The Charlatans (American band)
|Origin||San Francisco, California, United States|
|Genres||Psychedelic rock, folk rock|
|Associated acts||Dan Hicks and his Hot Licks, Loose Gravel, Tongue and Groove, The Flamin' Groovies|
|Past members||George Hunter
The Charlatans were an influential psychedelic rock band that played a role in the development of the San Francisco music scene during the 1960s and are often cited by critics as being the first group to play in the style that became known as the San Francisco Sound. Exhibiting more pronounced jug band, country and blues influences than many bands from the same scene, the Charlatans’ rebellious attitude and distinctive late 19th-century fashions exerted a major influence on the Summer of Love in San Francisco. Their recorded output was small, with their first album, The Charlatans, not being released until 1969, some years after the band's heyday. The band is notable for featuring the first commercial appearance of Dan Hicks, later of Dan Hicks and his Hot Licks.
Early years: 1964–1965
Formed in the summer of 1964 by amateur avant-garde musician George Hunter and music major Richard Olsen, the earliest lineup of The Charlatans featured George Hunter (autoharp, vocals), Olsen (bass, vocals), Mike Wilhelm (lead guitar, vocals), Mike Ferguson (piano/keyboards, vocals), and Sam Linde (drums). Linde's drumming was felt to be substandard by the rest of the band and he was soon replaced by Dan Hicks (drums, vocals). The group was known for their style of dress, clothing themselves in late 19th-century attire, as if they were Victorian dandies or Wild West gunslingers. This eye-catching choice of clothing was influential on the emerging hippie counter-culture, with young San Franciscans dressing in similarly late Victorian and early Edwardian era clothing.
In June 1965, the Charlatans began an extended residency at the Red Dog Saloon in Virginia City, Nevada, just across the border from Northern California. This six-week stint at the Red Dog was important because band members Mike Ferguson and George Hunter produced a rock concert poster in advance of the residency to promote the performances. This poster—known as "The Seed"—is almost certainly the first psychedelic concert poster. By the end of the decade, psychedelic concert-poster artwork by artists such as Wes Wilson, Rick Griffin, Stanley Mouse, Alton Kelley, and Victor Moscoso had become a mainstay of San Francisco's music scene. There were, in fact, two "Seed" posters, which look almost identical. They are differentiated by their dates. The first lists the band as playing between June 1 and 15, while the second states "Opening June 21".
Another reason that the Charlatans' extended stay at the Red Dog Saloon was important was that, immediately before their first performance at the club, the band members took LSD. As a result, the Charlatans are sometimes called the first acid rock band, although their sound is not representative of the feedback-drenched, improvisational music that would later come to define acid rock.
The Charlatans returned to San Francisco at the end of summer 1965 and, in September, were given the chance to audition for Autumn Records, a label headed by local DJ, Tom "Big Daddy" Donahue. Autumn didn't sign the band, partly due to conflicts between the group and Donahue over suitable material and partly due to lack of money; the label was on the verge of bankruptcy and was sold to Warner Bros. Records early the following year.
Later years: 1966–1969
The failed Autumn Records audition proved to be only a minor setback as The Charlatans signed with Kama Sutra Records in early 1966. As home to the Lovin' Spoonful, one of the earliest folk rock bands to find international success, the group thought the label would be the ideal home for their music. However, after the band had recorded a number of songs for the record label and chosen to issue "Codine" as their debut single, the record company vetoed the release, due to the song's drug connotations. Ironically, the tune, penned by folk artist Buffy Sainte-Marie, spoke of the dangers of drugs, rather than promoting their use, but Kama Sutra was adamant and refused to release the song.
Instead, two other songs from the Kama Sutra sessions, "The Shadow Knows" and "32-20", were released by Kapp Records in 1966 as the band's first single, with some copies being housed in a rare promotional-only picture sleeve. Kapp Records failed to adequately promote the release and the single was a commercial flop. The remaining songs recorded during the Kama Sutra sessions for The Charlatans' debut album remained unreleased until they were officially issued for the first time by Big Beat Records in 1996, on The Amazing Charlatans album.
Mike Ferguson was fired from the Charlatans in 1967 and replaced by Patrick Gogerty. Additionally, Terry Wilson was brought in to take over as drummer after Dan Hicks moved to rhythm guitar, enabling him to sing his compositions as a front man for the group. Hicks eventually left the group in 1968 to form his own band, Dan Hicks and his Hot Licks and Gogerty was subsequently fired from the band.
Tensions between George Hunter and the rest of the band escalated throughout 1968 until Mike Wilhelm, Richard Olsen and Terry Wilson decided to disband the group, reforming soon afterward without inviting Hunter back into the band. The Charlatans recruited new member Darrell DeVore (piano/keyboards, vocals) and soon secured a recording contract with Philips Records. The band released one album with Philips in 1969, titled simply The Charlatans. The album was a commercial failure, largely due to the band's sound being somewhat outdated by 1969.
Breakup and reunions
Following the release of The Charlatans, drummer Terry Wilson was forced to leave the band in order to begin serving a prison sentence for marijuana possession. The original quintet of Hunter, Olsen, Wilhelm, Ferguson and Hicks reunited briefly during the summer of 1969 but by the end of the year, The Charlatans had broken up for good.
After the breakup, Mike Wilhelm went on to front the band Loose Gravel from 1969 until 1976, before becoming a member of The Flamin' Groovies during the late 1970s and early 1980s. Richard Olsen became a producer at Pacific High Studios and some time later formed the swing group Richard Olsen & His Big Band. George Hunter founded the Globe Propaganda design company and his artwork appeared on many LP covers including Happy Trails (Quicksilver Messenger Service), Hallelujah (Canned Heat), and It's a Beautiful Day (It's a Beautiful Day). Mike Ferguson joined Lynne Hughes, a barmaid from the Red Dog Saloon, in the band Tongue and Groove.
In 1996, a documentary was released entitled The Life and Times of the Red Dog Saloon (also known as Rockin' at the Red Dog: The Dawn of Psychedelic Rock), in which the surviving members of the Charlatans (Ferguson died in 1979 from complications from diabetes) were interviewed about their heady days at the Red Dog. The following year, the Charlatans rehearsed for a series of top secret gigs at the legendary Sweetwater club in Mill Valley, followed by a series of reunion performances at the Fillmore. The band, composed of Hunter, Hicks, Wilhelm, and Olsen, were not heard from again until 2005, when they performed an abbreviated set at a memorial concert for Family Dog founder Chet Helms in Golden Gate Park. The foursome returned to Golden Gate Park on September 2, 2007 performing at the Summer of Love 40th Anniversary concert (the show also featured a set from Dan Hicks and his Hot Licks).
On the 20th and 21st of June, 2015, the foursome reunited as The Charlatans for the final time, presenting their first full sets since 1997 for their 50th Anniversary concerts, returning to where it all began: the Red Dog Saloon in Virginia City. Featuring Tom Constanten of The Grateful Dead on piano, the 20th saw the band play the Piper Opera House, followed by a meet and greet at the Red Dog, followed by their 50th Anniversary/farewell performance at the Red Dog the following night. With fans flying in from around the world, both shows sold out within days of being announced on Facebook.
Despite their lackluster recording career, The Charlatans hold the distinction of being the first of the underground San Francisco bands of the 1960s and as such, their importance is felt by the dozens of successful Bay Area bands that emerged later in the decade, and by all the bands that those groups influenced.
- The Charlatans (1969)
- The Amazing Charlatans (1996)
- The Charlatans (1979, released as a limited edition picture disc)
- The Autumn Demo (1980)
- Alabama Bound (1983)
- The Charlatans/Alabama Bound (1992)
- "The Shadow Knows"/"32-20" (1966)
- "High Coin"/"When I Go Sailin' By" (1969)
- "The Charlatans Biography". AllMusic. Retrieved 2010-06-01.
- James, Ronald M. (1998). The Roar And The Silence: A History Of Virginia City And The Comstock Lode. University of Nevada Press. p. 264. ISBN 0-87417-320-5.
- Selvin, Joel (June 15, 2015). "S.F.'s '60s Rock Scene Started with a Band You Never Heard Of", San Francisco Chronicle. Retrieved June 17, 2015.
- Palao, Alec (1996). The Amazing Charlatans (CD booklet). The Charlatans. Big Beat Records.
-  Archived August 3, 2008 at the Wayback Machine
- "an Hicks Discography: The Amazing Charlatans". Danhicks.net. Retrieved 2010-06-27.
- Stax, Mike (1998). Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968 (CD booklet). Various Artists. Rhino Entertainment.
- "Tongue and Groove Biography". AllMusic. Retrieved 2010-06-27.
- The Charlatans discography at Discogs
- http://www.deaddisc.com/GDFD_Charlatans.htm The Charlatans Discography
- The second "Seed" poster can be seen here