Teenage Engineering OP-1

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Teenage Engineering OP-1
OP-1 Sequencer Concept.png
Manufacturer Teenage Engineering
Dates 2011–present
Price
Technical specifications
Polyphony 6
Timbrality Monotimbral
Oscillator 1 DCO per voice
(pulse, saw, square)
LFO Multiple
Synthesis type 10 engines with exchangeable architecture
Attenuator ADSR envelope generator
Aftertouch expression No
Velocity expression No
Storage memory 512 MB Nand Flash storage
Effects Delay, Phone (bit crusher), Punch (compressor), Grid (feedback plate reverb), Spring (spring reverb), Nitro (band-pass filter), CWO (frequency-shifting delay)
Input/output
Keyboard 24 keys
External control USB MIDI in and out, gravitation

The Teenage Engineering OP-1 is a synthesizer, sampler and sequencer designed and manufactured by the Stockholm-based company Teenage Engineering. The OP-1 is Teenage Engineering's first product; it was released in 2011 following an introduction at the NAMM Show. It is also considered their core product.

The OP-1 is well known for its unconventional design, OLED display, and ten synthesizer engines. It has received some criticism for its physical limitations; however, according to Teenage Engineering cofounder Jesper Kouthoofd, these limitations were programmed into the synthesizer in order to stimulate the design process and the creativity of the user.

Development[edit]

Teenage Engineering was founded in 2005 by Jesper Kouthoofd and David Mollerstedt. The OP-1 is the first product developed by the company.[1] At the time, the team consisted of nine engineers and software developers.[2] Following an announcement at Frankfurt Musikmesse in 2009, they presented a prototype of the OP-1 at the 2010 NAMM Show in Anaheim, and it was released in the following year.[2][3]

The design of the OP-1 was influenced by the VL-Tone, a synthesizer and pocket calculator manufactured by Casio in 1980.[2] The VL-1 is known for its toy-like novelty sounds and cheap build quality, as well as its inorganic design.[4] In an interview with Damian Kulash of OK Go, CEO Kouthoofd explained that he worked in a music store when he was young, and he was inspired by Japanese synthesizers of the 1980s, such as the VL-Tone and the Casio SK-1, an inexpensive sampler.[5] Kouthoofd has also stated that "limitations are OP-1's biggest feature". The synthesizer's designers attempted to use the limitation of physical hardware to encourage the unit to stimulate creativity, which might become unfocused in a limitless environment, such as a digital audio workstation.[1]

In 2012, Teenage Engineering introduced several "accessories" for the OP-1. These can be used to manipulate the unit's macro effect knobs. One of the accessories makes the OP-1 compatible with Lego gears and motors, which can be used to mechanically modulate low-frequency oscillators and other effects.[6]

Features[edit]

Sound synthesis[edit]

The OP-1 includes eight synthesis engines. For each engine, the OP-1's four knobs act as different macro controllers. In addition to a sampler, the OP-1 is preloaded with sampled drum hits.[7] The synthesizer is monotimbral, with six voices of polyphony. It also includes an FM radio, which can be recorded into the sampler or used to modulate effects. The operating system was updated in 2014 adding additional effects and features.[8]

The OP-1's eight synthesis engines are Cluster, Digital, Dr Wave, FM, Phase, Pulse, String, and Sampler. Each is represented by a different graphic on the display screen. The Cluster engine produces a distorted sound reminiscent of the Roland JP-8000 supersaw. Digital provides access to ring modulation and wave shape to distort the sound signal. DrWave resembles the sound of a talk box. The FM engine acts as a simple FM synthesizer. Phase provides two pulse waves that can be modulated and distorted. String creates string sounds, ranging from bass to string pads. The Sampler interface is a sampler, which can take input from the OP-1's built-in microphone, an external audio input, and the FM airwaves via optional radio antenna. A built in FM tuner allows one to sample from any chosen station.

Display screen[edit]

One of the key features of the OP-1 is its 320 x 160-pixel OLED display, which shows a graphical representation of the device's current mode.[9] Although some of the displays use traditional symbols, such as the fairly straightforward ADSR envelope, others use more literal or unconventional graphics. For example, the "punch" effect (a compressor) is represented by a line art illustration of a boxer.[10]

Keyboard[edit]

The keyboard of the OP-1 incorporates fixed velocity, with 24 keys (F-F type) giving a two octave range. Arrow keys are provided to transpose octave while in synthesizer or drum mode. Starting at 0, a total of four shifts up and four shifts down are available giving the user a ten total octave range.

Reception[edit]

Reception for the OP-1 was largely positive, citing its powerful synthesizer engines and unconventional format and design. However, it has received some criticism for its small size and simplicity, which make it resemble a toy.[11] It also lacks velocity sensitivity, making it minimally expressive.[12]

Awards and accolades[edit]

The OP-1 has gained recognition for both its design quality and its functionality as an instrument. The synthesizer won one of ten of Sweden's Design S Awards in 2012. The award committee described the OP-1 as "A technological product which through a clever colour scheme and fantastic graphics is intuitive, easily accessible and incredibly inviting. Music and machine in one".[13] In 2014, the OP-1 was awarded second prize in Georgia Tech's Margaret Guthman Musical Instrument Competition.[14]

The San Francisco Museum of Modern Art includes an OP-1, donated by Teenage Engineering, in its permanent collection.[15]

Notable users[edit]

Musicians who have used the OP-1 include Biga Ranx, Swedish House Mafia, Diplo, Avicii, Nicky Romero, Deadmau5, Beck, Depeche Mode, Damian Kulash of OK Go, Chvrches, Tame Impala, Justin Vernon of Bon Iver and Dan Deacon.[1][5][16][17]

References[edit]

  1. ^ a b c Byrne, Ciara (3 September 2013). "More Than An Office, Teenage Engineering's Minimalist Garage Is A Tinkerer’s Paradise". Labs. Fast Company. Retrieved 30 January 2015. 
  2. ^ a b c Kirn, Peter (17 January 2010). "Teenage Engineering’s OP-1 Instrument: Hands-on, Videos, Why it’s Different". Create Digital Music. Retrieved 31 January 2015. 
  3. ^ Wickett, Chris (14 January 2010). "NAMM 2010: Teenage Engineering's OP-1 on video". MusicRadar. Retrieved 31 January 2015. 
  4. ^ "Casio VL-Tone VL-1". Vintage Synth Explorer. Retrieved 31 January 2015. 
  5. ^ a b Kulash, Damian; Carnick, Anna (26 August 2013). "Dream Machine". L'ArcoBaleno. Retrieved 30 January 2015. 
  6. ^ Ingraham, Nathan (28 August 2012). "Teenage Engineering's new OP-1 gear: it's time to crank, bend, and break the rules". The Verge. Retrieved 30 January 2015. 
  7. ^ Gaughan, Kevin (February 2014). "Teenage Engineering - OP-1". Earmilk. Retrieved 30 January 2015. 
  8. ^ Rogerson, Ben (24 January 2014). "NAMM 2014 VIDEO: Teenage Engineering OP-1 OS update". Music Radar. Retrieved 1 March 2016. 
  9. ^ Nagle, Paul (January 2012). "Teenage Engineering OP1". Sound on Sound. Retrieved 31 January 2015. 
  10. ^ Wolbe, Trent (14 January 2011). "Teenage Engineering OP-1 synthesizer now available for pre-order, we tour its shiny new features (video)". Engadget. Retrieved 30 January 2015. 
  11. ^ Gaughan, Kevin (February 2014). "Teenage Engineering - OP-1". Earmilk. Retrieved 30 January 2015. 
  12. ^ Ingraham, Nathan (28 August 2012). "Teenage Engineering's new OP-1 gear: it's time to crank, bend, and break the rules". The Verge. Retrieved 30 January 2015. 
  13. ^ "Winners". Design S. Retrieved 30 January 2015. 
  14. ^ "2014 Competition". Georgia Institute of Technology. 2015. Retrieved 30 January 2015. 
  15. ^ "Teenage Engineering - OP-1". San Francisco Museum of Modern Art. Retrieved 1 February 2015. 
  16. ^ Doherty, Martin; Cook, Iain (October 25, 2013). "Synth Pop sensations CHVRCHES on the importance of having hardware". Keyboard (Interview). Interview with Ryan Coseboom. Retrieved October 19, 2015. 
  17. ^ Hyden, Steven (2015-07-08). "Lost in the World: Justin Vernon on His New Music Festival and the Uncertain Status of Bon Iver". Retrieved 2016-08-14. 

External links[edit]