The Call of Cthulhu
|"The Call of Cthulhu"|
|Author||H. P. Lovecraft|
|Genre(s)||Horror, weird fiction|
|Published in||Weird Tales|
|Publication date||February, 1928|
The narrator, Francis Wayland Thurston, recounts his discovery of notes left behind by his grand-uncle, Brown University linguistic professor George Gammell Angell, after his death in the winter of 1926–27. Among the notes is a small bas-relief sculpture of a scaly creature which yields "simultaneous pictures of an octopus, a dragon, and a human caricature." The sculptor, a Rhode Island art student named Henry Anthony Wilcox, based the work on delirious dreams of "great Cyclopean cities of titan blocks and sky-flung monoliths." Frequent references to Cthulhu and R'lyeh are found in Wilcox's papers. Angell also discovers reports of mass hysteria around the world.
More notes discuss a 1908 meeting of an archeological society in which New Orleans police official John Raymond Legrasse asks attendees to identify a statuette of unidentifiable greenish-black stone resembling Wilcox's sculpture. It is then revealed that the previous year, Legrasse and a party of policemen found several women and children being used in a ritual by an all-male cult. After killing five of the cultists and arresting 47 others, Legrasse learns that they worship the "Great Old Ones" and await the return of a monstrous being called Cthulhu. The prisoners identify the statuette as "great Cthulhu." One of the academics present at the meeting, Princeton professor William Channing Webb, describes a group of "Esquimaux" with similar beliefs and fetishes.
Thurston discovers a 1925 article from an Australian newspaper which reports the discovery of a derelict ship, the Alert, of which second mate Gustaf Johansen is the sole survivor. Johansen reports that the Emma was attacked by a heavily armed yacht named the Alert. The crewmen of the Emma killed those aboard the Alert, but lost their own ship in the battle, commandeered the Alert, and discovered an uncharted island in the vicinity of co-ordinates of. With the exception of Johansen and another man, the remaining crew died on the island. Johansen does not reveal the manner of their death.
Upon traveling to Australia, Thurston views a statue retrieved from the Alert which is identical to the previous two. In Norway, he learns that Johansen died suddenly after an encounter with "two Lascar sailors". Johansen's widow provides Thurston with her late husband's manuscript, wherein the uncharted island is described as being home to a "nightmare corpse-city" called R'lyeh. Johansen's crew struggled to comprehend the non-Euclidean geometry of the city and accidentally released Cthulhu, resulting in their deaths. Johansen and one crewmate fled aboard the Alert and were pursued by Cthulhu. Johansen rammed the yacht into the creature's head, only for its injury to regenerate. The Alert escaped, but Johansen's crewmate died. After finishing the manuscript, Thurston realizes he is now a target of Cthulhu's worshippers.
Cthulhu Mythos scholar Robert M. Price argues the irregular sonnet "The Kraken", written in 1830 by Alfred Tennyson, was a major inspiration for Lovecraft's story, as both reference a huge aquatic creature sleeping for an age at the bottom of the ocean and destined to emerge from its slumber in an apocalyptic age. Price also notes that Lovecraft admired the work of Lord Dunsany, who wrote The Gods of Pegāna (1905), which depicts a god constantly lulled to sleep to avoid the consequences of its reawakening. Another Dunsany work cited by Price is A Shop in Go-by Street (1919), which stated "the heaven of the gods who sleep", and "unhappy are they that hear some old god speak while he sleeps being still deep in slumber".
S. T. Joshi and David E. Schultz cited other literary inspirations: Guy de Maupassant's "The Horla" (1887), which Lovecraft described in Supernatural Horror in Literature as concerning "an invisible being who...sways the minds of others, and seems to be the vanguard of a horde of extraterrestrial organisms arrived on earth to subjugate and overwhelm mankind"; and Arthur Machen's "The Novel of the Black Seal" (1895), which uses the same method of piecing together of disassociated knowledge (including a random newspaper clipping) to reveal the survival of a horrific ancient being. Joshi has also cited A. Merritt's novella The Moon Pool (1918), which Lovecraft 'frequently rhapsodied about'. Joshi says that, 'Merritt's mention of a "moon-door" that, when tilted, leads the characters into a lower region of wonder and horror seems similar to the huge door whose inadvertent opening by the sailors causes Cthulhu to emerge from R'lyeh'.
It is also assumed he got inspiration from William Scott-Elliot's The Story of Atlantis (1896), and The Lost Lemuria (1904), which Lovecraft read in 1926, shortly before he started to work on the story. The "slight earthquake" mentioned in the story is likely the 1925 Charlevoix–Kamouraska earthquake.
Lovecraft regarded the short story as "rather middling—not as bad as the worst, but full of cheap and cumbrous touches". Weird Tales editor Farnsworth Wright first rejected the story, and only accepted it after writer Donald Wandrei, a friend of Lovecraft's, falsely claimed that Lovecraft was thinking of submitting it elsewhere.
The published story was regarded by Robert E. Howard (the creator of Conan) as "a masterpiece, which I am sure will live as one of the highest achievements of literature. Mr. Lovecraft holds a unique position in the literary world; he has grasped, to all intents, the worlds outside our paltry ken." Lovecraft scholar Peter Cannon regarded the story as "ambitious and complex...a dense and subtle narrative in which the horror gradually builds to cosmic proportions", adding "one of [Lovecraft's] bleakest fictional expressions of man's insignificant place in the universe."
French novelist Michel Houellebecq, in his book H. P. Lovecraft: Against the World, Against Life (1991), described the story as the first of Lovecraft's "great texts". In a tongue-in-cheek article treating the story's narrative as real-world events, Canadian mathematician Benjamin K. Tippett noted that the phenomena described in Johansen's journal may be interpreted as "observable consequences of a localized bubble of spacetime curvature", and proposed a suitable mathematical model. E. F. Bleiler has referred to "The Call of Cthulhu" as "a fragmented essay with narrative inclusions".
- The story was produced as a silent film of the same title in 2005.
- It was adapted into a 1920s-style radio drama, Dark Adventure Radio Theatre: The Call of Cthulhu, in 2012.
- An illustrated verse version of the story in the style of Dr. Seuss, H.P. Lovecraft's Call of Cthulhu for Beginning Readers, was written by R.J. Ivankovic and published in 2017.
- Parts of the story were adapted in Eerie #4 by Archie Goodwin and Gray Morrow and in The Avengers #88 by Harlan Ellison, Roy Thomas and Sal Buscema.
- Alberto Breccia illustrated an eleven-page story in 1974.[clarification needed]
- The story was adapted for the stage by Oregon-based theater company, Puppeteers for Fears, who performed "The Call of Cthulhu," as Cthulhu: the Musical! a feature-length rock and roll musical comedy performed with puppets. The script and songs were written by playwright Josh Gross, and after a successful run in Ashland, Oregon, the production toured the west coast in 2018, including a sold-out run at the Hollywood Fringe Festival. Of the show, The Portland Mercury wrote, "You haven't truly experienced Lovecraft's madness until you've experienced it in its truest form: As a puppet musical."
- Straub, Peter (2005). Lovecraft: Tales. The Library of America. p. 823. ISBN 1-931082-72-3.
- Lovecraft, "The Call of Cthulhu", p. 139.
- The Kraken, The Victorian Web
- Robert M. Price, "The Other Name of Azathoth", introduction to The Cthulhu Cycle. Price credits Philip A. Shreffler with connecting the poem and the story.
- "Lord Dunsany (1878–1957)". Works; Short bibliography. Dunsany. December 2003. Retrieved 2012-01-26.
- Price, "The Other Name of Azathoth". This passage is also believed to have inspired Lovecraft's entity Azathoth, hence the title of Price's essay.
- S. T. Joshi and David E. Schultz, "Call of Cthulhu, The", An H. P. Lovecraft Encyclopedia, pp. 28–29.
- Joshi, S. T. (2010) I am Providence: The Life and Times of H. P. Lovecraft. New York: Hippocampus Press. 2 vols. Vol II, p. 639
- Fortean Times – H. P. Lovecraft Archived 2013-01-12 at the Wayback Machine.
- Lackey, Chris; Chad Fifer; Andrew Leman (May 12, 2010). "Episode 42 – The Call of Cthulhu – Part 1". The H. P. Lovecraft Literary Podcast. hppodcraft.com. Retrieved 17 August 2012.
- S.T. Joshi, More Annotated Lovecraft, p. 173.
- Quoted in Peter Cannon, "Introduction", More Annotated Lovecraft, p. 7.
- Cannon, pp. 6–7.
- Michel Houellebecq, H. P. Lovecraft: Against the World, Against Life.
- Tippett, Benjamin K. (2012). "Possible Bubbles of Spacetime Curvature in the South Pacific". arXiv: .
- E.F. Bleiler, Supernatural Fiction Writers Vol, NY: Scribners, 1985, p. 478
- ISBN 9781568821122
- "Cthulhu: The Musical!". Portland Mercury. Retrieved 2018-07-18.
- Lovecraft, Howard P. (1984) . "The Call of Cthulhu". In S. T. Joshi. The Dunwich Horror and Others (9th corrected printing ed.). Sauk City, WI: Arkham House. ISBN 0-87054-037-8. Definitive version.
- Lovecraft, Howard P. (1999) . "The Call of Cthulhu". In S. T. Joshi. More Annotated Lovecraft (1st ed.). New York City, NY: Dell. ISBN 0-440-50875-4. With explanatory footnotes.
- Price, Robert M. (1996) . "The Call of Cthulhu". In Robert M. Price. The Cthulhu Cycle: Thirteen Tentacles of Terror (1st ed.). Oakland, CA: Chaosium, Inc. ISBN 1-56882-038-0. A collection of works that inspired and were inspired by The Call of Cthulhu, with commentary.