. The effects of the Holocaust caused Beir's parents to instill the strong moral values and principles into their children. Later, the importance of human resilience and dignity would be a recurring theme in her films.[4]

During her schooling, she went to Niels Steensens Gymnasium. In interviews for the media as an adult, Bair describes herself as lacking in social skills as a child, who liked to play football with boys and preferred to read books to interacting with others. After high school, citing a desire to reconnect with her Jewish roots, she studied art at the Bezalel Academy of Arts and Design in Jerusalem. Later she would study architecture at the Architectural Association in London before finally returning to film and graduating from the National Film School of Denmark in 1987.[5] De Saliges (1987), Bier's graduation film, won first prize at the Munich film school festival and was subsequently distributed by Channel Four.[6]

Career[edit]

After directing music videos, commercials and the feature films Freud Flytter Hjemmefra (Freud's Leaving Home, 1990), Det Bli’r i Familien (Family Matters, 1993), Pensionat Oscar (Like it Was Never Before, 1995) and Sekten (Credo, 1997) , Bier made a breakthrough in her home country of Denmark with the film The One and Only in 1999. A romantic comedy about the fragility of life, the film won a clutch of Danish Film Academy awards and established Bier's relationship with actress Paprika Steen. The film remains one of the most successful domestic films ever released in Denmark.

A sidestep from the easy going charm of Livet är en schlager (Once in a Lifetime, 2000), Elsker dig for evigt (Open Hearts, 2002) brought Bier's work to much wider international attention and acclaim. Acutely observed and beautifully written by Bier and Anders Thomas Jensen, the film is a perceptive and painful exploration of broken lives and interconnected tragedies. Made under Dogme 95 regulations, the film also marked a move towards a more minimalist aesthetic.

Since the completion of Open Hearts, Bier's reputation has continued to ascend with the harrowing Brødre (Brothers, 2004) and the emotionally engaging Efter Brylluppet (After the Wedding, 2006), which was nominated for Best Foreign Language film at the 2007 Academy Awards. After her first American film, Things We Lost in the Fire (2008) starring Benicio del Toro and Halle Berry, Bier went on to win the Oscar for Best Foreign Language film for In a Better World (2010).[7]

In 2012, she returned to romantic comedy with local Danish smash-hit Den skaldede frisør (Love is All You Need) (2012) starring Trine Dyrholm and Pierce Brosnan. And in 2014, she directed her second American feature, dark romantic drama Serena starring Jennifer Lawrence and Bradley Cooper, and shortly after followed up with Danish drama A Second Chance starring Nikolaj Coster-Waldau, Ulrich Thomsen, Nikolaj Lie Kaas and Maria Bonnevie.

Also a maker of shorts, music videos and commercials, Bier's films typically meditate on pain, tragedy, and atonement.

In 2013 she was a member of the jury at the 63rd Berlin International Film Festival.[8]

1990s[edit]

Freud's Leaving Home[edit]

After graduation, Bier was invited to Sweden to direct Freud's Leaving Home, which was critically acclaimed by film critics. The film follows a girl, Freud, from Sweden who comes from a Jewish family, and it became the first feature film in Sweden to depict Swedish-Jewish culture. With it's heavily Jewish focus, the film "addresses the Jewish experience to an extent that is in rare in Scandinavian cinema".[9] The film won ten awards and was nominated for an additional three.

Family Matters[edit]

Her next film Family Matters continued exploration of complex, tabooed family relations begun in Freud's Leaving Home, including an incestuous relationship between brother and sister.[10]

The One and Only[edit]

Bier returned to taboo subjects with the film The One and Only in 1999. The film is a Danish romantic comedy starring Sidse Babett Knudsen, Niels Olsen, Rafael Edholm, and Paprika Steen in a story about two unfaithful married couples faced with becoming first-time parents. The film was considered to mark a modern transition in Danish romantic comedies,[11] The film earned both the Robert Award and Bodil Award as the Best Film of 1999.

2000s[edit]

Open Hearts[edit]

Following the influence of Dogme 95 manifesto, Bier directed the film Open Hearts in 2002. Open Hearts tells the story of two couples whose lives are traumatized by a car crash and adultery.

Open Hearts received a 96% approval rating on Rotten Tomatoes movie review website.[12] Susanne Bier received the International Critics Award at the 2002 Toronto International Film Festival "for the fact that it proves that dogma has come of age and matured into a potent cinematic language that skillfully captures the freeing of real emotions that extreme trauma creates within the lives of the characters in her film."[13] The film won both the Bodil and Robert awards for Best Danish Film in 2003.

Brothers[edit]

In Bier's next film we follow the character of Michael who has a dream life, a promising military career, a beautiful wife and two beautiful girls. His younger brother, Jannik is a little thug, an outlaw. When Michael has to go to Afghanistan for a UN mission, the relationship between the two brothers is tense. During his trip, Michael is missing, presumed dead. Sarah is supported by Jannik who, against all odds, takes care of the family. Soon, Sarah and Jannik get closer and become lovers.The film tackles the theme of the war in Afghanistan in 2001 and the psychological aftermath of prisoners of war.The plot shows inspiration from Homer's Odyssey. It won several awards, including the audience award at the 2005 Sundance Film Festival and the Cannes Film Festival UCMF Movie Music Award. An opera based on the story of the film by Icelandic composer Daníel Bjarnason was premiered in Aarhus on 16 August 2017. It was commissioned by Den Jyske Opera. Kerstin Perski wrote the libretto and the director was Kasper Holten. To celebrate Aarhus as the European capital of culture 2017 3 stage works were produced; a musical, dance and an opera all based on films by Bier were commissioned and performed in Musikhuset.

After the Wedding[edit]

Bier's next film tells the story of Jacob Petersen who manages an Indian orphanage. With a small staff, he works as hard as he can to keep the orphanage afloat and is personally invested in the young charges - in particular, Pramod, a young boy Jacob has cared for since the boy's birth. The film was a critical and popular success and was nominated for the Academy Award for Best Foreign Language Film.

Time magazine's Richard Schickel named the film one of the Top 10 Movies of 2007, ranking it at #4, calling it a "dark, richly mounted film". While Schickel saw the film as possibly "old-fashioned stylistically, and rather manipulative in its plotting", he also saw "something deeply satisfying in the way it works out the fates of its troubled, yet believable characters."[14]

Things We Lost in the Fire[edit]

In this film we follow the character of Audrey who has been married for eleven years with Brian and leads a well-to-do life, but suddenly her husband dies after trying to defend a woman from an assault. Left alone with two children, Audrey has to face the terrible pain of loss, so she decides to welcome Jerry, her friend's friend, with problems of drug addiction. The two will establish a relationship that will force them to unite their pains, helping each other to make a change in their lives, the difficult search for happiness.

Critics gave the film generally favorable reviews. As of January 29, 2008 on the review aggregator Rotten Tomatoes, 64% of critics gave the film positive reviews, based on 117 reviews.[15] On Metacritic, the film had an average score of 63 out of 100, based on 30 reviews.[16] The two leads received praise for their performances, particularly Benicio Del Toro as he received immense acclaim for his portrayal of Jerry, considered one of his best roles to date.

Josh Rosenblatt of The Austin Chronicle gave the film 4 stars and said the film is "an impeccably constructed and perfectly paced drama of domestic and internal volatility." Rosenblatt wrote "Berry is brilliant here, as good as she’s ever been" and said of Benicio del Toro's performance, "with Things We Lost in the Fire, he's managed to top even himself."[17] Jack Mathews of the New York Daily News gave the film 3½ stars and called it "an award contender...in several positions." Mathews said it is "beautifully written" by Allan Loeb and "acted with heartbreaking efficiency by Halle Berry and Benicio del Toro."[18] Los Angeles Daily News critic Glenn Whipp said the film "will probably be most American moviegoers' introduction to the Dogma-flavored direction of Susanne Bier" and said "Newcomers probably won't be as irritated by Bier's herky-jerky, hand-held camerawork, desaturated colors and odd obsession with random close-ups, especially of characters' eyes...For the rest of us, Bier's directorial tics are beginning to wear thin..."[19]

Claudia Puig of USA Today gave the film 3 stars out of 4 and said "The movie makes some missteps, most of them in pacing and length, and the story veers occasionally into melodrama, but it is saved by the powerful performance of Benicio del Toro", calling him "hypnotically watchable."[20] Joe Morgenstern of The Wall Street Journal wrote "Flawed as it is, the movie as a whole is a guilty pleasure." Morgenstern said "del Toro is a fearless actor" and said the film "would be fairly lifeless without him." Morgenstern wrote "Berry is skillful and affecting, occasionally ferocious, and subtle enough for two, in what is essentially a two-character drama."[21] Stephen Holden of The New York Times said the film "is the kind of awards-seeking Hollywood movie that bends over backward to prove that serious American movies can hold their own with the best films from overseas. They don’t, of course, except in very rare instances."[22] Kyle Smith of the New York Post gave the film 1½ stars out of 4 and said the film "was made to win awards, and I'm here to present it with one: the Cliché of the Year honors, otherwise known as the Hackney.[23]

2010s[edit]

In a Better World[edit]

In a Better World (Danish: Hævnen, "the revenge") is a 2010 Danish drama thriller film written by Anders Thomas Jensen and directed by Susanne Bier. The film stars Mikael Persbrandt, Trine Dyrholm, and Ulrich Thomsen in a story which takes place in small-town Denmark and a refugee camp in Africa.

A Danish majority production with co-producers in Sweden, In a Better World won the 2011 Golden Globe Award for Best Foreign Language Film as well as the award for Best Foreign Language Film at the 83rd Academy Awards.[24]

Director Susanne Bier said: "Our experiment in this film is about looking at how little it really takes before a child – or an adult – thinks something is deeply unjust. It really doesn't take much, and I find that profoundly interesting. And scary."[25]

Review aggregator Rotten Tomatoes reports that 77% out of 114 professional critics gave the film a positive review, with the site consensus stating that "In a Better World is a sumptuous melodrama that tackles some rather difficult existential and human themes."[26] Critical aggregator Metacritic gave the film a Metascore of 65, indicating "generally favorable reviews."[27]

Kim Skotte called the film a "powerful and captivating drama" in Politiken. Out of the four collaborations between Jensen and Bier, he considered In a Better World to be the one most similar to Jensen's solo films and compared the combination of biblical themes and high entertainment value to Jensen's 2005 film Adam's Apples. Skotte also praised the acting performances: "Mighty Mikael Persbrandt shows that he is Scandinavia's most charismatic actor right now. Trine Dyrholm's scenes are fewer, but in a split second she can dramatise the canvas to make the throat lace itself. Also Ulrich Thomsen is good as grief-stricken single father. With her successful directing of the two boys Markus Rygaard and William Jøhnk Nielsen, Bier adds a new chapter to her already extensive resumé of top tuned skills."[28]

Peter Nielsen of Dagbladet Information called In a Better World "in all ways a successful film", and although there "is no doubt that Susanne Bier can tell a good story", he was not entirely convinced: "She can seduce, and she can push the completely correct emotional buttons, so that mothers' as well as fathers' hearts are struck, but she doesn't earnestly drill her probe into the meat."[29]

Love Is All You Need[edit]

In 2012, Bier directed Love Is All You Need (Den skaldede frisør), Lit.: The Bald Hairdresser) a 2012 Danish romantic comedy film starring Pierce Brosnan and Trine Dyrholm.

In 2013, Love Is All You Need was selected as best comedy film at the 26th European Film Awards.[30]

Serena[edit]

Bier directed Serena is a 2014 American–French drama film based on the 2008 novel of the same name by American author Ron Rash.[31] The film stars Jennifer Lawrence and Bradley Cooper as newlyweds running a timber business in 1930s North Carolina.

Serena has received negative reviews from critics. On Rotten Tomatoes, the film has a score of 16% based on 106 reviews with an average rating of 4.3/10. The website's critical consensus states "Serena unites an impressive array of talent on either side of the cameras – then leaves viewers to wonder how it all went so wrong."[32] On Metacritic the film has a score of 36 out of 100 based on reviews from 29 critics, indicating "generally unfavorable reviews".[33]

In The Canberra Times, Jake Wilson praised Cooper, arguing, "Cooper once again proves his value as a leading man who approaches his roles like a character actor."[34] However, he was more nuanced about the cinematography, suggesting it made "the setting slightly abstract, in the manner of her former mentor Lars von Trier – and the storytelling suffers from some sudden transitions and ill-explained twists."[34] He concluded, "if this is not a perfect film, it's an unusually haunting one."[34]

Writing for the Toronto Star, Peter Howell criticized the film, suggesting the cinematography was "bland, unsteady and lacking in definition."[35] In the Vancouver Sun, Katherine Monk argued that Bier was "probably trying to make a movie similar in feel to The Piano."[36] However, she argued that the "whole national park subplot is confusing and blurs the blacks and whites required to generate sympathy, and every character suffers a similarly grey fate."[36] She concluded, "by the end, we barely like anyone in this smoky landscape, let alone care about what happens to them."[36] Writing for The Toronto Sun, Bruce Kirland stressed the setting of the Great Depression, suggesting it was, "the rural reflection of the film versions of The Great Gatsby, which are based on the classic 1925 novel by F. Scott Fitzgerald." Nevertheless, he called the film a "colossal bore."[37]

In The Irish Times, Donald Clark praised the cinematography as " exquisite," but suggested that Lawrence's performance was "genuinely poor." He concluded, "Nobody is likely to see the [film]."[38] Writing for The Independent, Geoffrey Macnab called it "a strangely dour and downbeat affair." He suggested it was reminiscent of Michael Cimino's Heaven's Gate. However, he criticized its "heavy-handed poetic symbolism" and "the guilt and self-loathing that its characters feel."[39]

A Second Chance[edit]

In 2014, Bier directed A Second Chance (Danish: En chance til), a Danish thriller film. The film stars Nikolaj Coster-Waldau, Ulrich Thomsen, Maria Bonnevie, Nikolaj Lie Kaas and Lykke May Andersen. It was screened in the Special Presentations section of the 2014 Toronto International Film Festival.[40][41]

The Night Manager (TV series)[edit]

Taking a break from film, Bier directed The Night Manager, a British television serial starring Tom Hiddleston, Hugh Laurie, Olivia Colman, David Harewood, Tom Hollander, and Elizabeth Debicki. It is based on the 1993 novel of the same name by John le Carré and adapted to the present day by David Farr.[42][43][44] The six-part series began broadcasting on BBC One on 21 February 2016. In the United States, it began on 19 April 2016 on AMC. It has been sold internationally to over 180 countries, and a second series has been commissioned by the BBC and AMC.[45] Scripting duties for the second series will be handled by Matthew Orton, Charles Cumming, Namsi Khan and Francesca Gardiner.[46]

The first series of The Night Manager was nominated for 36 awards and won 11, including two Emmy Awards for director Susanne Bier and music composer Victor Reyes[47] and three Golden Globes for Best Performance to Tom Hiddleston, Best Performance for an Actress in a Supporting Role to Olivia Colman, and Best Performance for a Supporting Actor for Hugh Laurie.

The series received widespread critical acclaim, with The Sun calling it "one of the greatest series of all time".[48]

Adam Sisman, le Carré's biographer, wrote in UK daily newspaper The Daily Telegraph, "It is more than 20 years since the novel was published, and in that time two film companies have tried and failed to adapt it, concluding that it was impossible to compress into two hours. But this six-hour television adaptation is long enough to give the novel its due." He added, "And though Hugh Laurie may seem a surprising choice to play 'the worst man in the world', he dominates the screen as a horribly convincing villain. Alert viewers may spot a familiar face in the background of one scene, in a restaurant: John le Carré himself makes a cameo, as he did in the films of A Most Wanted Man and Tinker Tailor Soldier Spy. But he is on screen only for an instant: blink and you'll miss him."[49]

Reviewing Episode 1 for The Guardian, Archie Bland began by noting, "The Night Manager is as sexed up as television drama comes. In Tom Hiddleston and Hugh Laurie it has bona fide international stars; in John le Carré's source novel it has a pedigree of untouchable grandeur. The palette is as sumptuous as one of our hero Jonathan Pine's beautiful hotels." He added, "It's Laurie's vulpine performance that gives The Night Manager its force once the smell of money has worn off. But we barely see him for the first 40 minutes – a delayed gratification trick that's always worked like magic on me, ever since we spent the whole first episode of The West Wing waiting impatiently to meet Josiah Bartlet." Turning to Hiddleston's performance, Bland wrote, "And as the embodiment of the show's atmosphere of paralysed establishment glamour, Hiddleston is the business. When the noble beast beneath that accommodating English exterior begins to make itself known, I do find the righteous revenge he's intent on wreaking on Roper compelling."[50]

IGN reviewer Jesse Schedeen gave the miniseries an 8.8 out of 10, saying "The Night Manager proves that television is the ideal format to bring le Carré's novels to life. This miniseries is tightly paced, suspenseful and boasts strong performances from the likes of Hiddleston, Laurie, Colman and Hollander. With any luck, this series will open the doors for more of le Carré's classic spy tales to make their way to the small screen."[51]

Bird Box[edit]

Returning to film, Bier directed Bird Box an American post-apocalyptic horror film with a screenplay by Eric Heisserer based on the 2014 novel of the same name by Josh Malerman. It stars Sandra Bullock as the main protagonist.

The film had its world premiere at AFI Fest on November 12, 2018. It is scheduled to be released worldwide on December 21, 2018 by Netflix.

On Metacritic Birdbox has received mixed to positive reviews day after its world premiere.[52] Film was criticized mostly for the direction and the way of storytelling — director is perhaps uncertain about how to maximize the piece's genre potential while simultaneously keeping it smart. (The Hollywood Reporter) [53] All of them agreed about the outstanding performance by Sandra Bullock and the camera work of Salvatore Totino.

Reputation[edit]

Bier has been praised as being a director capable of making films that appeal to an international market, especially since After the Wedding (2006) was nominated for an Academy Award for Best Foreign Language Film and In a Better World (2010) went on to win the award in 2011.[54] The international TV miniseries The Night Manager (2016), produced by BBC and AMC, received worldwide acclaim upon its premiere as well. It went on to receive 12 Primetime Emmy Awards nominations, winning one for Susanne Bier's directing efforts and four Golden Globe-nominations and three wins.

Style and Themes[edit]

Bier's films often deal with the traditional family framework, with the collapse of the bourgeois middle class under the pressure of globalization, terrorism, and war, and the way in which people deal with a disaster or a formative event outside their lives. She notes that the moment that interests her in characters' lives is when their sense of security cracks and the outside world knocks on the door. The main questions in her films are questions of morality: whether it is moral to leave a partner who has become disabled, whether personal good precedes the general good, and how to respond to the violence directed at the individual. Bier often raises questions about how far one would go for a child is in distress, if social services appear to be unable or unwilling to help, and the limits one exceeds to get their own desires fulfilled.[55]

Bier's direction of direction gives the players a great deal of freedom, allowing improvisation in both texts and presentation. Her films have a common visual code - all of them are filmed in a shoulder camera, and emotional peaks use extreme close-ups of eyes, lips, and fingers. In addition, the editing method is not faithful to the continuous editing tradition, and it adds to a more free and random feeling.

Bier's films are characterized by the fact that, despite their tragic structure, there is a "flattening" of the dramatic events, or, alternatively, no dramatization of the major events. For example, in the scene of the first encounter between the father and his daughter after a wedding, the two of them are silent for most of the scene, and talk about a bottle of water he brings to her. This character of directing creates the feeling that nothing happens in her films, but a thorough analysis of the events shows that the films are faithful to the dramatic structure of the Theatre of ancient Greece.

Moreover, Bair makes sure to finish her films with a slightly optimistic tone, saying that although her films are not purely commercial, they are also not pure art, and therefore she should communicate with her audience and give them some light to lean on.[56]

Influences[edit]

In Susan King's article,[57] Bier claims her Jewish heritage embedded a strong sense of family in conjunction to a sense of instability and turmoil. This pertains to her father's need to flee Germany in 1933 to Denmark, where he met Bier's mother. The two of them fled by boat to Sweden after Nazis began rounding up Jews in Denmark. Originally, Bier imagined herself married to a nice Jewish man with six children. She later decided that she wanted to pursue a career. She has been married twice and has two children, Gabriel and Alice. Despite this, she still holds family as her biggest influence and claims she would have never become a filmmaker without her children. To Bier, "family is a sense of identity". "I speak to my parents every day. I have a very close relationship to my aunts and uncles, but also my ex-husband…who comes to stay with us. I have this almost obsessive desire to whomever is close to me, I want to have a very intense, close, intimate relationship with them. That way of living definitely informs the stories I tell.”Although she frequently depicts international stories in third world countries, Bier had never been to Africa or India until she started making movies there. On her frequent interest and depiction of the Third World, Bier insists that "it is sort of pointing out that the Third World is really a part of our lives. It is unavoidable, and we need to relate to it…" As she writes in a public letter after winning the Oscar for in a Better World,[58] "My particular world is not just Copenhagen. It had to be broader than this. My world is larger than it used to be." In Sylvaine Gold’s article,[59] Bier claims she doesn’t like to be in a state of comfort when working. Typically in her films, happy and comfortable characters are met by situations of extreme sadness and catastrophe. She attributes this obsession to her parents experience during World War II when “society suddenly turned against them” because they were Jewish. Despite this obsession with tragedy, Bier says “I’ve had a very fortunate, very privileged life [but] I say that with all humility, because it could change tomorrow. But I have a very strong ability to empathize, to understand what things feel like." Her frequent writing collaborator Anders Thomas Jensen confirms this "humanness" in her, that "She's very good at putting herself in a character's place, which is really a gift." Bier also insists that despite her negative depictions in her films, she always wants to end a film with some vestige of hope. She never wants to alienate her audience, that it is always key to "have an ability to communicate".

Personal life[edit]

Bier was married to Swedish actor and director Philip Zanden. After her divorce from Zanden, she met her partner today, the Danish singer and composer Jasper Wenga Leisner , who wrote the music for several of her films.Bier has two children, Gabriel (born in 1989) and Alice Esther (born in 1995) with Zanden.[60][61]

Filmography[edit]

Awards and Nominations[edit]

Freud's Leaving Home (Freud flytter hjemmefra...) (1991)
  • 1992 Angers European First Film Festival
    • Audience Award: Feature Film
    • C.I.C.A.E. Award
  • 1992 Creteil International Women's Film Festival
    • Grand Prix
  • 1992 Guldbagge Awards
    • Best Director (Nominated)[62]
  • 1991 Montréal World Film Festival
    • Montréal First Film Prize – Special Mention
Brev til Jonas (1992)
  • 1993 Robert Festival
    • Best Short/Documentary (Årets kort/dokumentarfilm)
Family Matters (Det bli'r i familien) (1994)
  • 1994 Rouen Nordic Film Festival
    • ACOR Award
    • Audience Award
Like It Never Was Before (Pensionat Oskar) (1995)
  • 1995 Montréal World Film Festival
    • FIPRESCI Prize: Official Competition
The One and Only (Den eneste ene) (1999)
  • 2000 Robert Festival
    • Best Film (Årets danske spillefilm)
  • 2000 Bodil Awards
    • Best Film (Bedste danske film)
Open Hearts (Elsker dig for evigt) (2002)
  • 2002 Toronto International Film Festival
    • International Critics' Award (FIPRESCI) – Special Mention
  • 2003 Bodil Awards
    • Best Film (Bedste danske film)
  • 2002 Lübeck Nordic Film Days
    • Baltic Film Prize for a Nordic Feature Film
  • 2003 Robert Festival
    • Audience Award
  • 2003 Rouen Nordic Film Festival
    • Press Award
Brothers (Brødre) (2004)
  • 2005 Boston Independent Film Festival
    • Audience Award: Narrative
  • 2005 Creteil International Women's Film Festival
    • Audience Award: Best Feature Film
  • 2004 Hamburg Film Festival
    • Critics Award
  • 2005 Skip City International D-Cinema Festival
    • Grand Prize
  • 2005 Sundance Film Festival
    • Audience Award: World Cinema – Dramatic
After the Wedding (Efter brylluppet) (2006)
  • 2007 Festroia International Film Festival
    • Jury Special Prize
  • 2006 Film by the Sea International Film Festival
    • Audience Award
  • 2006 Cinefest Sudbury International Film Festival
    • Audience Award
In a Better World (Hævnen) (2010)
Love is All You Need (Den skaldede frisør) (2012)
  • 2013 Robert Festival
    • Audience Award: Comedy[63]
The Night Manager (2016)

References[edit]

  1. ^ "Susanne Bier". Denmark.dk. Retrieved 5 August 2013.
  2. ^ Piil, Morten (2005). Danske filminstruktører (in Danish). Copenhagen, Denmark: Gyldendal. pp. 45–. ISBN 978-87-02-02981-9.
  3. ^ Schauser, Søren (12 November 2016). "I Always Fall a Bit in Love With My Characters". b.dk (in Danish). Berlingske. Retrieved 15 November 2016.
  4. ^ Bloom, Nate (February 18, 2011). "Jewish Stars 2/18". Cleveland Jewish News. Retrieved January 5, 2018.
  5. ^ Wood, Jason (2006). Talking Movies: Contemporary World Filmmakers in Interview. Wallflower Press. pp. 3–. ISBN 978-1-904764-90-8.
  6. ^ Wood, Jason. Talking Movies: Contemporary World Filmmakers in Interview. London: Wallflower Press, 2006. Print. p. 3-13
  7. ^ "Oscar-Nominated Susanne Bier Remaking French Thriller 'Rapt'". Deadline Hollywood. 23 February 2011. Archived from the original on 24 February 2011. Retrieved 11 March 2011.
  8. ^ "The International Jury 2013". Berlinale. 28 January 2013. Retrieved 28 January 2013.
  9. ^ Molloy, Missy. Nielsen, Mimi. Shriver-Rice, Meryl. ReFocus: The Films of Susanne Bier. Edinburgh: University Press, 2018. Print. p.117
  10. ^ http://www.nytimes.com/2007/03/25/movies/25gold.html?pagewanted=all
  11. ^ http://www.nytimes.com/2007/03/25/movies/25gold.html?pagewanted=all
  12. ^ "Open Hearts". Rotten Tomatoes.com. Retrieved 2008-05-25.
  13. ^ "Awards for Elsker dig for evigt (2002)". IMDb. Retrieved 2008-05-25.
  14. ^ Schickel, Richard (2007-12-09). "Top 10 Movies". Time Magazine. Retrieved 2013-05-13.
  15. ^ "Things We Lost in the Fire Movie Reviews, Pictures". Rotten Tomatoes. Retrieved 2008-12-29.
  16. ^ "Things We Lost in the Fire Reviews, Ratings, Credits". Metacritic. Retrieved 2008-12-29.
  17. ^ Josh Rosenblatt (2007-10-19). "Things We Lost in the Fire". The Austin Chronicle. Retrieved 2007-10-27.
  18. ^ Jack Mathews (2007-10-19). "Picking up pieces in 'Things We Lost in the Fire'". New York Daily News. Retrieved 2007-10-27.
  19. ^ Glenn Whipp (2007-10-19). "'Fire' Draws its Heat from Del Toro". Los Angeles Daily News. Archived from the original on 2007-10-22. Retrieved 2007-10-27.
  20. ^ Claudia Puig (2007-10-19). "Del Toro, Berry anchor 'Things We Lost'". USA Today. Retrieved 2007-10-27.
  21. ^ Joe Morgenstern (2007-10-19). "Del Toro Rescues 'Things We Lost,' A Tale of Grief". The Wall Street Journal. Retrieved 2007-10-27.
  22. ^ Stephen Holden (2007-10-19). "Things We Lost in the Fire (2007)". The New York Times. Retrieved 2007-10-27.
  23. ^ Kyle Smith (2007-10-19). "GOING DOWN IN FLAMES". New York Post. Retrieved 2007-10-27.
  24. ^ "Denmark's 'In a Better World' wins foreign Oscar", Associated Press, 28 February 2011. Retrieved 28 February 2011.
  25. ^ Rifbjerg, Synne (27 July 2010). "I's never just black and white". dfi.dk. Danish Film Institute. Archived from the original on 30 January 2011. Retrieved 3 February 2011.
  26. ^ In a Better World. Rotten Tomatoes. Flizter. Retrieved on 11 June 2012.
  27. ^ "In A Better World, Critic Reviews". metacritic.com. 12 May 2011. Retrieved 6 January 2017.
  28. ^ http://articles.latimes.com/2011/feb/20/entertainment/la-ca-susanne-bier-20110220
  29. ^ http://articles.latimes.com/2011/feb/20/entertainment/la-ca-susanne-bier-20110220
  30. ^ "Winners 2013". European Film Awards. European Film Academy. Retrieved 9 December 2013.
  31. ^ Smith, Zack (February 20, 2013). "Ron Rash discusses the craft of the short story and the complexity of Appalachian speech". Indy Week. Retrieved February 25, 2013.
  32. ^ "Serena (2015)". Rotten Tomatoes. Retrieved March 30, 2015.
  33. ^ "Serena". Metacritic. CBS Interactive. Retrieved November 1, 2017.
  34. ^ a b c Jake Wilson, Serena review: Jennifer Lawrence in her element in haunting, imperfect melodrama, The Canberra Times, December 1, 2014
  35. ^ Peter Howell, Serena can’t see the forest for the trees: review, Toronto Star, December 4, 2014
  36. ^ a b c Katherine Monk, Movie review: Serena a calculated study of loss (with video), Vancouver Sun, December 4, 2014
  37. ^ Bruce Kirkland, 'Serena' review: Third time not the charm for Jennifer Lawrence and Bradley Cooper, Toronto Sun, December 4, 2014
  38. ^ Donald Clark, Serena review: Lawrence and Cooper together again? We’re afraid so, The Irish Times, October 23, 2014
  39. ^ Geoffrey Macnab, Serena, film review: Jennifer Lawrence and Bradley Cooper 'go mild' in the Deep South, The Independent, October 23, 2014
  40. ^ "Toronto Film Festival Lineup". Variety. Retrieved 30 July 2014.
  41. ^ Leslie Felperin. "'A Second Chance' ('En Chance til'): Toronto Review". The Hollywood Reporter. Retrieved 3 February 2015.
  42. ^ Merrill Barr (January 2015). "AMC Will Air 'The Night Manager' Starring Hugh Laurie & Tom Hiddleston". Screen Rant. Retrieved 31 March 2015.
  43. ^ Cynthia Littleton (30 October 2014). "AMC Nabs Hugh Laurie, Tom Hiddleston 'The Night Manager'". Variety. Retrieved 31 March 2015.
  44. ^ Denise Petski (5 March 2015). "Olivia Colman, Tom Hollander, Elizabeth Debicki Join AMC's 'The Night Manager'". Deadline Hollywood. Retrieved 31 March 2015.
  45. ^ Dan Wootton (8 March 2017). "BBC wins rights to make second series of The Night Manager starring returnees Tom Hiddleston and Olivia Colman". The Sun. Retrieved 9 May 2017.
  46. ^ White, Peter (5 July 2018). "'The Night Manager': 'Humans' Namsi Khan & 'The Rook's Francesca Gardiner Join Second Season Writers Room". deadline.com.
  47. ^ Hipes, Patrick (14 July 2016). "The 68th Annual Emmy Nominations: The Complete List". Deadline Hollywood. Retrieved 15 July 2016.
  48. ^ Kevin O'Sullivan (28 March 2016). "The Night Manager finale review: Beeb's stunningly lavish production is to be admired at all costs". The Sun. Retrieved 17 April 2016.
  49. ^ Sisman, Adam (19 February 2016). "The Night Manager: le Carré's 'unexpected miracle'". The Daily Telegraph. London. Retrieved 21 February 2016.
  50. ^ Bland, Archie (21 February 2016). "The Night Manager recap: episode one – as sexy and sumptuous as TV gets". The Guardian. London. Retrieved 21 February 2016.
  51. ^ Jesse Schedeen (April 18, 2016). "The Night Manager: Miniseries Review". IGN. Retrieved June 2, 2016.
  52. ^ "Sandra Bullock is a Bright Spot in 'Bird Box'". Slash Film. Retrieved November 13, 2018.
  53. ^ McCarthy, Todd. "'Bird Box' Review". Hollywood Reporter. Retrieved November 13, 2018.
  54. ^ Coyle, Jake (28 February 2011). "Denmark's 'In a Better World' wins foreign Oscar". The Washington Post. Associated Press. Retrieved 1 April 2017.
  55. ^ http://nytlive.nytimes.com/womenintheworld/2016/06/02/danish-director-may-become-first-woman-to-helm-a-bond-film/.
  56. ^ Molloy, Missy. Nielsen, Mimi. Shriver-Rice, Meryl. ReFocus: The Films of Susanne Bier. Edinburgh: University Press, 2018. Print.
  57. ^ Cite error: The named reference http://articles.latimes.com/2011/feb/20/entertainment/la-ca-susanne-bier-20110220 was invoked but never defined (see the help page).
  58. ^ http://www.axiomfilms.co.uk/discover/interviews/in-a-better-world-post-oscar-statement-from-susanne-bier.html Bier, Susanne. "IN A BETTER WORLD: Post-Oscar letter from Susanne Bier." Axiom Films 17 March 2011.
  59. ^ http://www.nytimes.com/2007/03/25/movies/25gold.html?pagewanted=all Gold, Sylviane. “A Director Comfortable With Catastrophe.” The New York Times 25 March 2007.
  60. ^ "Susanne Bier Biography". IMDB.
  61. ^ "Director Susanne Bier and husband Jesper Winge Leisner".
  62. ^ "Freud flyttar hemifrån (1991)". Swedish Film Institute. 17 March 2014.
  63. ^ "Awards for Susanne Bier". IMDB. IMDB. Retrieved 5 August 2013.

Bibliography or Further Reading[edit]


External Links[edit]