|Location||Bankside, London SE1, England, United Kingdom|
|Public transit access||Blackfriars, Southwark|
Tate Modern is a modern art gallery located in London. It is Britain's national gallery of international modern art and forms part of the Tate group (together with Tate Britain, Tate Liverpool, Tate St Ives and Tate Online). It is based in the former Bankside Power Station, in the Bankside area of the London Borough of Southwark. Tate holds the national collection of British art from 1900 to the present day and international modern and contemporary art.
- 1 History
- 2 The galleries
- 3 Other facilities
- 4 Extension project
- 5 Access and environs
- 6 Selections from the permanent collection of paintings
- 7 See also
- 8 References
- 9 External links
- Main article Bankside Power Station
The galleries are housed in the former Bankside Power Station, which was originally designed by Sir Giles Gilbert Scott, the architect of Battersea Power Station, and built in two stages between 1947 and 1963. The power station closed in 1981. In 1992 The Tate Gallery at the British National Art Museum proposed a competition to build a new building for modern art. The purpose for the new building would help with the ever-expanding collection on modern and contemporary art. In 1995 it was announced that Herzog & de Meuron had won the competition with their simple design. The architects decided to reinvent the current building instead of demolishing it. The Tate modern is an example of adaptive reuse, the process of finding new life in old buildings. The building itself still resembles the 20th century factory in style from the outside and that is reflected on the inside by the taupe walls, steel girders and concrete floors. The façade of the building is made out of 4.2 million bricks that are separated by groups of thin vertical windows that help create a dramatic light inside. The history of the site as well as information about the conversion was the basis for a 2008 documentary Architects Herzog and de Meuron: Alchemy of Building & Tate Modern. This challenging conversion work was carried by Carillion. The southern third of the building was retained by the French power company EDF Energy as an electrical substation (in 2006, the company released half of this holding).
Tate Modern currently has seven floors, originally numbered 1 to 7, they were then renumbered 0 to 6 in 2012. Levels 0 to 4 contain gallery space.
The main collection displays consist of 4 wings each taking up approximately half a complete floor of the main building. Each wing has a named theme or subject. Within each wing there are some rooms that change periodically showing different works in keeping with the overall theme or subject of the wing.
Previous collection exhibitions
When the gallery opened in 2000, the collections were not displayed in chronological order but were rather arranged thematically into four broad groups each allocated a wing on levels 3 and 5 (now levels 2 and 4):
- 'Still Life/Object/Real Life'
This was ostensibly because a chronological survey of the story of modern art along the lines of the Museum of Modern Art in New York would expose the large gaps in the collections, the result of the Tate's conservative acquisitions policy for the first half of the 20th century.
The first rehang at Tate Modern opened in May 2006. It eschewed the thematic groupings in favour of focusing on pivotal moments of twentieth-century art. It also introduced spaces for shorter exhibitions in between the wings. The layout was:
- Material Gestures (now closed)
- Poetry and Dream
- Energy and Process
- States of Flux (now closed)
Current collection exhibitions
As of mid-2012, a third rehang is in progress. The current arrangement is:
- Poetry and Dream
- Structure and Clarity
- Transformed Visions
- Energy and Process
- Setting the Scene
A smaller section, located between wings, covering installations with theatrical or fictional themes.
It has not been announced whether the current rehang will eventually replace all four of the sections introduced in the first rehang.
The Turbine Hall
The Turbine Hall, which once housed the electricity generators of the old power station, is five storeys tall with 3,400 square metres of floorspace. It is used to display large specially-commissioned works by contemporary artists, between October and March each year. This series was planned to last the gallery's first five years, but the popularity of the series has led to its extension until at least 2012.
The artists who have exhibited commissioned work in the turbine hall as part of the Unilever series are:
|May 2000 – November 2000||Louise Bourgeois||I Do, I Undo, I Redo||About|
|June 2001 – March 2002||Juan Muñoz||Double Bind||About|
|October 2002 – April 2003||Anish Kapoor||Marsyas||About|
|October 2003 – March 2004||Olafur Eliasson||The Weather Project||About|
|October 2004 – May 2005||Bruce Nauman||Raw Materials||About|
|October 2005 – May 2006||Rachel Whiteread||EMBANKMENT||About|
|October 2006 – April 2007||Carsten Höller||Test Site||About|
|October 2007 – April 2008||Doris Salcedo||Shibboleth||About|
|October 2008 – April 2009||Dominique Gonzalez-Foerster||TH.2058||About|
|October 2009 – April 2010||Miroslaw Balka||How It Is||About|
|October 2010 – April 2011||Ai Weiwei||Sunflower Seeds||About|
|October 2011 – March 2012||Tacita Dean||Film||About|
|July 2012 – October 2012||Tino Sehgal||These associations||About|
Until 2012, the series was named after its corporate sponsor, Unilever. Between 2000 and 2012, Unilever had provided £4.4m sponsorship in total including a renewal deal of £2.2m for a period of five years agreed in 2008.
When the series is not running, the Turbine Hall is used for occasional events and exhibitions. Most recently it has been used to display Damien Hirst's For The Love Of God  and a sell out show by Kraftwerk in February 2013 which famously crashed the ticket hotline and website causing a backlash from the band's fans.
In 2013, Tate Modern signed a sponsorship deal worth around £5 million with Hyundai to cover a ten-year program of commissions, then considered the largest amount of money ever provided to an individual gallery or museum in the United Kingdom. The first commission for the Hyundai series is Mexican artist, Abraham Cruzvillegas.
Major temporary exhibitions
Two wings of the main building are used to stage the major temporary exhibitions for which an entry fee is charged. These exhibitions normally run for three or four months. When they were located on a single floor, the two exhibition areas could be combined to host a single exhibition. This was done for the Gilbert and George retrospective due to the size and number of the works. Currently the two wings used are on levels 2 and 3. It is not known if this arrangement is permanent. Each major exhibition has a dedicated mini-shop selling books and merchandise relevant to the exhibition. A 2014 show of Henri Matisse provided Tate Modern with London’s best-attended charging exhibition, and with a record 562,622 visitors overall, helped by a nearly five-month-long run.
The Tanks, located on level 0, are three large underground oil tanks, connecting spaces and side rooms originally used by the power station and refurbished for use by the gallery. One tank is used to display installation and video art specially commissioned for the space while smaller areas are used to show installation and video art from the collection.
The Project Space (formerly known as the Level 2 Gallery) is a smaller gallery located on the north side of the building on level 1 which houses exhibitions of contemporary art in collaboration with other international art organisations. Its exhibitions typically run for 2–3 months and then travel to the collaborating institution for display there.
Small exhibition spaces can be created between the wings on levels 2 to 4. These have been used to display recent acquisitions and other temporary displays from the collection. Works are also sometimes shown in the restaurants and members' room. Other locations that have been used in the past include the mezzanine on Level 1 and the north facing exterior of the building.
In addition to exhibition space there are a number of other facilities:
- A large performance space in one of the tanks on level 0 used to show a changing programme of performance works for which there is sometimes an entrance charge.
- The Starr Auditorium and a seminar room on level 1 which are used to show films and host events for which there is usually an entrance charge.
- The Clore Education Centre, Clore Information Room and McAulay Studios on level 0 which are facilities for use by visiting educational institutions.
- One large and several small shops selling books, prints and merchandise.
- A cafe, an espresso bar, a restaurant and bar and a members' room.
- Tate Modern community garden, co-managed with Bankside Open Spaces Trust
Tate Modern has attracted more visitors than originally expected and plans to expand it have been in preparation since 2004. These plans are focused on the south west of the building and will provide 5,000m2 of new display space, almost doubling the amount of display space.
This project was initially costed at £215 million  Of the money raised, 50 million pounds is coming from the U.K. government; 7 million pounds from the London Development Agency; 6 million pounds from philanthropist John Studzinski; and donations from, among others, the Sultanate of Oman and Elisabeth Murdoch.
As of 2 June 2013, international shipping and property magnate Eyal Ofer pledged £10m to the extension project, making it to 85% of the required funds. Eyal Ofer, chairman of London-based Zodiac Maritime Agencies, said the donation made through his family foundation would enable "an iconic institution to enhance the experience and accessibility of contemporary art". The Tate director, Nicholas Serota, praised the donation saying it would help to make Tate Modern a "truly twenty-first-century museum".
The first phase of the expansion involved the conversion of three large, circular, underground oil tanks originally used by the power station into accessible display spaces and facilities areas. These opened on 18 July 2012 and are used to show live performance art and installations. Tate describes them as "the world's first museum galleries permanently dedicated to live art".
The western block
The new western block will occupy the space no longer required by EDF Energy for their electrical substation. The original block has been demolished and a new building will be built with large gallery spaces and access routes between the main building and the new tower on level 1 (ground level) and level 4. The new galleries on level 4 will have natural top lighting. A bridge will be built across the turbine hall on level 4 to complete the upper access route.
The design, again by Herzog & de Meuron, has been controversial. It was originally designed as a glass stepped pyramid, but this was amended to incorporate a sloping façade in brick latticework (to match the original power-station building) despite planning consent to the original design had been previously granted by the supervising authority.
The tower will provide 22,492 square metres of additional gross internal area for display and exhibition spaces, performance spaces, education facilities, offices, catering and retail facilities as well as a car parking and a new external public space.
The chimney is one of the most recognizable monuments on The South bank. It is directly across the river from Saint Paul’s Cathedral. The chimney stands at 325 ft, made completely out of brick except for The Swiss Light added on top by the architects Herzog and De Meuron.
Access and environs
The closest station is Blackfriars via its new south entrance. Other nearby stations include Southwark, as well as St Paul's and Mansion House north of the river which can be reached via the Millennium Bridge. The lampposts between Southwark tube station and Tate Modern are painted orange to show pedestrian visitors the route.
There is also a riverboat pier just outside the gallery called Bankside Pier, with connections to the Docklands and Greenwich via regular passenger boat services (commuter service) and the Tate to Tate service, which connects Tate Modern with Tate Britain.
from Tate Modern
|London Buses are||Southwark Street / Blackfriars Road||RV1||0.2 mile walk|
|Blackfriars Bridge||381, N343, N381||0.2 mile walk|
|Blackfriars Bridge / South Side||45, 63, 100, N63, N89||0.2 mile walk|
|Southwark Bridge / Bankside Pier||344||0.4 mile walk|
|London Underground||Southwark||0.4 mile walk|
|National Rail||Blackfriars||Thameslink, Southeastern||0.5 mile walk|
|London Bridge||Thameslink, Southern, Southeastern||0.7 mile walk|
|London River Services||Bankside Pier||Commuter Service
Tate to Tate
Westminster to St Katharine's Circular
- At the exit of Southwark tube station, orange lamposts direct visitors to Tate Modern.
Selections from the permanent collection of paintings
Georges Braque, 1909–10, La guitare (Mandora, La Mandore), oil on canvas, 71.1 x 55.9 cm
Robert Delaunay, 1912, Windows Open Simultaneously (First Part, Third Motif), oil on canvas, 45.7 x 37.5 cm
Juan Gris, 1914, The Sunblind, collage and oil on canvas, 92 × 72.5 cm
Ernst Ludwig Kirchner, 1909/1926, Badende bei Moritzburg (Bathers at Moritzburg)
Paul Klee, 1921, Abenteuer eines Fräuleins (A Young Lady's Adventure), watercolor on paper, 43.8 × 30.8 cm
Paul Klee, 1935, Walpurgisnacht (Walpurgian Night)
Robert Delaunay, 1934, Endless Rhythm
- Latest Visitor Figures, ALVA, 2014. Retrieved on 10 July 2014.
- Top 100 Art Museum Attendance, The Art Newspaper, 2014. Retrieved on 10 July 2014.
- "History and development Tate On-line". Tate.org.uk. Retrieved 2013-01-08.
- "About". Tate. Retrieved 2013-01-08.
- "Tate Modern builders Carillion win £400m Battersea Power Station contract". Your local Guardian. 23 May 2013. Retrieved 27 September 2013.
- Riding, Alan (26 July 2006). "Tate Modern Announces Plans for an Annex". The New York Times. Retrieved 26 July 2006.
- Tate Modern: About
- Tate Modern | Collection Displays | Level 3: Material es, Tate Online, 2006. URL accessed on 9 February 2007.
- "Collection Displays. Level 3: Poetry and Dream". Tate. Retrieved 2013-01-08.
- Tate Modern | Collection Displays | Level 5: Idea and Object, Tate Online, 2006. URL accessed on 9 February 2007.
- Tate Modern | Collection Displays | Level 5: Idea and Object | Image/Text (Room 11), Tate Online, 2006. URL accessed on 9 February 2007.
- Tate Modern | Collection Displays | Level 5: States of FluxTate Online, 2006. URL accessed on 9 February 2007.
- Tate Modern | Collection Displays | Level 5: States of Flux | Cubism, Futurism, Vorticism (Room 2), Tate Online, 2006. URL accessed on 9 February 2007.
- Tate Modern | Collection Displays | Level 5: States of Flux | Pop (Room 7)Tate Online, 2006. URL accessed on 9 February 2007.
- Tate Modern | Collection Displays | Level 5: States of Flux | Machine Eye (Room 4)Tate Online, 2007. URL accessed on 9 February 2007.
- "Collection Displays". Tate. 2012-04-10. Retrieved 2013-01-08.
- "Structure and Clarity". Tate. Retrieved 2013-01-08.
- "Transformed Visions". Tate. 2012-07-23. Retrieved 2012-08-15.
- "Setting the Scene". Tate. Retrieved 2013-01-08.
- Brooks, Xan (7 October 2005). "Profile: Rachel Whiteread". The Guardian (London). Retrieved 20 April 2006.
- "Dominique Gonzalez-Foerster Chosen for Tate Modern's Turbine Hall". Retrieved 16 September 2008.
- "The Unilever Series". Tate. Retrieved 2013-01-08.
- Gareth Harris (August 14, 2012), Tate seeks new sponsor for Turbine Hall commissions The Art Newspaper.
- "Damien Hirst's iconic For the Love of God to be shown in Tate Modern’s Turbine Hall". Tate. 2011-11-21. Retrieved 2012-08-15.
- xMartin Bailey (January 20, 2014), Tate signs £5m sponsorship with Hyundai The Art Newspaper.
- "Hyundai Commission 2015: Abraham Cruzvillegas". Retrieved 23 January 2015.
- Tate Modern: Gilbert & George Exhibition
- Javier Pes and Emily Sharpe (April 2, 2015), Visitor figures 2014: the world goes dotty over Yayoi Kusama The Art Newspaper.
- Tate Modern: Street Art
- Tate Guide, August–September 2012
- "Vision". Tate. Retrieved 2012-08-15.
- Tate Modern's chaotic pyramid, The Times, 26 July 2006. URL accessed on 26 July 2006.
- Farah Nayeri (April 20, 2012), Murdoch’s Daughter Elisabeth Gives Tate at Least $1.6 MlnBloomberg.
- Pickford, James (2013-07-02). "Eyal Ofer donates £10m to Tate Modern extension". FT.com. Retrieved 2014-01-12.
- Mark Brown, arts correspondent (2 July 2013). "Tate Modern receives £10m gift from Israeli shipping magnate Eyal Ofer | Art and design". London: theguardian.com. Retrieved 2014-01-12.
- "The Tanks: Art in Action". Tate. Retrieved 2013-01-08.
- "Environmental Statement non technical summary". Tate. Retrieved 2014-09-25.
- "Tate Modern extension redesigned". Worldarchitecturenews.com. 2008-07-18. Retrieved 2013-01-08.
- "Tate Modern extension, Bankside" (PDF). Greater London Authority. Retrieved 2014-09-25.
- "Tate Modern extension by Herzog & de Meuron architects". Inexhibit. Retrieved 2014-09-25.
- Google (28 February 2012). "Walking directions to Tate Modern from Southwark Street / Blackfriars Road bus stop" (Map). Google Maps. Google. Retrieved 28 February 2012.
- Google (28 February 2012). "Walking directions to Tate Modern from Blackfriars Bridge bus stop" (Map). Google Maps. Google. Retrieved 28 February 2012.
- Google (28 February 2012). "Walking directions to Tate Modern from Blackfriars Bridge / South Side bus stop" (Map). Google Maps. Google. Retrieved 28 February 2012.
- Google (28 February 2012). "Walking directions to Tate Modern from Southwark Bridge / Bankside Pier bus stop" (Map). Google Maps. Google. Retrieved 28 February 2012.
- Google (28 February 2012). "Walking directions to Tate Modern from Southwark tube station" (Map). Google Maps. Google. Retrieved 28 February 2012.
- Google (28 February 2012). "Walking directions to Tate Modern from Blackfriars station" (Map). Google Maps. Google. Retrieved 28 February 2012.
- Google (28 February 2012). "Walking directions to Tate Modern from London Bridge station" (Map). Google Maps. Google. Retrieved 28 February 2012.
|Wikimedia Commons has media related to Tate Modern.|
- Official website
- 'Tate Modern: a Year of Sweet Success' by Esther Leslie, in Radical Philosophy
- The buildings of Bankside Power Station(Tate Modern) and Battersea Power Station compared
- Inside Bankside Power Station with Antony Gormley 1991 on YouTube