The Bell (magazine)
The Bell magazine (1940–54) Dublin, Ireland. A monthly magazine of literature and social comment which had a seminal influence on a generation of Irish intellectuals.
The Bell was notable, particularly under the editorship of Seán Ó Faoláin, as an outspoken liberal voice at a time of political and intellectual stagnation, fiercely critical of censorship, Gaelic revivalist ideology, clericalism, and general parochialism.
Under Peadar O'Donnell (1946–54), The Bell became more left‐wing in content and irregular in frequency of publication but continued to produce material of high quality. W. R. Rodgers and Louis MacNeice were among the authors whose work sustained the magazine's connection with cultural activities in Ulster, in addition to which it repeatedly featured writing from various parts of Europe. In the course of its fourteen-year career, The Bell was variously subtitled "A Survey of Irish Life", "A Magazine of Creative Fiction", and "A Magazine of Ireland Today"; its concern with social and political matters gave rise to incisive commentaries on such topics as state censorship in Ireland, on which George Bernard Shaw wrote in an issue of 1945, the restrictive influence of the Church, and reactionary tendencies in Irish literature.
Having undergone financial difficulties which resulted in its temporary closure between 1948 and 1950, it finally ceased appearing in 1954. Along with The Dublin Magazine, The Bell is accounted the most important literary and intellectual journal of Ireland in the twentieth century.
The Bell was notable as an outlet for new writers such as Michael MacLaverty and James Plunkett. The bell also fostered many young Irish writers and artists from the 1940s and 1950s, when contributors included Anthony Cronin (who went on to edit the magazine), John Montague, Thomas Kinsella, Val Mulkerns, Brendan Behan, Patrick Kavanagh, Patrick Swift, and Conor Cruise O'Brien. Musicians such as Brian Boydell and Aloys Fleischmann also contributed.