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A teaser campaign, also known as a pre-launch campaign, is an advertising campaign which typically consists of a series of small, cryptic, challenging advertisements that anticipate a larger, full-blown campaign for a product launch or otherwise important event. These advertisements are called "teasers" or "teaser ads". A teaser trailer for an upcoming film, television program, video game or similar, is usually released long in advance of the product, so as to "tease" the audience.
Teaser campaigns, or teaser advertising, can be defined as a planned set of communication activities designed to arouse interest without giving too much away (Trehan and Maan, 2012). Often, it is not a single advertisement but a series of inter-related communications, combining multiple forms of advertising, surrounding a single theme or idea that consumers follow to fill in the information and lead up to the “reveal” (Menon and Soman, 2002).
Teasers for brands or for products can be very effective in today’s social media orientated world to help build and maintain hype for a new product or brand. Teaser campaigns are often used close to the release date to entice the audience’s curiosity. They can build momentum through organic (unforced and unpaid) interactions, in particular through social media sharing with the intention of getting people involved in and interacting with the campaign.
One of the major elements in a successful teaser campaign is a hashtag. A hashtag is a word or phrase that has a # sign before it. It is often used on many social media sites such as Twitter, Facebook and Instagram. The purpose of using a hashtag is to express a feeling and be associated with a message, idea or specific topic. The hashtag collates similar images or statuses with the same hashtag in one place . In teaser campaigns a hashtag can be a very effective way of naming the campaign and allowing interaction within the audience to occur. An example of this is shown by Christian Diors ‘#IconicColors’ campaign that lasted one day on Twitter. Through tweets they released both text posts and images hinting at a possible new makeup line. Within the first two hours they had received over 1000 retweets with more to come as they continued to tease more colours.
A second element that can work in marketers favour is the element of exclusivity. Only releasing in one touch point, for example Twitter or Instagram, enables the audience on the media site to be more engaged as they are viewing ‘exclusive’, ‘followers only’, and ‘VIP’ content that can only be viewed through the single platform. But when releasing the full line, using all social media channels may be more beneficial.
Role in advertising
Teaser campaigns are used over traditional advertising technique by brands and companies who wish to launch new products into the relevant market, often before the product is finalized in production in order to create a buzz (the degree of attention a brand gains in the market) and gain headway before the product is released. By doing this, brands can gain knowledge on how consumers are responding to aspects of the product before it is finalized and make changes if needed (Trehan and Maan, 2012). Studies have found that advertisements that immediately introduce the brand name have less of an association building effect between the brand and product category, than advertisements that evoke mystery and only reveal brand names once the viewer is hooked (Fazio, Herr and Powell, 1992). Teasers can also be used to draw attention to a unique element of a brand rather than separate it completely from the market and inform consumers about a differentiated selling proposition.
Brands that already have a position in the market can use teaser campaigns to create new brand imagery especially if they have gone through managerial changes, rebranding or decided to target a new market due to attention from an unexplored segment. Teaser campaigns allow brands to introduce themselves in a controlled and desired way in an attempt to possibly change the publics current perception of the brand. Teaser campaigns from known brands give space for both the advertiser and the consumer to feel out the market before rebranding. When companies decided to present a product to the market again in a different light, teasers can be successful in rebranding and creating fresh excitement for their products and services (Trehan and Maan, 2012).
Teaser campaigns are the ultimate creative advertising strategy which bodes well if a brand wants to be perceived as innovative, original or imaginative. Through inter-related advertising content, the brand has the chance to reveal to the consumer small parts of the final message at its own pace. Often, the messages the audience are receiving are so imaginative, that they create interest but don’t get figured out easily. A good example of this was internet campaign “Got Milk”. In the US, viral messages about how cow abductions were said to be increasing were being shared around and as people speculated and theorized as to why this way happening, the campaign revealed the punch line; aliens were stealing the cows as they knew the benefits of drinking milk! This served as a sort of public service announcement to increase nutritional awareness and boost the milk industry (Trehan and Maan, 2012).
Teaser campaigns increase business to consumer interaction through dialogue. The advertisements start discussions between consumers, media outlets and on social media. A successful teaser ad initiates interpersonal communication between friends, group communication in workplaces and social situations and in the virtual world such as on Facebook, Instagram and YouTube. Campaigns can all have different objectives whether it be to entice consumers to seek out more information and reward them with the gratification of figuring out the punch line, or business’ communicating with customers by delivering small tidbits of information and allowing them to respond (Trehan and Maan, 2012).
Teaser campaigns are a good way to create a business to consumer bond by forcing the audience to follow the campaigns journey in order to piece together the message. Because these advertisements are based on curiosity in order to promote a product, the audience looks forward and seeks out the next piece of the puzzle which forms an attraction to that brand over again due to the repeated messages delivered through the teaser campaign (Trehan and Maan, 2012).
Film teasers are usually made for big-budget and popularly themed movies. Their purpose is less to tell the audience about a movie's content than simply to let them know that the movie is coming up in the near future, and to add to the hype of the upcoming release. Teaser trailers are often made while the film is still in production or being edited and as a result they may feature scenes or alternate versions of scenes that are not in the finished film. Often they contain no dialogue and some (notably Pixar films) have scenes made for use in the trailer only. Teaser trailers today are increasingly focused on internet downloading and the fan convention circuit. Some teaser trailers show a quick montage of scenes from the film.
The teaser for the 1989 Batman film starring Michael Keaton was an emergency marketing move that successfully convinced angered comic book fans that the film would respect the source material.
Later examples of major motion picture events that used teaser trailers to gain hype are the The Lord of the Rings trilogy, the Disney/Pixar film Cars, the newer Star Wars films, and the Spider-Man films. The Da Vinci Code teaser trailer was released even before a single frame of the movie had been shot. Harry Potter and the Half-Blood Prince's teaser trailer was released surprisingly late, but when it was pushed back from November 21, 2008 to July 17, 2009, the trailer was surprisingly early. Some teasers have appeared over a year (or longer) prior to the movie's release date. For example, a teaser for The Incredibles was attached to the May 2003 film Finding Nemo, a full 18 months before The Incredibles was released. A trailer for Ratatouille was attached to Cars 12 months before it's June 2007 Release. A trailer for Despicable Me 2 was attached to the March 2012 film The Lorax, a full 16 months before its scheduled release. A trailer for Blue Sky's The Peanuts Movie (which came out November 6, 2015) was attached to Rio 2, a full 20 months before its scheduled release. Sometimes a movie goes through so many revisions that there is a long delay between trailer and release. For instance, Where the Wild Things Are had a teaser with How the Grinch Stole Christmas in 2000 but was not released until 2009. It was the longest such gap in history.
A teaser for Star Wars: Episode I – The Phantom Menace was attached to the films The Siege and A Bug's Life, and it was reported that many people had paid for admission to the film just to watch the trailer, and had walked out after the trailer had been screened. Teasers for Star Wars: Episode II – Attack of the Clones and Star Wars: Episode III – Revenge of the Sith were shown before the Pixar films Monsters, Inc. and The Incredibles, respectively. The teaser trailer for Cloverfield was first publicly shown attached to the film Transformers. At this point, nothing about the film was known, and the one-and-a-half-minute teaser did not include the movie title; only the producer's name, J. J. Abrams and a release date, 1.18.08, were shown. The teaser trailer for another film directed by Abrams, Star Trek, was attached to Cloverfield itself, depicting the starship USS Enterprise being constructed on Earth, and again showing no title, the Starfleet Insignia was shown instead. The Star Trek teaser trailer announced the release date as Christmas 2008, but the movie was eventually delayed to May 8, 2009, making the wait between the teaser trailer and the movie itself 16 months. Some teasers do not explicitly display the film's title, but reveal it in the URL for the website.
Many DVD versions of movies will have both their teaser and theatrical trailers. One of the more notable exceptions to this rule is Spider-Man, whose teaser trailer featured a mini-movie plot of bank robbers escaping in a helicopter, getting caught from behind and propelled backward into what at first appears to be a net, then is shown to be a gigantic spider web spun between the two towers at the World Trade Center.
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