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Thai silk is produced from the cocoons of Thai silkworms. Thailand's silkworm farmers cultivate both types of the domesticated silkworms that produce commercial silk: Samia ricini, commonly known as the eri silkworm, which produces matte eri silk, and the Bombyx mori, producer of the better known, glossy mulberry silk. The latter is by far the larger silk producer of the two.
In Thailand, the Center for Excellence in Silk at Kasetsart University's Kamphaeng Saen campus plays a leading research role in sericulture research as well as providing silkworm eggs and know-how to Thai farmers.
However, silk produced on the Khorat plateau was generally only used for private consumption, with the Thai court preferring to purchase Chinese silk imports. There was an attempt in the early 20th century to develop the industry, with the help of a Japanese sericulture expert, Kametaro Toyama. But this attempt failed due to a lack of interest locally to produce for a larger market.:34
After World War II, a former OSS officer named Jim Thompson decided that silk would be popular back home and through his connections in New York began marketing the product as a traditional Siamese fabric. In fact, the material he created had little relationship to what had previously been produced in the country. But through clever branding and by developing a range of "Thai" patterns, he managed to establish Thai silk as a recognizable brand.
Writing in the Bangkok Post in 1949, Alexander MacDonald noted that, "...out of a number of scattered remains of history, from cultures borrowed from Siam's neighbors, and from colonies of fat and lazy Siamese silk worms, Jim Thompson is trying to build a modest business." Throughout the 1950s Thais remained little interested in Thai silk, considering it generally suitable only for fancy dress. Rather, it was American tourists who sustained the local development of a silk industry in Thailand. In 1951, The King and I opened on Broadway, featuring a depiction of the Thai court in the mid-19th century in which the costumes were all made using Thai silk. Created by Irene Sharaff, the production served to promote the material to the American audience, and fuelled interest in the country.
Throughout the 1950s, silk shops opened up across Bangkok. But these sold almost entirely to the tourist trade. Wealthy Americans would come into Jim Thompson's shop and buy large amounts of the fabric and then take it home where they would get it made into an item of clothing. Locally, Thais showed little interest in the product as it remained expensive, and unsuited to the hot climate.
The Queen Sirikit Department of Sericulture estimates that in 2013, 71,630 small landholders raised mulberry silkworms on 39,570 rai, producing 287,771 kg of silk cocoons. Another 2,552 farmers grew mulberry silkworms on an industrial scale, producing 145,072 kg of silk on 15,520 rai of land. Eri silk production, on the other hand, amounts to only a fraction of these quantities, grown by a small network of 600 families scattered throughout 28 provinces in north, northeast, and central Thailand.
In 2006, US$14,540,325 worth of silk was exported from Thailand. The predominant markets are the US and the UK. Silk fabric accounts for about half of the silk exported from Thailand (the rest being raw silk, yarn, cocoons, and silk waste). However, Thailand remains only a small contributor to the global trade in silk. China produces 100,000 tonnes of silk a year, 80 percent of the global market, while Thai silk exports account for just 0.1 percent of global production, with most Thai silk used locally.
The production of Thai silk begins with the Bombyx mori, a small silk worm that comes from the eggs of a silk moth. For their first year, these worms feast on the leaves of mulberry trees before building a cocoon with their spittle.
In its original cocoon form, raw silk is bumpy and irregular. Thai weavers separate the completed cocoons from the mulberry bush and soak them in a vat of boiling water to separate the silk thread from the caterpillar inside the cocoon.
The Bombyx mori usually produces silk thread of varying colors, ranging from light gold to very light green, with lengths varying from 500 to 1,500 yards per cocoon.
A single thread filament is too thin to use on its own, so Thai women combine many threads to produce a thicker, usable fiber. They do this by hand-reeling the threads onto a wooden spindle to produce a uniform strand of raw silk. The process is a tedious one as it takes nearly 40 hours to produce a half kilogram of Thai silk.
Many local operations use a reeling machine for this task, but the majority of most silk thread is still hand-reeled. The difference is that hand-reeled threads produce three grades of silk: two fine grades that are ideal for lightweight fabrics and a thick grade for heavier material.
The silk fabric is then soaked in hot water and bleached before dyeing in order to remove the natural yellow coloring of Thai silk yarn. To do this, skeins of silk thread are immersed in large tubs of hydrogen peroxide. Once washed and dried, the silk is then woven using a traditional hand-operated loom.
Eri silk is a staple fiber, unlike other silks, which are a continuous filament. The texture of the fabric is coarse, fine, and dense. It is strong, durable, and elastic. Eri silk is darker and heavier than other silks and blends well with wool and cotton. Due to its thermal properties it is warm in winter and cool in summer. The fibre is "cottony", not glossy like mulberry silk. The cocoons of eri silkworms are open-ended, meaning the grown larva can leave via the opening. This has led to eri silk being termed "peace silk" as its production harms no living organisms. Mulberry silkworms, on the other hand, make a hole in the cocoon when emerging as moths, thus damaging the silk. To forestall the damage, processors boil the mulberry cocoons to kill the larva, leading organisations such as PETA to blacklist mulberry silk.
Types of Thai silk
- Gold peacock: Indicates premium Royal Thai Silk, a product of native Thai silkworm breeds and traditional hand-made production.
- Silver peacock: Indicates Classic Thai Silk, developed from specific silkworm breeds and hand-made production.
- Blue peacock: Indicates Thai Silk, a product of pure silk threads and with no specific production method (allows chemical dyes).
- Green peacock: Indicates Thai Silk Blend, a product of silk blended with other fabrics and with no specific production method.
Identification of genuine silk
As traditional Thai silk is hand woven, each silk fabric is unique and cannot be duplicated by commercial means. In contrast, artificial silk is machine woven, which means that every part of the fabric is identical and has the same color.
Thai silk smells like hair when burned. The silk is similar to the composition of human hair and fingernails. When the flame is removed, Thai silk immediately stops burning. Artificial silk smells like plastic when burned.
In terms of price, Thai silk is usually 10 times more expensive than artificial silk.
A simple way to identify authentic silk is the "wedding ring" test. When pulling silk fabric through a ring, it will easily pass through. Imitation fabrics will bunch up and be difficult or impossible to pull through the ring.
The Queen Sirikit Museum of Textiles in Bangkok is a state-of-the-art museum dedicated to Thai silk and includes the country's first dedicated textile conservation laboratory. On display are numerous dresses worn by Queen Sirikit of Thailand, which she wore during state visits to promote traditional Thai textiles, some designed by Pierre Balmain.
- Wangkiat, Paritta (19 February 2017). "Ericulture reeling them in". Bangkok Post. Retrieved 19 February 2017.
- "Types of Silk". International Sericultural Commission (ISC). Retrieved 19 February 2017.
- Ian Brown, "Government Initiative and Peasant Response in the Siamese Silk Industry, 1901–1913", Journal of the Siam Society, Vol. 68, Part 2, July 1980
- Joshua Kurlantzick, The Ideal Man: The tragedy of Jim Thompson and the American Way of War, (Wiley, 2011)
- "The Postman Says", Bangkok Post, January 13, 1949
- Klein, Christine (2003). Cold War Orientalism: Asia in the Middlebrow Imagination. Berkeley: University of California Press. Retrieved 26 January 2016.
- Exports of silk from Thailand
- The global trade in silk Archived 2007-12-02 at the Wayback Machine
- Fernquest, Jon (2013-05-07). "Silk Boom: Opportunity for Thailand". Bangkok Post. Retrieved 26 January 2016.
- "Down and Silk: Birds and Insects Exploited for Feathers and Fabric". People for the Ethical Treatment of Animals (PETA). Retrieved 19 February 2017.
- "Thailand: Types of Silk". International Sericultural Commission (ISC). Retrieved 19 February 2017.
- Kolesnikov-Jessop, Sonia (2012), The Queen of Thai Silk, couturenotebook.com