Amulets and talismans are often considered interchangeable despite their differences. For example, the amulet is an object with natural magical properties, as opposed to a talisman which must be charged with magical powers by a creator. It is this act of consecration or "charging" that gives the talisman its alleged magical powers. The talisman is always made for a definite reason whereas an amulet can be used for generic purposes such as averting evil or attracting good luck.
According to the Hermetic Order of the Golden Dawn, a magical order active in the United Kingdom during the late-19th and early-20th centuries, a talisman is "a magical figure charged with the force which it is intended to represent. In the construction of a talisman, care should be taken to make it, as far as possible, so to represent the universal forces that it should be in exact harmony with those you wish to attract, and the more exact the symbolism, the easier it is to attract the force."[unreliable source?]
The word comes from the Arabic word talsam (طلسم), from an alteration of late Greek telesma (τέλεσμα), "completion, religious rite", itself from the word teleō (τελέω) which means "I complete, perform a rite".
Preparation of talismans
All the traditional magical schools advise that a talisman should be created by the person who plans to use it. They also recommend that the person making the talisman must be familiar with all the symbolisms connected to all the different planetary and elemental forces. In several medieval talismans, geomantic signs and symbols were used in relation with different planets. These symbolisms which are frequently incorporated in geomantic divination, also have alchemical implications. Other magical associations, such as colors, scents, symbology, patterns, Kabbalistic figures, can also be integrated in the creation of a talisman. However, they should be in synchronization with the elemental or planetary force selected to represent the talisman. It is also feasible to augment a personal touch to the talisman through adding a verse, inscription, or pattern. These inscriptions can be magical emblems, bible verses or sonnets.[unreliable source?]
Talismans in Medieval medicine
Lea Olsan writes of the use of amulets and talisman as prescribed by medical practitioners in the medieval period, citing four doctors that served as primary sources for her research. She explains that the utilization of such charms and prayers (referred to a Empirica in authoritative medical texts) were “rarely a treatment of choice” due to the inability of such treatments to be properly justified in the realm of Galenic medical teachings. Yet, the use of amulets was typically considered acceptable due to the large number of references to their use in the medical literature overall. Through drawing on these references as a guide, Gilbertus, for example, writes of the necessity of using a talisman to ensure conception of a child. He describes the process of producing the talisman, which includes “writing words, some uninterruptable, some biblical, on a parchment to be hung around the neck of the man or woman during intercourse.”
Seal of Solomon
The Seal of Solomon, also known as the interlaced triangle, is another primeval talisman and amulet that has been commonly used in several religions; but though it is said to have been the emblem by which the wise king ruled the Genii, it could not have originated with him as its use dates back much further than the Jewish Dispensation. As a talisman it was believed all-powerful, being the ideal symbol of the absolute, and was worn for protection against all fatalities, threats, and trouble, and to protect its wearer from all evil. In its constitution, the triangle with its apex upwards represents good, and with the inverted triangle, evil: the triangle with its apex up being typical of the Trinity that exists in several religions; in India, China and Japan, its three angles represent Brahma, Vishnu, and Siva, the Creator, Preserver, and Destroyer or Regenerator; in Egypt it represented Osiris, Isis and Horus; and in the Christian Church, the Holy Trinity. As a whole it stands for the elements of fire and spirit, composed of the three virtues (love, truth, and wisdom). The triangle with its apex downward symbolized the element of water, and typified the material world, or the three enemies of the soul: the world, the flesh, and the Devil, and the cardinal sins, envy, hatred and malice. Therefore, the meaning of the two triangles interlaced, is the victory of spirit over matter, and at the beginning of our present civilization was believed an all-powerful talisman and amulet, especially when used with either a Cross of Tau, the Hebrew Yodh, or the Egyptian Crux Ansata in the center.
This object, an 11th century “Talismanic Scroll,” was discovered in Egypt and produced in the Fatimid Islamic Caliphate (909-1171 C.E.) It resides in the collection of the Metropolitan Museum of Art (New York, NY) along with a number of other Medieval Islamic amulets and talisman that were donated to the museum by the Abemayor family in 1978. About 9 inches by 3 inches in size, the miniature paper scroll contains a combination of prayers and Qur’anic verses, and was created for placement in an amulet box. This block print bears Kufic, the oldest calligraphic Arabic script, as well as “Solomon’s Seal,” a star with six points has been identified in a large number of Islamic art pieces of the period. Block printing was utilized as a technique through which to mass-produce talisman scrolls, hundreds of years before block printing was incorporated into European societies.
The swastika, one of the oldest and most widespread talismans known, can be traced to the Stone Age, and has been found incised on stone implements of this era. It can be found in all parts of the Old and New Worlds, and on the most prehistoric ruins and remnants. In spite of the assertion by some writers that it was used by the Egyptians, there is little evidence to suggest they used it and it has not been found among their remains.
Both forms, with arms turned to the left and to the right, seem equally common. On the stone walls of the Buddhist caves of India, which feature many of the symbols, arms are often turned both ways in the same inscription.
The Renaissance scientific building Uraniborg has been interpreted as an astrological talisman to support the work and health of scholars working inside it, designed using Marsilio Ficino's theorized mechanism for astrological influence. Length ratios that the designer, the astrologer and alchemist Tycho Brahe, worked into the building and its gardens match those that Heinrich Cornelius Agrippa associated with Jupiter and the sun. This choice would have counteracted the believed tendency of scholars to be phlegmatic, melancholy and overly influenced by the planet Saturn.
- Juan Eduardo Campo (ed.). "amulets and talismans". Encyclopedia of Islam. Infobase Publishing. p. 40.
- "The Difference Between An Amulet, Talisman And A Charm".
- Gonzalez-Wippler, Migene (2001). Complete Book Of Amulets & Talismans. Lewellyn Publications. ISBN 0-87542-287-X.
- talisman, Oxford Dictionaries
- τελέω, Henry George Liddell, Robert Scott, A Greek-English Lexicon, on Perseus
- Olsan, L. T. "Charms and Prayers in Medieval Medical Theory and Practice." Social History of Medicine 16.3 (2003): 343-66. Print, 351.
- Olsan, L. T. "Charms and Prayers in Medieval Medical Theory and Practice." Social History of Medicine 16.3 (2003): 343-66. Print, 352.
- Thomas, William (1994). Book of Talismans, Amulets and Zodiacal Gems. Kessinger Publishing, LLC. pp. 19–20. ISBN 978-1-564-59461-7.
- "Talismanic Scroll". The Metropolitan Museum of Art. Retrieved 2013-08-23.
- Talismanic Scroll.” Heilbrunn Timeline of Art History. N.p., n.d. Web. 11 Apr. 2013. <http://www.metmuseum.org/Collections/search-the-collections/140010295>
- Thomas, William (1994). Book of Talismans, Amulets and Zodiacal Gems. Kessinger Publishing, LLC. p. 15. ISBN 978-1-564-59461-7.
- Kwan, A. (2011). "Tycho's Talisman: Astrological Magic in the Design of Uraniborg". Early Science and Medicine 16 (2): 95. doi:10.1163/157338211X557075.
- Media related to Talisman at Wikimedia Commons
- Forshaw, Peter (2015) 'Magical Material & Material Survivals: Amulets, Talismans, and Mirrors in Early Modern Europe’, in Dietrich Boschung and Jan N. Bremmer (eds), The Materiality of Magic. Wilhelm Fink.