Swashbuckler film

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Douglas Fairbanks as Robin Hood 1922
Master of Ballantrae poster
For other uses, see Swashbuckler (disambiguation).

Swashbuckler films are a subgenre of the action film genre, often characterised by swordfighting and adventurous heroic characters, known as swashbucklers, often set in Western Europe in the period between the late Renaissance and the Age of Reason with appropriately lavish costumes. Real historical events (from the colonization and plunder of the Americas, with ensuing slave trade and piracy, to Wars of Religion in Europe, up unto the French Revolution and the Napoleonic Wars) often feature prominently in the plot, morality is often clear-cut, heroic characters are clearly heroic and even villains tend to have a code of honour (although this is not always the case). There is often a damsel in distress and a romantic element. The genre is related and interlinks itself with the sword-and-sandal genre, the two being among the very early cinematic genres. The series is called capa y espada in Spain and cape et d'épée in French.

History[edit]

Right from the advent of cinema, the silent era was packed with swashbucklers. The most famous of those were the films of Douglas Fairbanks, such as The Mark of Zorro, which defined the genre. The stories came from romantic costume novels, particularly those of Alexandre Dumas and Rafael Sabatini. Triumphant, thrilling music was also an important part of the formula.[1] There were three great cycles of swashbuckler films: the Douglas Fairbanks period from 1920 to 1929; the Errol Flynn period from 1935 to 1941; and a period in the 1950s heralded by films, including Ivanhoe (1952) and The Master of Ballantrae (1953), and the popularity of the British television series The Adventures of Robin Hood (1955–1959).[2] Richard Lester's Dumas adaptations revived the genre in the 1970s.[3]

Swashbucklers[edit]

Main article: Swashbuckler

The term "swashbuckler" originates from boisterous fighters who carried a sword and buckler (a buckler being a small shield).[4] "Swashbuckler" was a putdown, used to indicate a poor swordsman who covered his lack of skill with noise, bragging, and clamour. Novels, and then Hollywood, altered the word's connotation to make swashbuckler mean a loudmouthed but good braggart, and the hero of the plotline.[1]

Jeffrey Richards describes the genre as very stylized. The hero is one who "maintains a decent standard of behavior, fights for King and Country, believes in truth and justice, defends the honour of lady".[5] The values are those of a knight and therefore the setting is generally the eleventh to nineteenth century.

Fencing[edit]

Main article: Fencing

Fencing was always a mainstay of this genre, and a dramatic duel was often a pivotal part of the storyline. Nowhere else is swordplay more apparent than in the swashbuckler film. Famous fencing instructors included Henry Uyttenhove, Fred Cavens, Jean Heremans and Ralph Faulkner. They all had additional long careers in sport fencing.[6]

Musical scores[edit]

  • Erich Wolfgang Korngold won the 1938 Academy Award for his score to The Adventures of Robin Hood. The 1935 Captain Blood was nominated for Music (Scoring); in 1940 The Sea Hawk was nominated for best Original Score. Korngold was known for his late Romantic compositional style and assigning each character his or her own leitmotif.
  • Alfred Newman wrote the scores for: The Prisoner of Zenda (1937), both the 1940 and 1952 versions of The Mark of Zorro, and the 1942 The Black Swan (nominated for Best Original Score). The 1940 film of The Mark of Zorro was Nominated for an Academy Award for the Best Original Score.
  • Dimitri Tiomkin scored Cyrano de Bergerac (1950). According to film historian David Wallace, "His trademarks, huge, noisy cues, propulsive adventure themes that seemingly employed every brass instrument ever invented, and melting, emotionally wrought melodies accompanying romantic scenes also became the stock-in trade of just about every film composer since."[7]

Swashbuckling television[edit]

Television followed the films and the British television series The Adventures of Robin Hood had produced 143 episodes by 1959 and became an outstanding success both in United Kingdom and the United States.

British television production in the genre was prolific, and includes The Buccaneers (1956–1957), The Adventures of Sir Lancelot (1956–1957), Sword of Freedom (1958), The Adventures of William Tell (1958), The Adventures of the Scarlet Pimpernel (ITV, 1956), ITC's The Count of Monte Cristo (ITV, 1956) and George King's Gay Cavalier (ITV, 1957), Quentin Durward (Studio Canal, 1971) and Sharpe (ITV, since 1993).

American television produced two series of Zorro (1957 and 1990). Following the film The Mask of Zorro (1998), a television series about a female swashbuckler, the Queen of Swords, aired in 2000.[8]

Notable swashbuckler films[edit]

Notable actors and actresses[edit]

See also[edit]

References[edit]

  1. ^ a b Foster on Film.
  2. ^ Screen Online.
  3. ^ "Hoad, Phil. "Making Waves: In Praise of the Swashbuckler", The Guardian, 1 August 2003
  4. ^ [page needed] Embleton, Gerry A.; Howe, John (1994). The Medieval Soldier – 15th Century Campaign Life Recreated in Colour Photographs. London: Windrow and Green. ISBN 978-1-859-15036-8.
  5. ^ Richards, Jeffrey. Swordsmen of the Screen, Routledge, 2014, ISBN 9781317928638
  6. ^ Classical Fencing.
  7. ^ Wallace, David; Miller, Ann. Hollywoodland, Macmillan, (2002) pp. 193-194
  8. ^ "Swashbuckling Women of Movies, TV, Theatre, etc.". Retrieved May 10, 2011. 

External links[edit]