The Associates (band)

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The Associates
Mackenzie (left) and Rankine in a Sire promotional image, c. 1981
Mackenzie (left) and Rankine in a Sire promotional image, c. 1981
Background information
OriginDundee, Scotland
Genres
Years active1979–1990, 1993 (reunion)
Labels
Associated actsThe Ascorbic Ones, Mental Torture
Past membersBilly Mackenzie
Alan Rankine
John Sweeney
John Murphy
Michael Dempsey
Steve Goulding
Martha Ladly
Martin Lowe
Ian McIntosh
Steve Reid
Roberto Soave
Jim Russell
Stephen Knight
Howard Hughes
Moritz von Oswald

The Associates (or simply Associates) were a Scottish post-punk and pop band, formed in Dundee in 1979 by singer Billy Mackenzie and guitarist Alan Rankine. The group first gained recognition after releasing an unauthorized cover of David Bowie's "Boys Keep Swinging" as their debut single in 1979, which landed them a contract with Fiction Records.[1] They followed with their debut album The Affectionate Punch in 1980 and the singles collection Fourth Drawer Down in 1981, both to critical praise.[1]

They achieved commercial success in 1982 with the UK Top 10 album Sulk and UK Top 20 singles "Party Fears Two" and "Club Country", during which time they were associated with the New Pop movement.[2] Rankine left the group that year, leaving MacKenzie to record under the Associates name until 1990.[1] They briefly reunited in 1993. MacKenzie died by suicide in 1997.

History[edit]

1979–1982: Formation and independent success[edit]

Billy Mackenzie and guitarist Alan Rankine met in Edinburgh, Scotland in 1976 and formed the cabaret duo the Ascorbic Ones,[3] although Rankine claimed that this was "a fantasy band that Bill and I dreamt up to give ourselves a past".[4] In 1978, they recorded songs as Mental Torture before changing the name to the Associates.[4]

Disappointed that their early recordings were not getting picked up, Mackenzie concocted the stunt of doing a cover of David Bowie's "Boys Keep Swinging", without copyright permission, just six weeks after Bowie's version hit the UK Top 10.[4] Released in June 1979, this debut Associates single reached No. 15 in Record Mirror's Scottish chart and gained them airplay on John Peel's Radio One show.[4] MacKenzie later said that the band recorded the Bowie song "to prove the point. It was a strange way of proving it, but it worked. People said, 'That is awful. How dare they!'"[5] The ensuing attention earned them a contract with Fiction Records, and their debut album, The Affectionate Punch, followed on 1 August 1980.[1] By this time the duo of Mackenzie and Rankine had been joined by bassist Michael Dempsey[6] and drummer John Murphy,[7] though in most promotional material the group were still marketed as a duo.

A string of 1981 non-album singles on the label Situation Two were compiled as Fourth Drawer Down, released that October.[8] These releases saw the band develop an interest in experimenting with unorthodox instrumentation and recording techniques, including sounds being amplified through the tube of a vacuum cleaner on the track "Kitchen Person". Also in 1981, Rankine and Mackenzie released a version of "Kites" under the name 39 Lyon Street, with Christine Beveridge on lead vocals. The B-side, "A Girl Named Property" (a remake of "Mona Property Girl" from the "Boys Keep Swinging" single), was credited to the Associates.

1982–1988: WEA/Warner years[edit]

As Situation Two's parent label Beggars Banquet[9][10] had a labels deal with WEA International at the time (primarily for Gary Numan), the Associates found themselves signed to Warner with their releases now going out on their own Associates record label.[11] The band's breakthrough came in 1982 with the release of the single "Party Fears Two". Buoyed along by the popularity of synthpop at the time, the song reached No. 9 on the UK Singles Chart[3] with the band becoming one of the leading acts of the new pop movement.[12][13] Two other hits followed, "Club Country" and "18 Carat Love Affair". On 14 May 1982, the band released their most commercially successful album, Sulk. Martha Ladly, of Martha and the Muffins, contributed backing vocals and keyboards to this album.

Mackenzie performing in 1985

Rankine left the band in 1982 just before the Sulk tour. This proved disastrous for the band's career; the band was being courted by Seymour Stein of Sire Records, but without MacKenzie's willingness to tour, Stein lost interest.[14] Mackenzie continued to write and record music under the name Associates until 1990. In 1985 the album Perhaps was released and charted at number 23 in the UK Albums Chart.

In 1988, WEA/Warner rejected the fourth Associates album The Glamour Chase considering it not commercially viable (it was later released on a two-disc set with Perhaps). However, they decided to release Mackenzie's synthpop/techno-pop cover of "Heart of Glass"[15] as a single and also put the track on the record company's Vaultage From The Electric Lighting Station compilation. This track was to be Mackenzie's last release whilst under contract to WEA in the United Kingdom, as he signed to AVL/Virgin subsidiary Circa Records (still under the Associates name at this point). "Heart of Glass" was released in September 1988 on a number of formats[16] including a 12 inch single with an anaglyphic 3-D cover (which came with 3-D glasses) and a CD single. It reached number 56 on the UK Singles Chart and was put on Popera: The Singles Collection,[17] by WEA in 1990 alongside withdrawn follow-up single "Country Boy", and a version of the Mackenzie/Boris Blank song, "The Rhythm Divine".

Between 1987 and 1992, Mackenzie worked with Blank and musical partner Dieter Meier of Swiss avant-garde outfit Yello. Mackenzie wrote the lyrics of the song "The Rhythm Divine", which can also be found on on the Yello album, One Second, with lead vocals by Shirley Bassey and Mackenzie singing backing vocals. During these years Mackenzie contributed to three Yello albums: One Second (1987), Flag (1988) and Baby (1991), whilst tracks for The Glamour Chase and Outernational were recorded with Blank at Yello's recording studio.[18]

1989–1997: Circa and solo years[edit]

After his fourth album was rejected and "Country Boy" single scrapped, Mackenzie signed to AVL/Virgin subsidiary Circa Records, to release the fifth Associates album Wild and Lonely (the fourth studio album to be released during Billy Mackenzie's lifetime).[19][20][21][22][23] The album was released on 24 March 1990 and was produced by Australian record producer Julian Mendelsohn. It peaked at No. 71 on the UK Albums Chart and had three singles charting in the lower parts of the UK Singles Chart with "Fever", "Fire to Ice" and "Just Can't Say Goodbye", peaking at numbers 81, 92 and 79 respectively.[19] Wild and Lonely was the last album Mackenzie recorded under the name The Associates, as from this point his releases would go out under his own name. However, recordings were sporadic and subsequent records failed to reach the UK chart and sold far fewer than their/his early albums. In 1992, Mackenzie released an electronica-influenced solo album, Outernational, for Circa Records with limited success.[18]

In 1993, Mackenzie and Rankine began working on new material together. News of an Associates revival generated hype and speculation of a tour, and the demos recorded by the two were promising. However, Mackenzie was not fully committed to the reunion and especially touring with it, so Associates split for a final time. Mackenzie went back to his solo work, signing a deal with Nude Records and finding a new collaborative partner in Steve Aungle.[18]

Rankine later became a lecturer in music at Stow College in Glasgow, and worked with Belle and Sebastian on their 1996 debut album, Tigermilk.

1997–present: Legacy releases[edit]

Mackenzie committed suicide in 1997 at age 39, shortly after the death of his mother.[24][25] He had been suffering from clinical depression. He was contemplating a comeback at the time with material co-written with Aungle. The albums Beyond the Sun (1997) and Eurocentric (2000) were released posthumously and, in 2004, reconstructed and expanded with new unreleased songs into the two albums Auchtermatic and Transmission Impossible.[26]

Before Mackenzie's death, almost all Associates records had been deleted. Former band member Michael Dempsey and the MacKenzie estate began a reissue programme to make sure the band's legacy continued, reissuing almost every Associates album, including a 25th anniversary edition of The Affectionate Punch in 2005. In addition to the original albums, two compilation albums were released: Double Hipness (2000), a collection of early tracks with the 1993 reunion demos; and Singles (2004), an extended version of Popera – The Singles Collection which caught up with post-1990 material and included the cover of Bowie's "Boys Keep Swinging". In 2002, The Glamour Chase (recorded in the years 1985–87) was finally released as a set titled The Glamour Chase & Perhaps. Finally, Wild and Lonely and Mackenzie's solo album Outernational were repackaged with bonus tracks in 2006.

The Tom Doyle book The Glamour Chase: The Maverick Life of Billy Mackenzie, first published in 1998 and reissued in 2011, documented the band's career and Mackenzie's subsequent life.[27]

Legacy and influence[edit]

The Associates drew stylistically on a variety of genres, including art rock, disco, glam, minimalism, balladry and cabaret.[1] Their music has been described as post-punk,[28] synth-pop,[29] new wave[30] and experimental pop.[31] The group was hailed by the likes of Björk and U2 singer Bono. Björk stated that her "love affair with the Associates started when I was fifteen [...], it was Sulk I really got into". "I really admired the way Billy used and manipulated his voice on that record".[32] Bono said about the Associates: "We ripped them off. Billy was a great singer: I couldn't rip him off".[32] Artists who have covered "Party Fears Two", include the Divine Comedy,[33] Dan Bryk, King Creosote and Heaven 17. Journalist Simon Reynolds, called the group "great should-have-beens of British pop".[34] Chris Tighe wrote that the band have "been belated acknowledged as one of the '80s' most inspired pop groups".[35]

Ian Rankin took the title of his 2015 Rebus novel, Even Dogs in the Wild, from a track on The Affectionate Punch, and the song itself has a role in the story.

Band members[edit]

  • Billy Mackenzie – vocals, guitar (1979–1990, 1993)
  • Alan Rankine – guitars, keyboards (1979–1982, 1993)
  • John Sweeney – drums (1979–1980)
  • John Murphy – drums (1980–1981)
  • Michael Dempsey – bass guitar (1980–1982)
  • Steve Goulding – drums (1982–1983)
  • Martha Ladly – keyboards, vocals (1982-1986)
  • Miffy Smith - Keyboards, saxophone (1983-1984)
  • Martin Lowe – live guitar (1982)
  • Ian McIntosh – live and radio session guitar (1982–1985)
  • Steve Reid – guitar (1982–1984)
  • Roberto Soave – bass guitar (1983–1985)
  • Jim Russell – drums (1984)
  • Howard Hughes – live keyboards (1984–1990)
  • Moritz von Oswald – drums, percussion (1985–1990)

Discography[edit]

Studio albums[edit]

Year Title Details Peak chart positions
NL
[36]
NZ
[37]
UK
[38]
1980 The Affectionate Punch
  • Released: 1 August 1980
  • Label: Fiction
48
1982 Sulk 23 10
1985 Perhaps
  • Released: 9 February 1985
  • Label: WEA
29 23
1988 The Glamour Chase[39][40][41][22]
  • Unreleased until 2002
1990 Wild and Lonely
  • Released: 24 March 1990
  • Label: Circa
71
"—" denotes releases that did not chart or were not released

Compilation albums[edit]

EPs[edit]

  • Poperetta (1991), EastWest Records[43]

Singles[edit]

Year Single Peak chart positions
IRE
[44]
NL
[45]
UK
[38]
UK Indie
[46]
1979 "Boys Keep Swinging"
1980 "The Affectionate Punch"
1981 "Tell Me Easter's on Friday" 8
"Kites" (as 39 Lyon Street)
"Q Quarters" 5
"Kitchen Person" 9
"A"
"Message Oblique Speech" 22
"White Car in Germany" 11
1982 "Even Dogs in the Wild" (Flexipop release)
"Party Fears Two" 16 9
"Club Country" 22 13
"18 Carat Love Affair"/"Love Hangover" 21 21
"A Matter of Gender"
1984 "Those First Impressions" 43
"Waiting for the Loveboat" 53
1985 "Breakfast" 36 49
"Take Me to the Girl" 95
1988 "Heart of Glass" 56
"Country Boy'" (withdrawn)
1990 "Fever" 81
"Fire to Ice" 92
1991 "Just Can't Say Goodbye" 79
"—" denotes releases that did not chart or were not released

Selected compilation appearances[edit]

  • "Aggressive and Ninety Pounds" (as 'The Associates featuring Billy Mackenzie') on Mad Mix II cassette (1983), NME[47]

References[edit]

  1. ^ a b c d e Ankeny, Jason. "Associates – Biography". AllMusic. Retrieved 6 November 2016.
  2. ^ Harvell, Jess. "Now That's What I Call New Pop!". Pitchfork. Retrieved 28 April 2017.
  3. ^ a b Strong, Martin C. (1998). The Great Rock Discography. Times Books. ISBN 0812931114.
  4. ^ a b c d Doyle, Tom (2011). The Glamour Chase: The Maverick Life of Billy MacKenzie. Edinburgh: Polygon.
  5. ^ Morley, Paul (27 September 1980). "Boys Keep Scoring". NME.
  6. ^ "BBC Radio 2 - Sounds of the 80s with Gary Davies, Alan Rankine and Michael Dempsey". BBC. Retrieved 13 August 2021.
  7. ^ "The Associate: An Interview with MICHAEL DEMPSEY". Electricityclub.co.uk. 21 May 2016. Retrieved 13 August 2021.
  8. ^ Kellman, Andy. "Fourth Drawer Down – The Associates". AllMusic. Retrieved 5 January 2014.
  9. ^ "Beggars Group". Beggars.com. Retrieved 16 June 2021.
  10. ^ "Beggars Banquet". Shsu.edu. Retrieved 16 June 2021.
  11. ^ "party fears two | full Official Chart History | Official Charts Company". Officialcharts.com. Retrieved 16 June 2021.
  12. ^ Chan, Ange (27 February 2020). "The Associates: 'Perhaps' (Expanded Collection) reviewed » We Are Cult". Wearecult.rocks. Retrieved 16 June 2021.
  13. ^ "The Associates: Perhaps, 2CD Expanded Digipak Collection". Cherryred.co.uk. Retrieved 16 June 2021.
  14. ^ Dingwall, John (6 May 2016). "The Associates in talks to stage anniversary concerts". Dailyrecord.co.uk.
  15. ^ "heart of glass | full Official Chart History | Official Charts Company". Officialcharts.com. Retrieved 16 June 2021.
  16. ^ "A Young Person's Guide To: Associates – Heart Of Glass". Postpunkmonk.com. 10 October 2014. Retrieved 16 June 2021.
  17. ^ "Popera: The Singles Collection - The Associates | Songs, Reviews, Credits". AllMusic. Retrieved 16 June 2021.
  18. ^ a b c "The Vinyl Villain – SATURDAY'S SCOTTISH SINGLE (Part 11)// // BTRread". Btrtoday.com.
  19. ^ a b "ASSOCIATES | full Official Chart History | Official Charts Company". Officialcharts.com. Retrieved 16 June 2021.
  20. ^ a b "Random Jukebox: the Associates cover Blondie's Heart of Glass". Stevepafford.com. 5 September 2018. Retrieved 16 June 2021.
  21. ^ a b "Archived copy". Archived from the original on 25 January 2021. Retrieved 17 March 2021.CS1 maint: archived copy as title (link)
  22. ^ a b c The Glamour Chase: The Maverick Life of Billy Mackenzie by Tom Doyle (published by Birlinn General ISBN 9781846972096)
  23. ^ "Wild and lonely". Recordcollectormag.com. Retrieved 16 June 2021.
  24. ^ Dalton, Stephen (2 April 2007). "Billy Mackenzie Tribute". The Times. London. Retrieved 3 June 2009.
  25. ^ "Dead rockers and our inner ghouls". The Scotsman. 18 January 2002. Retrieved 31 July 2014.
  26. ^ "Billy Mackenzie: Transmission Impossible". PopMatters.com.
  27. ^ "The Glamour Chase by Tom Doyle - The Skinny". Theskinny.co.uk.
  28. ^ Hawking, Rom. "10 Bewilderingly Underrated Post-Punk Bands You Need to Hear". Flavorwire. Retrieved 3 March 2017.
  29. ^ Armond White (22 February 2016). "Remembering the Captain of Gay Pop and His Loveboat". Yahoo.com. Retrieved 20 July 2017.
  30. ^ Spitz, Marc (27 October 2009). Bowie: A Biography. Crown/Archetype. p. 296 – via Internet Archive. The Associates new wave band.
  31. ^ Kellman, Andy. "White Car in Germany – The Associates: Song Review". AllMusic. Retrieved 18 July 2016.
  32. ^ a b Doyle, Tom (2011). The Glamour Chase: The Maverick Life of Billy MacKenzie. Polygon. ISBN 978-1846972096.
  33. ^ Divine Comedy recorded a version of "Party Fears Two" on their album Victory for the Comic Muse in 2006, Parlophone – 00946 365372 2 1
  34. ^ Reynolds, Simon (2 April 2009). Rip It Up and Start Again: Postpunk 1978–1984. Faber and Faber. ISBN 9780571252275. Retrieved 15 December 2014.
  35. ^ Buckley, Peter, ed. (2003). "The Associates". The Rough Guide to Rock. Rough Guides. p. 44. ISBN 9781843531050.
  36. ^ "Dutch Charts". Dutchcharts.nl. Retrieved 9 December 2020.
  37. ^ "New Zealand charts portal". charts.nz. Retrieved 9 December 2020.
  38. ^ a b "ASSOCIATES | full Official Chart History". Official Charts Company. Retrieved 9 December 2020.
  39. ^ "Random Jukebox: the Associates cover Blondie's Heart of Glass". Stevepafford.com. 5 September 2018. Retrieved 13 August 2021.
  40. ^ "A Beginner's Guide To BILLY MACKENZIE". Electricityclub.co.uk. 24 March 2014. Retrieved 13 August 2021.
  41. ^ a b "Associates, The". Nostalgiacentral.com. Retrieved 16 June 2021.
  42. ^ a b c d e f g h "The Associates". Discogs. Retrieved 10 January 2020.
  43. ^ "Associates* - Poperetta EP". Discogs. Retrieved 9 December 2020.
  44. ^ "The Irish Charts - All there is to know". irishcharts.ie. Retrieved 9 December 2020.
  45. ^ "Dutch Charts - dutchcharts.nl". dutchcharts.nl. Retrieved 9 December 2020.
  46. ^ "Indie Charts 1980-1989". UKMIX Forums. Retrieved 9 December 2020.
  47. ^ "NME 008 – Mad Mix II (1983) | NME Cassettes Redux". Nmecassettes.wordpress.com. Retrieved 20 July 2017.

External links[edit]