La tambourine, by John William Godward, 1906
|Other names||Riq, Buben|
|Hornbostel–Sachs classification||112.122(+211.311, with drumhead)|
(Indirectly struck idiophone, sometimes including struck membranophone)
|Riq, Buben, Dayereh, Daf, Kanjira, Frame drum|
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head at all. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping or hitting the instrument.
Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Turkish folk music, Greek folk music, Italian folk music, classical music, Persian music, samba, gospel music, pop music, country music, and rock music.
Tambourines originated in Egypt, where they were known as the tof to the Hebrews, in which the instrument was mainly used in religious contexts. The word tambourine finds its origins in French tambourin, which referred to a long narrow drum used in Provence, the word being a diminutive of tambour "drum," altered by influence of Arabic tunbur "drum". from the Middle Persian word tambūr "lute, drum".
Woman holding a mirror and a tambourine facing a winged genie with a ribbon and a branch with leaves. Ancient Greek red-figure oinochoe, ca. 320 BC, from Magna Graecia. (Notice the coloured decorative woven stripes hanging on the tambourine, which can still be seen today on "tamburello", the tambourine of Southern Italy.)
The tambourine can be held in the hand or mounted on a stand, and can be played in numerous ways, from stroking or shaking the jingles to striking it sharply with the hand or a stick or using the tambourine to strike the leg or hip.
There are several ways to achieve a tambourine roll. The easiest method is to rapidly rotate the hand holding the tambourine back and forth, pivoting at the wrist.
An advanced playing technique is known as the thumb roll. The finger or thumb is moved over the skin or rim of the tambourine, producing a fast roll from the jingles on the instrument. This takes more skill and experience to master. The thumb or middle finger of the hand not holding the tambourine is run around the head of the instrument approximately one centimeter from the rim with some pressure applied. If performed correctly, the thumb should bounce along the head rapidly, producing the roll. Usually, the end of the roll is articulated using the heel of the hand or another finger. In the 2000s, the thumb roll may be performed with the use of wax or resin applied to the outside of the drum head. This resin allows the thumb or finger to bounce more rapidly and forcefully across the head producing an even sound. A continuous roll can be achieved by moving the thumb in a "figure of 8" pattern around the head.
In popular music
In rock music, a tambourine is most often played:
- By lead singers who shake it while they sing – Lead singers such as Mick Jagger, Freddie Mercury, George Michael, Mike Love, Jon Anderson, Jim Morrison, Robert Plant, Peter Gabriel, Liam Gallagher, Gene Clark, Ray Thomas, Trent Reznor, Ian Astbury, Stevie Nicks, Roger Daltrey, Jon Davison, Prince, Tyler Joseph, Gerard Way, Florence Welch, Tim Booth, Taylor Momsen, Davy Jones, Nico and Ryan Tedder have all been known to use a tambourine while singing.
- By drummers/percussionists – Drummers such as Larry Mullen, Jr. of U2 mount a tambourine above the cymbals of their hi-hat stand; others mount it elsewhere. Other drummers and percussionists who have played the tambourine include Ringo Starr, Roger Taylor, Hal Blaine, Phil Collins, Charlie Watts, Maureen Tucker, Bev Bevan, Ralph MacDonald, Danny Seraphine, Laudir de Oliveira, Mick Fleetwood, Milt Holland, Paulinho da Costa, Sheila E., Steve Gadd, Airto Moreira, Bobbye Hall, Russ Kunkel, Liberty DeVitto, Nigel Olsson, Luis Conte, Dave Weckl, Steve Jordan, Jeff Porcaro, Neil Peart, Graeme Edge, Dallas Taylor, Don Henley, Emil Richards, Ray Cooper, Crystal Taliefero, Angus MacLise, Alex Acuna, Joe Lala, Nick Mason, John Bonham, Billy Cobham, Ian Paice, Frank Ricotti, Carl Palmer, Bobby Colomby, Tré Cool, Joel Gion
Tambourines in rock music are most often headless, a ring with jangles but no drum skin. The Rhythm Tech crescent-shaped tambourine and its derivatives are popular. The original Rhythm Tech tambourine is displayed in the Museum of Modern Art. Jack Ashford's distinctive tambourine playing was a dominant part of the rhythm section on Motown records. The tambourine was featured in "Green Tambourine", a busking-oriented song with which The Lemon Pipers, a 1960s musical group, notched a chart selection.
In classical music
Wolfgang Amadeus Mozart was among the earliest western composers to include the tambourine in his compositions. Since the late eighteenth century it has become a more permanent element of the western orchestral percussion section, as exemplified in some of Pyotr Ilyich Tchaikovsky's dance pieces from The Nutcracker Suite. Gustav Holst's seven-movement orchestral suite The Planets also features the tambourine in several places throughout the suite, especially in the "Jupiter" movement.
Buben (Бубен in Russian, Бубон in Ukrainian, boben in Slovenian, buben in Czech, bęben in Polish) is a musical instrument of the percussion family similar to a tambourine. A buben consists of a wooden or metal hoop with a tight membrane stretched over one of its sides (some bubens have no membrane at all). Certain kinds of bubens are equipped with clanking metal rings, plates, cymbals, or little bells. It is held in the hand and can be played in numerous ways, from stroking or shaking the jingles to striking it sharply with hand. It is used for rhythmical accompaniment during dances, soloist or choral singing. Buben is often used by some folk and professional bands, as well as orchestras.
The name is related to Greek language βόμβος (low and hollow sound) and βομβύλη (a breed of bees) and related to Indo-Aryan bambharas (bee) and English bee. Buben is known to have existed in many countries since time immemorial, especially in the East. There are many kinds of bubens, including def, daf, or qaval (Azerbaijan), daf or khaval (Armenia), daira (Georgia), doira (Uzbekistan and Tajikistan), daire or def (Iran), bendeir (Arab countries), pandero (Spain). In Kievan Rus, drums and military timpani were referred to as buben.
A daf (دف) is a large-sized tambourine or Perso-Arabic frame drum used to accompany both popular and classical music in Iran, Azerbaijan, the Arab world, Turkey (where it is called tef), Uzbekistan (where it's called childirma), the Indian subcontinent (where it is known as the Dafli) and Turkmenistan. Daf typically indicates the beat and tempo of the music being played, thus acts like the conductor in the monophonic oriental music. The Persian poet Rudaki, who widely used names of the musical instruments in his poems, mentions the daf and the tambourine (taboorak) in a Ruba'i: A common use of tambourine (Daf) is by Albanians. They are often played by women and bridesmaids in wedding cases to lead the ceremony when bride walks down the aisle.
Originated in Galicia or Portugal, the pandeiro was brought to Brazil by the Portuguese settlers. It is a hand percussion instrument consisting of a single tension-headed drum with jingles in the frame. It is very typical of more traditional Brazilian music.
The Basque pandero is a folk instrument currently played along with the trikitixa (basque diatonic accordion) in a duo most of the times. Sometimes the players, who play in festivities to enliven the atmosphere or less frequently at onstage performances, sing along. At times the pandero accompanies the alboka or txistu too. Yet these kinds of duos have not always been the case. As attested in 1923, the youth gathered to dance to the rhythm of the bare pandero, with no other music instrument implicated but the player's (a woman's) voice.
The riq (also spelled riqq or rik) is a type of tambourine used as a traditional instrument in Arabic music. It is an important instrument in both folk and classical music throughout the Arabic-speaking world.
Widely known as "Shakers".
A dayereh (or doyra, dojra, dajre, doira, daire) is a medium-sized frame drum with jingles used to accompany both popular and classical music in Iran (Persia), the Balkans, and many central Asian countries such as Tajikistan and Uzbekistan. It is a percussion instrument, and is something intermediate between a drum and a tambourine.
Timbrel or tabret (the tof of the ancient Hebrews, the deff of Islam, the adufe of the Moors of Spain), the principal musical instrument of percussion of the Israelites, similar to the modern tambourine.
A Rabana (plural Raban) is a one-sided traditional tambourine played with the hands, used in Sri Lanka.
- One or more of the preceding sentences incorporates text from a publication now in the public domain: Schlesinger, Kathleen (1911). "Timbrel". In Chisholm, Hugh (ed.). Encyclopædia Britannica (11th ed.). Cambridge University Press.
- "tambourine | Origin and meaning of tambourine by Online Etymology Dictionary". www.etymonline.com. Retrieved 2018-02-26.
- "tabor | Origin and meaning of tabor by Online Etymology Dictionary". www.etymonline.com. Retrieved 2018-02-26.
- Brinkworth, Jayson (2 March 2010). "The Almighty Tambourine". The Black Page. Retrieved 5 November 2012.
- Tchaikovsky, P. 1892. The Nutcracker Suite, Op. 71a (Danse Trepak). http://ks.petruccimusiclibrary.org/files/imglnks/usimg/5/5a/IMSLP307472-PMLP03607-Trepak-TimpPerc.pdf
- Holst, G. 1916. The Planets, Op. 32 (Jupiter). http://ks.petruccimusiclibrary.org/files/imglnks/usimg/5/51/IMSLP53305-PMLP33488-Holst-Planets.Percussion.pdf
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- Encyclopædia Britannica (11th ed.). 1911. .
- . . 1914.