The Bungalow Mystery
Original edition cover
|Original title||Nancy Drew Mystery Series #3|
|Illustrator||Russell H. Tandy|
|Series||Nancy Drew Mystery Stories|
|Publisher||Grosset & Dunlap|
|Media type||Print (Hardback & Paperback)|
|Preceded by||The Hidden Staircase|
|Followed by||The Mystery at Lilac Inn|
The Bungalow Mystery is the third volume in the Nancy Drew Mystery Stories series written under the pseudonym Carolyn Keene. It was the last of three books in the "breeder set" trilogy, released in 1930, to test-market the series.
In the beginning, Laura Pendleton rescues Nancy Drew and her friend Helen, not a swimmer, from a boat wreck by during a sudden, severe storm on Moon Lake.The girls from River Heights befriend the orphaned Laura, who has come to the area to meet her new guardian, Jacob Aborn. Mr. Aborn seems somewhat boorish to the River Heights girls, but Nancy, upon returning home, receives a phone call from Laura, desperate to escape from her "evil" guardian, who expects her to do household chores and cook, which seem natural, but when he demands her furs and jewels. . . she calls Nancy for help. Laura escapes, and this leads Nancy back to the Aborn house for some snooping, and spying on a mysterious bungalow in the woods that he frequents. . . she unravels an imposter, who intended to steal all of Laura's stock and investments, as well as her jewels. Nancy saves all of the valuable documents from a burning car.
The plot is similar, but the mystery takes longer to develop; unusual, in that revised versions of Nancy Drew typically reduce detail and speed up the action. Nancy and Helen meet Laura after she rescues them on the lake; the girls are vacation while Helen and her aunt plan her upcoming wedding. The girls meet Laura's guardians, Mr. and Mrs. Jacob Aborn, more dramatically: bleached-haired Mrs. Aborn arrives at the hotel in disarray after a flat in the same storm that caught the girls on the lake. Nancy finds the Aborns gauche but friendly. Nancy is called home to aid injured Hannah Gruen; as in the original, she encounters a tree on the road, but this time a brother/sister team helps her.
Upon returning home, Nancy looks after Hannah and takes over the housekeeping chores. Carson Drew assigns her to investigate a long list of individuals suspected of involvement in investment-securities fraud. Nancy tackles this by dressing more maturely (the first time she implements an appearance-change to sleuth in the series chronology) and going door-to-door for charity as a ruse to meet the suspects. This subplot adds time and depth to the story.
Laura contacts Nancy suspiciously to call for help, and then escapes from her locked room at the Aborn residence to seek refuge at the Drews'. Mrs. Aborn had ordered Laura to hand over valuable jewels, but she carried them to Nancy's house.
The rest of the mystery passes similarly to the 1930 edition, although Nancy fixes Laura up on a date with her friend Don Cameron, and she goes to investigate the Aborn lake house under the ruse of being on vacation back at the same hotel from the opening chapters. A feature fixture that appears vaguely in other volumes is introduced here: Nancy carries a suitcase in her trunk that contains sleuthing costumes appropriate for outdoor wear, an evening dress with accessories, and swimwear, plus cosmetics, etc. The main difference in the new edition's final chapters is that the Aborns are impostoring together as a couple; Jacob Aborn's wife was on vacation and Stumpy closely resembled Jacob Aborn, allowing for the substitution. They are the couple Nancy couldn't locate in River Heights, who committed the banking crimes her father was reviewing. Laura discovers that the real Aborns are wonderful people who would be caring guardians. To reward Nancy for helping her and rescuing her securities, Laura presents the sleuth with her mother's favorite ring: an aquamarine, a reminder that their friendship began on water.
The original 1930 artwork—Nancy peeking into the abandoned bungalow—was created by Russell H. Tandy, who also designed the frontispiece and three internals for the original version. In 1937, the three internals were omitted. In 1943, Tandy executed a completely new pen-and-ink drawing for the frontispiece instead of updating earlier illustrations.
In 1950, Bill Gillies created new cover artwork, showing Nancy spying on Stumpy Dowd. This artwork was retained for the 1960 revision, which also added a frontispiece and five pen-and-ink internal illustrations.
In 1965, the cover was updated by Rudy Nappi to show Nancy dressed in a matronly dress, contrasting with the current "mod" look, and spying on the bungalow in the woods. These illustrations are all in print today.