Temple of Antoninus and Faustina
|Temple of Antoninus and Faustina|
3D reconstruction of the Temple of Antoninus and Faustina.
|Location||Regione VIII Forum Romanum|
|Built in||141 AD|
|Built by/for||Unknown builder|
|Type of structure||Republican tribunal|
|Related||List of ancient monuments|
The Temple of Antoninus and Faustina is an ancient Roman temple in Rome, which was later converted into a Roman Catholic church, the Chiesa di San Lorenzo in Miranda or simply "San Lorenzo in Miranda". It is located in the Forum Romanum, on the Via Sacra, opposite the Regia.
The temple was constructed by the Emperor Antoninus Pius, beginning in 141 AD. It was initially dedicated to his deceased and deified wife, Faustina the Elder. When Antoninus Pius was deified after his death in 161 AD, the temple was re-dedicated to both Antoninus and Faustina by his successor, Marcus Aurelius.
The building stands on a high platform of large grey peperino tufa blocks. The later of two dedicatory inscriptions says, "Divo Antonino et Divae Faustinae Ex S.C." meaning, “For the divine Antoninus and for the divine Faustina, by decree of the Senate.”
The eight monolithic Corinthian columns of its pronaos are 17 metres (56 ft) in height. The rich bas-reliefs of the frieze under the cornice, featuring griffins, acanthus scrolls, and candelabra, were often copied from the sixteenth through the nineteenth centuries.
Based on numismatic evidence, the temple was originally fenced off from the Via Sacra and a large, seated statue of Faustina would have been inside of the cella. Fragments of this statue and one of Antoninus Pius, which was added later, were discovered in front of the Temple.
The temple was converted into a Roman Catholic church, the Chiesa di San Lorenzo in Miranda, perhaps as early as the seventh century, but it is only attested from the eleventh century work Mirabilia Urbis Romae. "Miranda" may derive from the name of a benefactress. At that time, it was thought that this was the location of the sentencing of St. Lawrence, Deacon and Martyr to death by the Prefect of Rome, hence its dedication.
Christianization accounts for the survival of the cella and portico of the temple through the centuries, though it did not preserve the edifice from all damage. Originally, the podium was faced with white marble slabs, with matching marble mouldings at the top and bottom. Most of the marble facing was scavenged, except for the moulding. The deep grooves in the temple's columns are supposed to date to a medieval attempt to dismantle the pillared portico, either for spolia or to destroy the pagan temple. The grooves also may have been used to attach a makeshift roof over the portico. Also in the Middle Ages, a staircase was built on the side facing the Forum, but it is now impossible to enter from that side because there is a gap of circa 6 metres (20 ft) between the foot of the steps and the bronze door. Before the archeological excavations, the ground level was at this door. Excavations in front of the temple were undertaken in 1546, again in 1810, and at intervals from 1876.
In 1429 or 30, Pope Martin V gave the church to the Collegio degli Speziali (College of Chemists and Herbalists), at the time officially denominated the "Universitas Aromatorium". The College still uses its adjoining guildhall, which contains a small museum that holds a receipt for medicine that Raphael signed. Side chapels were erected after this date. The church lacks the usual eastern apse: one was never added so as to retain the temple's structural integrity.
The church was partially demolished, and the side chapels removed, in 1536, in order to restore the ancient temple for the Roman visit of Holy Roman Emperor Charles V. The church, now constrained within the cella of the temple, was remodeled in 1602 by Orazio Torriani, creating a single nave and three new side chapels. The main altar has a reredos canvas by Pietro da Cortona of the Martyrdom of St. Lawrence (1646), while the first chapel on the left hosts the Madonna and Child with Saints (1626) by Domenichino.
- Claridge, Amanda. Rome: An Oxford Archaeological Guide. p. 112.
- Christian Hülsen, Le Chiese di Roma nel Medio Evo (Florence: Olschki, 1927).
- A fanciful derivation from the Latin mirare ("to admire"), imagined as referring to the excellent panorama of the Forum from the church's steps, diachronically attributes to the medieval public an eighteenth-century appreciation for the picturesque.
- Platner and Ashby 1929.
- Filippo Titi, Descrizione delle Pitture, Sculture e Architetture esposte in Roma, 1763.
- Roma e dintorni, Touring Club Italiano
- Claridge, Amanda. 2010. Rome: An Oxford Archaeological Guide. 2nd ed., revised and expanded. Oxford: Oxford University Press.
- Platner, Samuel Ball. 1929. A Topographical Dictionary of Ancient Rome. London: Oxford University Press. (Online text)
- Touring Club Italiano. 1965. Roma e Dintorni. Milano.
- Boatwright, Mary T. 2010. "Antonine Rome: Security in the Homeland." Yale Classical Studies 35: 169-197.
- Davies, Penelope J.E. 2000. Death and the Emperor. Cambridge: Cambridge University Press.
- Fulford, Eric 1994. "A Temple Through Time." Archaeology 47.5: 54-59.
- Levick, Barbara M. 2014. Faustina I and II: Imperial Women of the Golden Age. Women in Antiquity. Oxford: Oxford University Press.
- Stamper, John W. 2005. The Architecture of Roman Temples: The Republic to the Middle Empire. Cambridge: Cambridge University Press.
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