|Stylistic origins||Blues, British blues, country blues, swing, jazz, rockabilly|
|Cultural origins||Circa 1920s, major revival in 1980s, Texas, United States|
|Typical instruments||Electric guitar, bass guitar, drums, keyboards|
|Derivative forms||Electric blues, rock and roll|
Texas blues differs from styles such as Chicago blues in its use of instruments and sounds, especially the heavy use of the guitar. Musicians such as Stevie Ray Vaughan contributed by using various types of guitar sounds such as southern slide guitar and different melodies of blues and jazz. Texas blues also relies on guitar solos or "licks" as bridges in songs.
Texas Blues began to appear in the early 1900s among African Americans who worked in oilfields, ranches and lumber camps. In the 1920s, Blind Lemon Jefferson innovated the style by using jazz-like improvisation and single string accompaniment on a guitar; Jefferson's influence defined the field and inspired later performers. During the Great Depression in the 1930s, many bluesmen moved to cities including Galveston, Houston and Dallas. It was from these urban centers that a new wave of popular performers appeared, including slide guitarist and gospel singer Blind Willie Johnson and legendary vocalist Big Mama Thornton These artists influenced future bluesmen, such as, Lightnin' Hopkins, Lil' Son Jackson, and T-Bone Walker..
T-Bone Walker relocated to Los Angeles to record his most influential work in the 1940s. His R&B-influenced backing and saxophone-imitating lead guitar sound would become an influential part of the electric blues sound that would be perfected in Chicago by artists such as Muddy Waters. It was T-Bone Walker, B.B. King once said, who “really started me to want to play the blues. I can still hear T-Bone in my mind today, from that first record I heard, ‘Stormy Monday.’ He was the first electric guitar player I heard on record. He made me so that I knew I just had to go out and get an electric guitar.” He also influenced Goree Carter, whose "Rock Awhile" (1949) featured an over-driven electric guitar style and has been cited as a strong contender for the "first rock and roll record" title.
The state R&B recording industry was based in Houston with labels such as Duke/Peacock, which in the 1950s provided a base for artists who would later pursue the electric Texas blues sound, including Johnny Copeland and Albert Collins. Freddie King, a major influence on electric blues, was born in Texas, but moved to Chicago as a teenager. His instrumental number "Hide Away" (1961), was emulated by British Blues artists including Eric Clapton.
In the late 1960s and early 1970s the Texas electric blues scene began to flourish, influenced by country music and blues-rock, particularly in the clubs of Austin. The diverse style often featured instruments such as keyboards and horns, but placed particular emphasis on powerful lead guitar breaks. The most prominent artists to emerge in this era were the brothers Johnny and Edgar Winter, who combined traditional and southern styles. In the 1970s, Jimmie Vaughan formed The Fabulous Thunderbirds and in the 1980s his brother Stevie Ray Vaughan broke through to mainstream success with his virtuoso guitar playing, as did ZZ Top with their brand of Southern rock.
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- Clarence "Gatemouth" Brown
- Goree Carter
- Gary Clark, Jr.
- Albert Collins
- Pee Wee Crayton
- The Fabulous Thunderbirds
- Lightnin' Hopkins
- Lil' Son Jackson
- Blind Lemon Jefferson
- Blind Willie Johnson
- Freddie King
- Smokin' Joe Kubek
- Los Lonely Boys
- Lead Belly
- Mance Lipscomb
- Lonnie Mack
- Delbert McClinton
- Joe Pullum
- Guitar Shorty
- Big Mama Thornton
- Jimmie Vaughan
- Stevie Ray Vaughan
- T-Bone Walker
- Edgar Winter
- Johnny Winter
- ZZ Top
- V. Bogdanov, C. Woodstra, S. T. Erlewine, All music guide to the blues: the definitive guide to the blues (Backbeat Books, 3rd edn., 2003), pp. 694–5.
- Robert Palmer, Church of the Sonic Guitar, pp. 13–38 in Anthony DeCurtis, Present Tense, Duke University Press, 1992, p. 19. ISBN 0-8223-1265-4.
- M. Roberty and C. Charlesworth, The complete guide to the music of Eric Clapton (Omnibus Press, 1995), p. 11.
- E. M. Komara, Encyclopedia of the blues (Routledge, 2006), p. 50.