The Brother from Another Planet
|The Brother from Another Planet|
Theatrical release poster
|Directed by||John Sayles|
|Produced by||Peggy Rajski
|Screenplay by||John Sayles|
|Music by||Mason Daring
|Cinematography||Ernest R. Dickerson|
|Edited by||John Sayles|
|Distributed by||Cinecom Pictures|
|Box office||over $4 million|
The Brother from Another Planet is a 1984 science fiction film written, directed and edited by John Sayles. It stars Joe Morton as "The Brother", an alien and escaped slave who, while fleeing "Another Planet", has crash-landed and hides in Harlem.
The sweet-natured and honest Brother looks like an ordinary African American man, distinguished only by his being mute and - although other characters in the film never see them - his feet each have three large toes. Upon arrival in Ellis Island, the Brother displays psychic powers, being able to hear the experiences of the immigrants that came before him. The Brother also has telekinetic powers but, unable to speak, he struggles to express himself and adjust to his new surroundings, including a stint in the Job Corps at a video arcade in Manhattan.
He is chased by two white Men in Black (David Strathairn and director Sayles himself); Sayles's twist on the Men in Black concept is that instead of government agents trying to cover up alien activity, Sayles's Men in Black are also aliens, out to re-capture "The Brother" and other escaped slaves and bring them back to their home planet.
Variety called it "vastly amusing but progressively erratic" film structured as a "series of behavioral vignettes, [many of which] are genuinely delightful and inventive"; as it continues, the film "takes a rather unpleasant and, ultimately, confusing turn." Vincent Canby called it a "nice, unsurprising shaggy-dog story that goes on far too long" but singled out "Joe Morton's sweet, wise, unaggressive performance." Roger Ebert gave the film three-and-a-half stars out of four, saying "the movie finds countless opportunities for humorous scenes, most of them with a quiet little bite, a way of causing us to look at our society", noting that "by using a central character who cannot talk, [Sayles] is sometimes able to explore the kinds of scenes that haven't been possible since the death of silent film."
The A.V. Club, in a 2003 review of the film's DVD release, says the film's superhero scenes are "often unintentionally silly, but again, Sayles shapes a catchy premise into a subtler piece, using Morton's 'alien' status as a way of asking who deserves to be called an outsider in a country born of outsiders"; commenting on the DVD, they note its "marvelous" audio commentary track by Sayles, "who moves fluidly from behind-the-scenes anecdotes to useful technical tips to unpretentious dissections of his own themes."
- Variety Staff (December 31, 1983). "The Brother From Another Planet". Variety. Retrieved 2010-08-13.
- Richard Corliss (October 1, 1984). "Blues for Black Actors". Time. Retrieved 2010-08-13.
- Gerry Molyneaux, "John Sayles, Renaissance Books, 2000 p 135
- Jawetz, Gil (June 6, 2002). "The Return of The Brother From Another Planet: The John Sayles Interview". DVDtalk.com. Retrieved 2012-09-09.
- Vincent Canby (September 14, 1984). "Sayles's Brother". The New York Times. Retrieved 2010-08-13.
- Roger Ebert (January 1, 1984). "The Brother From Another Planet". Chicago Sun-Times. Retrieved 2010-08-13.
- Noel Murray (October 14, 2003). "Return Of The Secaucus 7 (DVD) / Men With Guns (DVD) / The Brother From Another Planet (DVD) / Lianna (DVD)". The A.V. Club. Retrieved 2010-08-13.