The Banquet of the Officers of the St George Militia Company in 1616

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Detail of the 1616 banquet, featuring Captain Nicolaes Woutersz van der Meer whose large figure fills up the table.

The Banquet of the Officers of the St George Militia Company in 1616 refers to the first of several large schutterstukken painted by Frans Hals for the St. George (or St. Joris) civic guard of Haarlem, and today is considered one of the main attractions of the Frans Hals Museum there.

Influenced by Cornelis van Haarlem[edit]

The same militia company in 1599, by Cornelis van Haarlem

Hals was in his thirties when he painted this piece, and was far from established as a portrait painter. To be safe, he based most of his design on the painting of his predecessor, Cornelis Cornelisz van Haarlem, who painted the same militia company in 1599.

Given a nearly impossible task, namely to complete his assignment but to add theatrical elements at the same time, Hals must have spent lots of time judging the politics of the group. He knew these men well as he served in the St. Joris militia himself from 1612-1615. In his painting, he indicates the political position of each man in the group as well as managing to give each a characteristic portrait. In Cornelis van Haarlem's piece the figures seem crammed into a tight space, and each face seems to have a similar expression. In Hals' group, an illusion of space and relaxed conversation is given.

Officers were selected by the council of Haarlem to serve for three years, and this group had just finished their tenure and celebrated their end of service with a portrait. The man with the orange sash heads the table and the second in command is on his right. The three ensigns stand and the servant is carrying a plate.

Large painting on canvas[edit]

The entire painting is on one piece of seamless linen 175 × 324 cm, and a full meter wider than its predecessor by Cornelis van Haarlem, which was painted on oak panels. An impression of space and depth is given by diagonal lines leading the viewer to gaze beyond the flag out the window.

The men featured are from left to right Provost Johan van Napels, Colonel Hendrick van Berckenrode (wearing the orange sash), Captain Jacob Laurensz, Ensign Jacob Cornelisz Schout (holding the flag), Captain Vechter Jansz van Teffelen, Lieutenant Cornelis Jacobsz Schout, Lieutenant Hugo Mattheusz Steyn, a servant (standing in the back), Ensign Gerrit Cornelisz Vlasman, and Ensign Boudewijn van Offenberg. In the foreground seated in front of the table are Captain Nicolaes Woutersz van der Meer, and Lieutenant Pieter Adriaensz Verbeek.

Besides portraying the men and the group dynamics, this painting shows off the Haarlem damast tablecloth, brocade pillows on the chairs and the halberds hanging on the wall. It also displays Hals' talents as a painter: Portraiture, Still life, and Landscape.

St. Jorisdoelen[edit]

View of the main buildings of the St. Jorisdoelen; on the left is the north building from 1592, and on the right is the old gate in Lieven de Key style seen from the back.
A reproduction of this schutterstuk in the garden of the old "St. Joris Doelen", today the Proveniershof, Haarlem. The church tower in the distance is the Nieuwe Kerk, Haarlem.

The painting may have been painted on location, as Frans Hals lived in the Peuzelaarsteeg very close to the St. George militia headquarters (St. Jorisdoelen) who commissioned the painting, and managing a canvas of this size would have been a problem in Hals' studio. As an official art restorer employed by the city council, Hals had probably also already worked on paintings there. The premises had previously been the location of the women's convent call the St. Michielsklooster and after the old hall was refurbished in 1577 to house the St. Joris militia, a new hall in renaissance style was built at the north end in 1592.[1] The paintings by Hals and Cornelis van Haarlem hung in the renaissance building at the corner of the Grote Houtstraat. Today a restaurant, the windows overlook the garden of the Proveniershuis, but in the 17th century this was an area used for target practise.

Legacy[edit]

Engraving of the "Heren Logement" in border of 1688 map by De Hooge, seen from the Grote Houtstraat.

Hals' painting was a huge success, as he won several additional portrait commissions from the subjects and their relatives, as well as winning the commission to paint a group portrait of this militia again in 1627 and in 1639. In later years the painting was seen by visitors to Haarlem, as it remained hanging in its original building after it became an inn. The inn is featured on Romeyn de Hooghe's map of Haarlem in 1688, showing the gate with a statue of St. George slaying the dragon as silent witness to the building's earlier purpose.

See also[edit]

References[edit]

  1. ^ report on Rijksmonument number 19243
  • De Haarlemse Schuttersstukken, by Jhr. Mr. C.C. van Valkenburg, pp. 59-68, Haerlem : jaarboek 1958, ISSN 0927-0728
  • Frans Hals: Exhibition on the Occasion of the Centenary of the Municipal Museum at Haarlem, 1862-1962., pp 29-30, publication Frans Hals Museum, 1962