The Black Stone
|"The Black Stone"|
|Author||Robert E. Howard|
|Published in||Weird Tales|
|Media type||Pulp magazine|
|Publication date||November 1931|
"The Black Stone" is a classic short story by Robert E. Howard, first published in the November 1931 issue of Weird Tales. The story introduces the mad poet Justin Geoffrey and the fictitious Unaussprechlichen Kulten by Friedrich von Junzt.
Among Howard's stories that can be considered part of the Cthulhu Mythos — this one is no exception — it is written as a mythos story rather than as simply a tale compatible with the Lovecraftian universe. It follows the same pattern and has the same features as H. P. Lovecraft's classic work, and it is an obvious wink to Howard's friend and mentor, Lovecraft himself.
And the thought recurs to me--if such a monstrous entity as the Master of the Monolith somehow survived its own unspeakably distant epoch so long--what nameless shapes may even now lurk in the dark places of the world?— The Black Stone, Robert E. Howard
The story opens with an unnamed narrator being gripped with curiosity by a brief reference to the Black Stone in the book Nameless Cults, aka The Black Book, by Friedrich von Junzt. He researches the artifact but finds little further information. The ancient (though its age is debated) monolith stands near to the village of Stregoicavar ("meaning something like Witch-Town") in the mountains of Hungary. There are many superstitions surrounding it, for instance anyone who sleeps nearby will suffer nightmares for the rest of their life and anyone who visits the stone on Midsummer Night will go insane and die. Though the Monolith is hated and disliked by all in the village, it is said by the Innskeeper that "Any man who lay hammer or maul to it die evilly", so that all of the villagers simply shun the stone.
The narrator decides to travel to Stregoicavar on vacation. Along the way he hears of the local history and sees the site of an old battlefield, where Count Boris Vladinoff fought the invading Suleiman the Magnificent in 1526. Local stories say that Vladinoff took shelter in a ruined castle and was brought a lacquered case that had been found near the body of Selim Bahadur, "the famous Turkish scribe and historian", who had died in a recent battle. The unnamed contents scared the count but at that moment Turkish artillery collapsed the castle and killed the occupants.
Reaching the village, the narrator interviews some of the villagers. The current inhabitants are not the original people of the village - they were all wiped out by the Turkish invasion in 1526. They are said to have been of a different, unknown, race than the Hungarians with a reputation for raiding their villages and kidnapping women and children. A school teacher reveals that according to legend, the original name for the village was Xuthltan and the stone was worshiped by pagans at one time (although they probably did not erect it themselves). The black stone is "octagonal in shape, some sixteen feet in height and about a foot and a half thick."
A week after arriving the narrator realizes that it is Midsummer Night and makes his way to the stone. He falls asleep an hour before midnight but wakes to find the chanting and dancing people around the stone. After much dancing, during which the narrator is unable to move or do anything but observe, a baby is killed in sacrifice. Shortly a giant toad-like monster appears at the top of the stone and a second sacrifice, a young girl, is offered to it. The narrator faints at this point and decides that it was a dream when he wakes again (there is no evidence of any of the night's events).
Thinking back to the earlier tale, he decides to secretly excavate the ruined castle at night and recover the box that was buried along with Count Boris Vladinoff. He translates the text of a scroll found inside the crushed box, which turns out to be a record of Selim Bahadur's raid into the valley. The Turks found the toad-monster worshipers and eradicated them all. They also found in a nearby cave "a monstrous, bloated, wallowing toad-like being and slew it with flame and ancient steel blessed in old times by Muhammad, and with incantations that were old when Arabia was young". The narrator realizes that his "dream" was actually a vision of a real event in history and that the Black Stone is really the spire of a massive fortress, while the cliffs that surround it are its battlements. The rest of the castle lies buried under the Hungarian mountains. He throws the scroll and a small gold idol of the toad (also from the box) into the Danube.
The narrator ends with the belief that the words of the Nameless Cults are real and not "the ravings of a madman" as he had at first thought. With this comes the thought "Man was not always master of the earth--and is he now?"
(1898–1926) A poet who wrote "The People of the Monolith" after visiting the village of Stregoicavar and died "screaming in a madhouse" five years before the events of the story. He is remembered by the villagers as acting in an odd manner, with a habit of mumbling to himself. The story opens with this stanza, which is attributed to him:
"They say foul things of Old Times still lurk
In dark forgotten corners of the world.
And Gates still gape to loose, on certain nights.
Shapes pent in Hell."
Friedrich Wilhelm von Junzt
(1795–1840) An eccentric German poet and philosopher noted for his extensive travels and membership in myriad secret societies. He is mainly remembered as the author of the Unaussprechlichen Kulten (Nameless Cults or The Black Book), which was published shortly before his death. Six months after his return from an expedition to Mongolia, he was found dead in a locked and bolted chamber with taloned finger marks on his throat.
Robert M. Price compares the death of Von Junzt to the demise of Abdul Alhazred, author of the Necronomicon: "[In] Lovecraft's tongue-in-cheek 'History of the Necronomicon'...he recounts the doom of Abdul Alhazred. 'He is said by Ebn Khallikan . . . to have been seized by an invisible monster in broad daylight and devoured horribly before a large number of fright-frozen witnesses.' ...And 'what of the monstrous hand that strangled out his life?' In both cases, the coroner reports the cause of death as a phantom monster suspiciously like the one that rent Lovecraft himself limb-from-limb in Robert Bloch's 'The Shambler from the Stars'.".
At the time of his death, von Junzt was working on a second book, the contents of which are unknown since it was burnt to ashes by his friend, the Frenchman Alexis Ladeau. Afterwards, Ladeau slit his own throat with a razor after having read the work. Von Junzt was one of the few people to have read the Greek version of the Necronomicon.
Almost nothing is known about the story's anonymous narrator. He is very learned, with extensive knowledge of history and anthropology, and has read much on the subject of ancient religion, including obscure or bizarre authors like von Junzt. His tastes in poetry go to the obscure and weird too, such as Geoffrey.
- Price, "The Borrower Beneath (Howard's Debt to Lovecraft in 'The Black Stone')", Crypt of Cthulhu #3.)
|Wikisource has original text related to this article:|
- Robert E. Howard (1998) . "The Black Stone". Tales of the Cthulhu Mythos (1st ed.). New York, NY: Random House. ISBN 0-345-42204-X.