|Sapa Inca of the Neo-Inca State|
|Died||24 September 1572 (aged 26–27)|
Cusco, Viceroyalty of Peru
|Father||Manco Inca Yupanqui|
Túpac Amaru (1545 – 24 September 1572) was the last monarch (Sapa Inca) of the Neo-Inca State, the remnants of the Inca Empire in Vilcabamba, Peru. He was executed by the Spanish following a months-long pursuit after the fall of the last stronghold of the Neo-Inca State.: 11
The name is also spelled Tupac, Topa, Tupaq, Thupaq, Thupa, or other similar variants, and Amaro instead of Amaru. It comes from Quechua Thupaq, "Royal" or "Shining", and Amaru, "Serpent" (or a mythological serpent-like being).
Following the Spanish conquest of Peru in the 1530s, a few members of the royal family established the small independent Neo-Inca State in Vilcabamba, which was located in the relatively inaccessible Upper Amazon to the northeast of Cusco. The founder of this state was Manco Inca Yupanqui (also known as Manco Cápac II), who had initially allied himself with the Spanish, then led an unsuccessful war against them before establishing himself in Vilcabamba in 1540. After a Spanish attack in 1544 in which Manco Inca Yupanqui was killed, his son Sayri Tupac assumed the title of Sapa Inca (emperor, literally "only Inca"), before accepting Spanish authority in 1558, moving to Cuzco, and dying (perhaps by poison) in 1561. He was succeeded in Vilcabamba by his brother Titu Cusi, who himself died in 1571. Túpac Amaru, another brother of the two preceding emperors, then succeeded to the title in Vilcabamba.
Final war with and capture by Spanish
At this time the Spanish were still unaware of the death of the previous Sapa Inca (Titu Cusi) and had routinely sent two ambassadors to continue ongoing negotiations being held with Titu Cusi. They were both killed on the border by an Inca captain.
Using the justification that the Incas had "broken the inviolate law observed by all nations of the world regarding ambassadors" the new viceroy, Francisco de Toledo, Count of Oropesa, decided to attack and conquer Vilcabamba. He declared war on 14 April 1572. The first engagement of the war commenced in the Vilcabamba valley on 1 June. The Inca people attacked first with much spirit despite being only lightly armed. Again and again, they attempted to lift the siege held by the Spanish and their native allies but each time they were forced to retreat. On 24 June the Spanish entered Vilcabamba to find it deserted and the Sapa Inca gone. The city had been entirely destroyed, and the last remnants of the Inca Empire, the Neo-Inca State now officially ceased to exist.
Túpac Amaru had left the previous day with a party of about 100 and headed west into the lowland forests. The group, which included his generals and family members, had then split up into smaller parties in an attempt to avoid capture.
Three groups of Spanish soldiers pursued them. One group captured Titu Cusi's son and wife. A second returned with military prisoners along with gold, silver and other precious jewels. The third group returned with Túpac Amaru's two brothers, other relatives and several of his generals. The Sapa Inca and his commander remained at large.
Following this, a group of forty hand-picked soldiers under Martín García Óñez de Loyola set out to pursue them. They followed the Masahuay river for 170 miles, where they found an Inca warehouse with quantities of gold and the Inca's tableware. The Spanish captured a group of Chunco and compelled them to tell them what they had seen, and if they had seen the Sapa Inca. They reported that he had gone down river, by boat, to a place called Momorí. The Spaniards then constructed five rafts and pursued them.
At Momorí, they discovered that Tupac Amaru had escaped by land. They followed with the help of the Manarí, who advised which path the Inca had followed and reported that Túpac was slowed by his wife, who was about to give birth. After a fifty-mile march, they saw a campfire around nine o'clock at night. They found the Sapa Inca Túpac Amaru and his wife warming themselves. They assured them that no harm would come to them and secured their surrender. Túpac Amaru was arrested.
The captives were brought back to the ruins of Vilcabamba and together they were all marched into Cuzco on 21 September. The invaders also brought the mummified remains of Manco Cápac and Titu Cusi and a gold statue of Punchao, a representation of the Inca's lineage containing the mortal remains of the hearts of the deceased Inca kings. These sacred items were then destroyed.
The five captured Inca generals received a summary trial and were sentenced to death by hanging. Several had already died of torture or disease.
The trial of the Sapa Inca himself began a couple of days later. Túpac Amaru was convicted of the murder of the priests in Vilcabamba. Túpac Amaru was sentenced to be beheaded. It was reported in various sources in 1598 that numerous Catholic clerics, convinced of Túpac Amaru's innocence, pleaded to no avail, on their knees, that the Inca be sent to Spain for a trial instead of being executed.
Many have argued that Viceroy Toledo, in executing a head of state recognized by the Spanish as an independent king, exceeded his authority and committed a crime within the political ideas of his own time. Other claims have been made to the contrary — that Túpac Amaru was in rebellion (his predecessors having allegedly accepted Spanish authority), that Toledo had tried peaceful means to settle differences, that three of his ambassadors to the Inca were murdered, and that Túpac Amaru subsequently raised an army to resist the colonial army. The King of Spain, Philip II, disapproved of the execution.
An eyewitness report from the day recalls him riding a mule with hands tied behind his back and a rope around his neck. Other witnesses reported there were great crowds and the Sapa Inca was surrounded by hundreds of guards with lances. In front of the Cathedral of Santo Domingo in the central square of Cuzco a black-draped scaffold had been erected. Reportedly 10,000 to 15,000 witnesses were present.
Túpac Amaru mounted the scaffold accompanied by the Bishop of Cuzco. As he did, it was reported by the same witnesses that a "multitude of Indians, who completely filled the square, saw that lamentable spectacle [and knew] that their lord and Inca was to die, they deafened the skies, making them reverberate with their cries and wailing."
As reported by eyewitnesses Baltasar de Ocampa and Friar Gabriel de Oviedo, Prior of the Dominicans at Cuzco, the Sapa Inca raised his hand to silence the crowds, and his last words were: "Ccollanan Pachacamac ricuy auccacunac yawarniy hichascancuta." ("Pacha Kamaq, witness how my enemies shed my blood.")
Nearly forty years after the conquest of Peru began with the execution of Atahualpa, the conquest ended with the execution of his nephew. The Spanish Viceroy rounded up the royal descendants. Several dozen, including Túpac Amaru's three-year-old son, were banished to Mexico, Chile, Panama and elsewhere. Some of them were allowed to return home.
Túpac Amaru's memory lived on and would become personified in an important late eighteenth century insurgency that was rooted in aspirations toward a revival of Inca status vis-a-vis the Spanish administration. In 1780, José Gabriel Condorcanqui (Túpac Amaru II), who claimed to be a direct descendant of Túpac Amaru, led an indigenous uprising against continued Spanish presence in Peru alongside his wife Micaela Bastidas. Condorcanqui's rebellion emerged in response to new Bourbon Reforms implemented by the Spanish crown, which included incremental increases in levels of taxation upon indigenous populations – such as the alcabala or sales tax. Túpac Amaru II's rebellion was sparked when he (Condorcanqui) captured and killed the Spanish corregidor Antonio Arriaga in November 1780.
Historian El Inca Garcilaso De La Vega claimed that King Philip II disapproved of the public execution of Tupac Amaru. Tupac Amaru death in 1572 has generated great interests centuries after, including during the late seventeenth and eighteenth century. Though the exact date of when this painting was painted is unknown, it is known that it was painted in the eighteenth century when interest was growing in regards to Tupac Amaru's death. Relatively little is known about Tupac Amaru, but this has not prevented his death from becoming a symbol of power to those in the region. Public figures such as Andrean rebel leader Jose Gabriel Condorcanqui resonated with Tupac Amaru ideology, so much so that he changed his name to Tupac Amaru II. Despite Tupac Amaru's short life and tragic death his legacy precedes him especially among the Peruvian community.
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