The Business (film)
|Directed by||Nick Love|
|Produced by||Allan Niblo
|Written by||Nick Love|
|Music by||Ivor Guest|
|Edited by||Stuart Gazzard|
Monkey Productions S.L.
|2 September 2005|
The Business is a 2005 film written and directed by Nick Love. The film stars Danny Dyer, Tamer Hassan and Roland Manookian all of which were in Love's previous film The Football Factory. It also stars Geoff Bell and Georgina Chapman. The plot of The Business follows the Greek tragedy-like rise and fall of a young cockney's career within a drug importing business run by a group of British ex-pat fugitive criminals living on the coast of the Costa del Sol (aka the "Costa del Crime") in Spain.
The film is narrated by Frankie (Dyer), a young everyman living in South East London during the Thatcher era of the 1980s, with little hope of ever making anything of himself, yet he dreams of "being somebody" and escaping his lonely, dreary lifestyle. After severely beating his mother's abusive boyfriend, he becomes a fugitive, and through family connections escapes to Spain's Costa Del Sol. His job there is to deliver a bag containing drugs and cash to "Playboy Charlie" (Hassan), an ex-pat and criminal-on-the-run, a suave and dapper man who is very successful in Spain and runs his own nightclub and drugs business and lives a life of luxury. Impressed by Frankie's honesty in not opening the bag, Charlie takes a liking to Frankie, introduces him to his business associates, including the psychopathic Sammy (Bell), and invites him to remain in Spain and work as his driver.
Frankie discovers that they are in fact the "Peckham Four", wanted for armed robbery back in Britain. However, Frankie decides he prefers an exciting life of sun, drugs, women, money, fast cars, designer clothes, and a reputation, as opposed to being a nobody back in London. Frankie soon accepts and becomes involved in the business of smuggling cannabis across the Strait of Gibraltar from Morocco, in which children are used although the children are sometimes shot dead by the Spanish Navy patrolmen.
The film then follows the rise-and-fall pattern common to many gangster films, showing first the criminals living the high life as their cannabis trade is booming, and then the downfall as greed and paranoia (not helped by the obvious attraction between Frankie and Sammy's beautiful trophy wife Carly) introduce conflict between them, and eventually split them up. Charlie and Frankie decide to go into business alone, importing cocaine instead of cannabis through drop-offs from Colombian aeroplanes, but this is the cause of the final catastrophe. Not only do they both become increasingly addicted to the drug itself, but also the local mayor, who had been happy to ignore the cannabis trade but had warned them not to import cocaine, discovers what they are doing and uses the weight of the law to shut them down and close their businesses. An assassination attempt on the mayor's life ends in failure, and the gruesome death of one of the gang.
Six months later Frankie and Charlie are homeless thugs, reduced to stealing in order to survive. While organising a disappointing reunion party at Charlie's old bar (which Frankie's former heroin addict friend Sonny is now running), Frankie meets the scheming Carly again and decides to make one last deal. He invites Sammy in on a pick-up, but while both intend to betray the other, Carly has given Sammy a pistol with an empty clip. Sammy tries to shoot Frankie, who in turn attacks him with a rock. The fight ends abruptly as Spanish Navy patrolmen's gunfire fatally shoots Sammy. Frankie escapes through a sewage pipe. Frankie emerges from the sewer to meet Carly, who had masterminded the whole thing, finally getting his happy ending. But at the last minute, he realises he can't trust Carly when he finds another pistol in her handbag amongst their money, so he knocks her out and drives off triumphantly into the sunset on his own.
The ending reveals that Sonny cleaned up his act and continued to run Charlie's old bar, which he did so successfully, whilst Charlie was reduced to working on the door. The theatrical ending also reveals that "Carly went back to her parent's house in Penge", "Sammy went to Hell" and "Frankie went to Hollywood" - an obvious pun on the name of popular 1980s band Frankie Goes to Hollywood.
- Danny Dyer as Frankie
- Tamer Hassan as Charlie
- Geoff Bell as Sammy
- Georgina Chapman as Carly
- Linda Henry as Shirley
- Roland Manookian as Sonny
- Camille Coduri as Nora
- Andy Parfitt as Andy
- Michael Maxwell as Jimmy
- Arturo Venegas as The Mayor
- Eddie Webber as Ronnie
- Dan Mead as Danny
- Martin Marquez as the mayor's aide
- Sally Watkins as Mum
- Alex Goodger as Dead Moroccan Child
The original music for the film was written by Ivor Guest, but most of the soundtrack consists of popular 80s chart hits, which give the film much of its atmosphere and flavour. The soundtrack shares some of the tracks (Nick Love's 2004 film, The Football Factory). The songs featured include:
- Duran Duran – "Planet Earth"
- Frankie Goes to Hollywood – "Welcome to the Pleasuredome"
- Mary Jane Girls – "All Night Long"
- The Cult – "Wild Flower"
- Loose Ends – "Hangin' on a String (Contemplating)"
- Rick James – "Ghetto Life"
- Blondie - "Heart of Glass"
- Simple Minds – "Don't You (Forget About Me)"
- Martha and the Muffins – "Echo Beach"
- The Buggles – "Video Killed the Radio Star"
- A Flock of Seagulls – "I Ran (So Far Away)"
- Belouis Some – "Imagination"
- Shannon – "Let the Music Play"
- David Bowie – "Modern Love"
- Talk Talk – "It's My Life"
- The Knack – "My Sharona"
- Roxy Music – "Avalon"
- Simple Minds - "Themes For Great Cities"
- Orchestral Manoeuvres in the Dark – "Maid of Orleans"
- Adam and the Ants – "Kings of the Wild Frontier"
- Blondie – "Call Me"
- Kim Carnes – "Bette Davis Eyes"
Upon release, The Business received largely positive reviews from lads' mags, which also targeted the same audience as the intended audience of the film. Front Magazine said the film has "more guns than Goodfellas, more coke than Casino and more swearing than Scarface"; Nuts magazine said that the film is "the coolest British film since Layer Cake". Zoo magazine said "this film will actually make you think that the '80s were cool. Another top job by the director of The Football Factory"; What's on TV said "A rush of '80s mood, fashion and music and nailbiting climax are the icing on a brilliant crime cake".