The Bowery (film)

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The Bowery
The Bowery poster.jpg
Theatrical release poster
Directed by Raoul Walsh
Produced by Joseph M. Schenck
Darryl F. Zanuck
Written by Howard Estabrook
James Gleason
Michael L. Simmons (novel)
Bessie Roth Solomon (novel)
Starring Wallace Beery
George Raft
Jackie Cooper
Fay Wray
Pert Kelton
Music by Alfred Newman
Cinematography Barney McGill
Edited by Allen McNeil
Production
company
Distributed by United Artists
Release dates
October 7, 1933 (1933-10-07)
Running time
92 minutes
Country United States
Language English
Box office $2 million (US & Canada rentals)[1]

The Bowery is a 1933 historical film about the Lower East Side of Manhattan around the start of the 20th century directed by Raoul Walsh and starring Wallace Beery and George Raft.

Production background[edit]

The movie features Beery as saloon owner Chuck Connors, Raft as Steve Brodie, the first man to jump off the Brooklyn Bridge and live, Jackie Cooper as a pugnacious child, Fay Wray (in the same year as King Kong) as the leading lady, and Pert Kelton (the first "Alice Kramden" on Jackie Gleason's The Honeymooners) as a bawdy young dance hall singer.

The film is an absorbing presentation of the views and behaviors common at the time. The movie opens with a close-up of a saloon window featuring a sign saying "Nigger Joe's" in large letters (the name of an actual Bowery bar from the period).

Cooper's character has a habit of throwing rocks at people in Chinatown. When Beery's character berates him for doing so, Cooper's character responds, "They was just Chinks," whereupon Beery immediately softens, saying "Awww..." while affectionately mussing the boy's hair. At one point, Cooper's character breaks a window, knocking over a kerosene lamp and causing a lethal fire that spreads through the block.

Cast[edit]

Plot[edit]

In the Gay Nineties, on New York's Bowery, saloon owner Chuck Connors (Beery), finds that his rival, Steve Brodie (Raft), has thrown a muskmelon at his window. The happy-go-lucky Brodie explains that he threw the melon on a dare. As Connors threatens to fight him, the two learn of a fire in neighboring Chinatown. Both men call upon their volunteer fire brigades, and wager $100 on which will be the first to throw water on the fire.

Although Brodie is first to arrive, he finds Connor's young pal, Swipes McGurk (Cooper), sitting on a barrel placed over the fire hydrant preventing Brodie from using it first. Connors arrives and the rival fire fighters brawl as the fire reduces the building to a smoldering ruin, presumably incinerating the crowd of Chinese trapped inside who had been screaming for help at the window. Brodie vows revenge on Connors, leading to a $500 bet that a fighter, whom Brodie calls "The Masked Marvel," can beat "Bloody Butch" a prizefighter managed by Conners. Conners accepts, and the "Marvel" knocks out Bloody Butch with one punch. After the fight, the "Marvel" is revealed to be John L. Sullivan (George Walsh).

Connors meets a homeless girl named Lucy Calhoun (Fay Wray) and takes her to his apartment, where he lives with Swipes, and lets her spend the night. In the morning, he is pleasantly surprised (and Swipes annoyed), to find that Lucy has cleaned up the place and cooked breakfast. Swipes later locks Lucy in a closet and, when Connors finds her, spanks him. Humiliated, Swipes packs and leaves. That night, Brodie invites Swipes to move in with him, which he does. Finding out about Lucy, Brodie attempts to seduce her, thinking that she is Connors' mistress. She bites his hand, drawing blood, and after learning her identity, he apologizes and asks if he can call on her. They soon fall in love, and Brodie reveals his ambition to run a saloon bigger than Connors'.

When two brewers offer to sponsor him if he can bring his name into prominence, Brodie decides to jump off the Brooklyn Bridge as a stunt. Connors bets his saloon against a free burial that Brodie won't survive. Scheming to avoid actually jumping, Brodie gets a life-sized dummy made up to look like him and arranges for Swipes to throw it off the bridge at the time of the jump. As a crowd of 100,000 gathers at the bridge, Swipes finds the dummy missing. Swipes observes, in dialogue that sounds eerily current to the modern ear, "They were hip to us so they copped it." Despite Swipes's pleas, and left without any other option, Brodie vows to make the jump anyway, so that no one can say he didn't take a dare. Meanwhile, temperance activist Carrie Nation and her band of women arrive at Connors' saloon to tear it down with axes and hatchets. When he sees Brodie lifted in a parade after making the jump, however, Connors encourages the activists to destroy the saloon, which they do.

Brodie re-opens the refurbished saloon, and when war is declared against Spain, Connors enlists in an effort to get away from the Bowery, where he is no longer a big shot. When he returns to his apartment to pack, he finds that Swipes has returned and reconciles with the boy. Professional rivals of Brodie's then find Connors and deceitfully tell him that Brodie did not actually jump from the bridge, showing him the dummy. Connors demands Brodie give his saloon back. Brodie denies using the dummy, and the two have a long fight on a barge in the East River to settle their differences. After Connors returns victorious, he is arrested for assault and battery with intent to kill. Brodie, however, refuses to implicate him. As Brodie recovers, Connors visits his hospital only to begin another fight, but Swipes stops them and urges them to become friends. After they shake hands, Connors dares Brodie to join him in Cuba. At a parade for departing soldiers, Connors tells Lucy to kiss Brodie goodbye, and after she does, she also kisses Connors. The men lament not being able to say goodbye to Swipes, but they soon see, to their delight, that he is hiding in an artillery box on the supply wagon just ahead of them.

Production[edit]

The Bowery bears some resemblances to a concurrent movie She Done Him Wrong, a film starring Mae West and Cary Grant released earlier the same year by a different studio (Paramount Pictures) featuring Wallace Beery's older brother Noah Beery, Sr. in a similar role.

Raoul Walsh had directed a groundbreaking film about the Bowery as far back as 1915. Regeneration (1915), shot on location in the Bowery during the same year that Walsh played John Wilkes Booth in D.W. Griffith's The Birth of a Nation, was the first gangster movie and features tattered clothing on cast members far more ragged than anything seen in a more recent film.

Reception[edit]

The film was Twentieth Century's second most popular movie of the year.[2]

References[edit]

  1. ^ Everett Aaker, The Films of George Raft, McFarland & Company, 2013 p 42-43
  2. ^ The Year in Hollywood: 1984 May Be Remembered as the Beginning of the Sweetness-and-Light Era by Douglas W. Churchill. Hollywood. New York Times (1923-Current file) [New York, N.Y] 30 Dec 1934: X5.

External links[edit]