Talk:Otello (Rossini)

This article falls within the scope of WikiProject Opera, a group writing and editing Wikipedia articles on operas, opera terminology, opera composers and librettists, singers, designers, directors and managers, companies and houses, publications and recordings. The project discussion page is a place to talk about issues and exchange ideas. New members are welcome!OperaWikipedia:WikiProject OperaTemplate:WikiProject OperaOpera articles

Shakespeare Low‑importance

	This article is within the scope of WikiProject Shakespeare, a collaborative effort to improve the coverage of William Shakespeare on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.ShakespeareWikipedia:WikiProject ShakespeareTemplate:WikiProject ShakespeareShakespeare articles
Low	This article has been rated as Low-importance on the project's importance scale.

Italy

	Italy portal This article is within the scope of WikiProject Italy, a collaborative effort to improve the coverage of Italy on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.ItalyWikipedia:WikiProject ItalyTemplate:WikiProject ItalyItaly articles
???	This article has not yet received a rating on the project's importance scale.

Role of Jago in Rossini's Otello

Weinstock (1987, p. 497) says the following about the premiere cast of Rossini's Otello: "The first libretto shows Ciccimarra as Jago, but its creation often is credited to Manuel Garcia. An undated Ricordi edition of Otello in the present writer's possession (plate no. 43971) assigns Jago to Garcia, "Un Gondoliere" to Ciccimarra (perhaps reflecting the 1817 San Carlo cast), and lists no singers for Emilia, the Doge, and Lucio." Thus he lists Ciccimarra as having sung Jago at the premiere in Naples. Is there a more recent reference which deals with this question more definitively? (I'm also leaving this discussion on the Manuel Garcia talk page.)--Robert.Allen (talk) 01:13, 4 December 2010 (UTC)[reply]

James Radomski in Grove Opera says "Towards the end of 1816, García and his wife returned to Paris to sing at the Théâtre Italien. Paolino in Il matrimonio segreto was the role of [his] rentrée on 16 October. Il califfo di Bagdad had its Paris premiere on 22 May 1817 at the Théâtre Italien. It was performed regularly until García and his wife left the company after a contretemps with the director, Mme Catalani ...[after] a performance of Portugale's La morte di Semiramide on 20 September 1817."

This seems to me to imply that García was in Paris from before 16 October 1816 until well into 1817. --GuillaumeTell 02:12, 4 December 2010 (UTC)[reply]

Thanks, that certainly seems to support Weinstock's conclusion. It sure seems unlikely he could have prepared a new role for Naples by 4 December. --Robert.Allen (talk) 09:58, 4 December 2010 (UTC)[reply]

Subtitle

Didn't this opera have the subtitle Il Moro di Venezia? If so, shouldn't the article include the subtitle? Robert K S (talk) 15:31, 9 January 2016 (UTC)[reply]

The librettist

What is the librettist's name? "Francesco... di Salsi" or "Francesco... di Salsa"? As I checked out his name on some other Wikis, the last name is not alike! — Hamid Hassani (talk) 09:26, 18 August 2018 (UTC)[reply]

According to Richard Osborne in his Master Musicians book, his name was 'Francesco Maria Berio di Salsa', referenced by him as 'Berio'.Cg2p0B0u8m (talk) 15:37, 18 August 2018 (UTC)[reply]

"Otello(Rossini)" listed at Redirects for discussion

The redirect Otello(Rossini) has been listed at redirects for discussion to determine whether its use and function meets the redirect guidelines. Readers of this page are welcome to comment on this redirect at Wikipedia:Redirects for discussion/Log/2023 December 20 § Otello(Rossini) until a consensus is reached. Steel1943 (talk) 19:45, 20 December 2023 (UTC)[reply]