|This article needs additional citations for verification. (March 2007)|
|Directed by||Ali Selim|
|Produced by||James Bigham
|Written by||Ali Selim, inspired by a short story by Will Weaver|
|Music by||Thomas Lieberman|
|Edited by||James Stanger|
|Distributed by||Libero LLC|
Sweet Land is a 2005 American independent period drama film written and directed by Ali Selim. It is an adaptation of the 1989 short story "A Gravestone Made of Wheat" by Will Weaver. The film stars Elizabeth Reaser, Tim Guinee, Lois Smith, Ned Beatty, John Heard, Alex Kingston and Alan Cumming.
In the aftermath of World War I, Inge Altenberg (Elizabeth Reaser), an orphan from Snåsa, Norway, arrives in America to a very cold reception. The parents of immigrant farmer Olaf Torvik (Tim Guinee) remain in Norway, where they met her. Dialogue reveals that the four of them have worked out an agreement that allowed her to emigrate to America for the purpose of marrying Olaf. The Minnesota farming village of Audubon, in which her intended husband lives, is horrified to learn that she is a German immigrant with no papers. To make matters worse, she has accidentally obtained membership papers for the American Socialist Party. Scandalized, both the town's Lutheran minister and the county clerk refuse to marry them.
When events lead them to openly cohabit with each other, they find themselves ostracized by the entire town. They are then forced to harvest their crop completely by hand and alone. This particular harvest season brings not only work, but love as well.
Director Ali Selim first read Will Weaver's short story "A Gravestone Made of Wheat" in 1989 in the Sunday magazine of the Star Tribune, a Minneapolis newspaper. After purchasing the film rights, he spent much of the 1990s working on a script in his spare time as he worked as a director of television commercials.
Two early supporters of the project were actors Alan Cumming, who played Frandsen, and Gil Bellows, who signed on as a co-producer. Selim met Cumming while screening a short film in Los Angeles; he knew Bellows from directing him in a steak-sauce commercial. Bellows helped Selim get the script into workshops in Los Angeles, where the reaction was positive. But no Hollywood studios were interested in making the film.
In 2004, Selim raised about $1 million to produce the film himself, mostly from private investors in Minnesota, and pre-production began in July, with shooting planned for that fall.
Dan Futterman, whom Selim also had directed in commercials, was originally cast as Olaf but had to drop out when his film Capote went into production. Futterman suggested Tim Guinee as his replacement.
Elizabeth Reaser signed on after another actress dropped out because of a scheduling conflict. Reaser initially balked at having to master her multilingual dialogue on such short notice, and she tried to back out of the audition. Her agent talked her out of it, and she got the part.
Selim said on the film's DVD commentary that Ned Beatty, who has a summer home in his wife's hometown in northern Minnesota, said he took a role in the film to impress his in-laws—although he later confessed that he also liked the script.
Sweet Land was filmed in 24 days in October 2004 in and around Montevideo, a city in Chippewa County, Minnesota. Local residents served as extras in the film as well as contributed antique cars and farm implements to the filmmaking effort.
Reaser does not speak German and had to learn her lines phonetically despite only four sessions with a dialogue coach.
The film uses some computer-generated graphics: The northern lights in the scene where Inge walks through the fields to Olaf's house to take a bath (the scene was actually filmed in the daytime), and, later in the film, the geese flying over Olaf's house.
Selim entered Sweet Land in several film festivals, and despite a positive reception and some awards, no Hollywood distributor would take it on. Eventually, Jeff Lipsky, formerly of October Films, agreed to distribute it, and Sweet Land opened in limited release on December 1, 2006. Initially released only in Minneapolis-St. Paul and New York, the film was rolled out gradually to other markets over the next several months.
Sweet Land got a national DVD distribution deal with 20th Century Fox, somewhat ironic since Fox Searchlight had been among the studios that earlier had passed on distributing the film. Sweet Land was released on DVD July 10, 2007.
Although Sweet Land never achieved a wide national release, by the end of December 2006 it approached $1 million in receipts. The film remained in theaters for 37 weeks, often in limited engagements at independent theaters, primarily in the Midwest. The film's final gross was $1.7 million.
Sweet Land received mostly good reviews, which focused on the simplicity of its story, the beauty of its cinematography and its strong sense of place. Entertainment Weekly and the Los Angeles Times named the film one of the 10 best of 2006.
- 2005 Hamptons International Film Festival: Audience Award for Best Narrative Feature
- 2006 Florida Film Festival: Audience Award for Best Narrative Feature
- 2007 Independent Spirit Awards: Best First Feature
- "How Ali Selim Made Sweet Land Outside the Industry". Studiodaily.com. 2006-10-18. Retrieved 2013-12-16.
- "Home-Grown Hollywood". Minnesotamonthly.com. 2004-07-15. Retrieved 2013-12-16.
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- "Ali Selim's long trek to "Sweet Land" | Minnesota Public Radio News". Minnesota.publicradio.org. 2006-04-28. Retrieved 2013-12-16.
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- "How Ali Selim Made Sweet Land Outside the Industry". Studio Daily. 2006-10-18. Retrieved 2013-12-16.
- "`Sweet Land' a Sweet Success Story - MSN Movies News". Movies.msn.com. Retrieved 2013-12-16.
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- Owen Gleiberman on Oct 18, 2006 @OwenGleiberman (2006-10-18). "Sweet Land Review | Movie Reviews and News". EW.com. Retrieved 2013-12-16.
- Sharkey, Betsy. "Entertainment - entertainment, movies, tv, music, celebrity, Hollywood - latimes.com - latimes.com". Calendarlive.com. Retrieved 2013-12-16.
- "Sweet Land - Official Movie Website". Sweetlandmovie.com. Retrieved 2013-12-16.
-  Archived August 12, 2007 at the Wayback Machine
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