Church of Saint Sava
|Church of Saint Sava
Храм светог Саве
Hram svetog Save
Front view of the church
|Location||Vračar, Belgrade, Serbia|
|Website||Official website (Serbian)|
|Architectural type||Serbo-Byzantine / Neo-Byzantine|
|Dome height (outer)||70 m (230 ft)|
The Church of Saint Sava (Serbian: Храм светог Саве/Hram svetog Save[a]) is a Serbian Orthodox church located on the Vračar plateau in Belgrade. It is one of the largest Orthodox churches in the world and ranks amongst the largest church buildings in the world. The church is dedicated to Saint Sava, the founder of the Serbian Orthodox Church and an important figure in medieval Serbia. It is built on the Vračar plateau, on the location where his remains were burned in 1595 by Ottoman Grand Vizier Sinan Pasha. From its location, it dominates Belgrade's cityscape, and is perhaps the most monumental building in the city. The building of the church structure is being financed exclusively by donations. The parish home is nearby, as will be the planned patriarchal building.
In 1594, Serbs rose up against Ottoman rule in Banat, during the Long War (1591–1606) which was fought at the Austrian-Ottoman border in the Balkans. The Serbian patriarchate and rebels had established relations with foreign states, and had in a short time captured several towns, including Vršac, Bečkerek, Lipova, Titel and Bečej, though the uprising was quickly suppressed. The rebels had, in the character of a holy war, carried war flags with the icon of Saint Sava. The war banners had been consecrated by Patriarch John I Kantul, whom the Ottoman government later had hanged in Istanbul. Ottoman Grand Vizier Sinan Pasha ordered that the sarcophagus and relics of Saint Sava located in the Mileševa monastery be brought by military convoy to Belgrade. Along the way, the Ottoman convoy had people killed in their path so that the rebels in the woods would hear of it. The relics were publicly incinerated by the Ottomans on a pyre on the Vračar plateau, and the ashes scattered, on April 27, 1595. According to Nikolaj Velimirović the flames were seen over the Danube.
In 1895, three hundred years after the burning of Saint Sava's remains, the Society for the Construction of the Church of Saint Sava on Vračar was founded in Belgrade. Its goal was to build a cathedral on the place of the burning. A small church was built at the future place of the Cathedral, and it was later moved so the construction of the Cathedral could begin. In 1905, a public contest was launched to design the church; all five applications received were rejected as not being good enough. Soon, the breakout of the First Balkan War in 1912, and subsequent Second Balkan War and First World War stopped all activities on the construction of the church. After the war, in 1919, the Society was re-established. New appeals for designs were made in 1926; this time, it received 22 submissions. Though the first and third prize were not awarded, the second-place project, made by architect Aleksandar Deroko, was chosen for the building of the Cathedral.
Forty years after the initial idea, construction of the church began on May 10, 1935, 340 years after the burning of Saint Sava's remains. The cornerstone was laid by bishop Gavrilo Dožić-Medenica (the future Serbian Patriarch Gavrilo V). The project was designed by Aleksandar Deroko and Bogdan Nestorović, aided by civil engineer Vojislav Zađina. The work lasted until Second World War Axis invasion of Yugoslavia in 1941. The church's foundation had been completed, and the walls erected to the height of 7 and 11 meters. After the 1941 bombing of Belgrade, work ceased altogether. The occupying German army used the unfinished church as a parking lot, while in 1944 the partisans and the Red Army used it with the same purpose. Later, it was used for storage by various companies. The Society for Building of the Cathedral ceased to exist and has not been revived.
In 1958, Patriarch German renewed the idea of building the church. After 88 requests for continuation of the building—and as many refusals, permission for finishing the building was granted in 1984, and Branko Pešić was chosen as new architect of the church. He remade the original projects to make better use of new materials and building techniques. Construction of the building began again on August 12, 1985. The walls were erected to full height of 40 meters.
The greatest achievement of the construction process was lifting of the 4,000 ton central dome, which was built on the ground, together with the copper plate and the cross, and later lifted onto the walls. The lifting, which took forty days, was finished on June 26, 1989.
As of 2009[update], the church is mostly complete. The bells and windows had been installed, and the facade completed. However, work on the internal decoration of the building still remains largely unfinished.
|This section needs additional citations for verification. (September 2009)|
The church is centrally planned, having the form of a Greek Cross. It has a large central dome supported on four pendentives and buttressed on each side by a lower semi-dome over an apse. Beneath each semi-dome is a gallery supported on an arcade.
The dome is 70 m (230 ft) high, while the main gold plated cross is another 12 m (39 ft) high, which gives a total of 82 m (269 ft) to the height Cathedral of Saint Sava. The peak is 134 m (440 ft) above the sea level (64 m (210 ft) above the Sava river); therefore the church holds a dominant position in Belgrade's cityscape and is visible from all approaches to the city.
The church is 91 m (299 ft) long from east to west, and 81 m (266 ft) from north to south. It is 70 m (230 ft) tall, with the main gold-plated cross extending for 12 m (39 ft) more. Its domes have 18 more gold-plated crosses of various sizes, while the bell towers have 49 bells of the Austrian Bell Foundry Grassmayr.
It has a surface area of 3,500 m2 (37,674 sq ft) on the ground floor, with three galleries of 1,500 m2 (16,146 sq ft) on the first level, and a 120 m2 (1,292 sq ft) gallery on the second level. The Cathedral can receive 10,000 faithful at any one time. The choir gallery seats 800 singers. The basement contains a crypt, the treasury of Saint Sava, and the grave church of Saint Lazar the Hieromartyr, with a total surface of 1,800 m2 (19,375 sq ft) .
The facade is in white marble and granite and, when finished, the inner decorations will be of mosaics. The central dome will contain a mosaic of Christ Pantocrator. To give a sense of the monumental scale, the eyes will each be about 4 meters wide.
- Religious architecture in Belgrade
- List of buildings in Belgrade
- List of tallest buildings in Serbia
- List of large Orthodox cathedrals
- List of largest church buildings in the world
- ^ The church building is sometimes referred to as a "cathedral" because of its size although it is not a cathedral in the technical ecclesiastical sense, as it is not the seat of a bishop (seat of the Metropolitan bishop of Belgrade is St. Michael's Cathedral). In Serbian it is called hram (temple), which is another name for a church in Eastern Orthodoxy.
- J. Gordon Melton; Martin Baumann (21 September 2010). Religions of the World, Second Edition: A Comprehensive Encyclopedia of Beliefs and Practices. ABC-CLIO. pp. 510–512. ISBN 978-1-59884-204-3.
- Mitja Velikonja (5 February 2003). Religious Separation and Political Intolerance in Bosnia-Herzegovina. Texas A&M University Press. pp. 75–. ISBN 978-1-58544-226-3.
- Nikolaj Velimirović (January 1989). The Life of St. Sava. St. Vladimir's Seminary Press. p. 159. ISBN 978-0-88141-065-5.
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