The Chase (1946 film)
Theatrical release poster
|Directed by||Arthur Ripley|
|Produced by||Seymour Nebenzal|
|Screenplay by||Philip Yordan|
|Based on||The Black Path of Fear
by Cornell Woolrich
|Music by||Michel Michelet|
|Cinematography||Frank F. Planer|
|Edited by||Edward Mann|
|Distributed by||United Artists|
Chuck Scott (Robert Cummings) is a World War II veteran who is now a penniless drifter in Miami tormented by bizarre dreams. After finding a wallet and showing his honesty by returning it to Eddie Roman (Steve Cochran), a vicious gangster, he is hired by Roman to be his driver. Roman tests his new driver, whom he nicknames 'Scotty,' by assuming control of his car from the back seat. Unbeknownst to Scotty, Roman has an accelerator installed in the rear passenger compartment so that he can "take over" the vehicle whenever he wants. This bizarre trick unnerves his new driver as well as Roman's right-hand man, Gino (Peter Lorre).
Roman reveals himself as a tough gangster by killing any competition, and even locks his wife, Lorna (Michèle Morgan), in her room every night to control her. Lorna goes for a drive every night at 9:30 pm, and one day she asks Scotty to take her to Havana, Cuba in exchange for $1,000. He consents and realizes that he is in love with her. When they get to Havana, they stop for a drink at a club, where Lorna is murdered with a knife while in Scotty's arms. All the evidence, including the fact that Scotty apparently purchased the knife that was used to kill Lorna earlier that day, points to Scotty being the killer, and he realizes he is being framed. The photograph from the club that proves Scotty was innocent is destroyed by Gino, who has come down to Cuba to exact revenge against Lorna and Scotty. Scotty escapes police custody, but is gunned down by Gino when he returns to the curio store where the knife came from.
Suddenly, Scotty wakes up back in Miami on the night he and Lorna are supposed to abscond to Havana. He is sweating profusely and immediately takes his pills that he is prescribed, presumably to deal with posttraumatic stress disorder from battle. Scotty remembers nothing, and goes to the naval hospital to seek treatment from his doctor, Commander Davidson (Jack Holt). Davidson urges him to try to remember details of why he was dressed as a driver, but Scotty is unable. The two go drinking at the Florida Club.
Meanwhile, Lorna is shocked that Scotty abruptly quit his job and left earlier that night, and she is locked in her room after Roman discovers her writing a love letter to Scotty. Roman and Gino go to the Florida Club to cool down, unknowingly sitting across the club, and behind a partition, from the missing Scotty. Davidson, who presumably had been treating Roman, realizes that the woman Scotty is in love with is actually Roman's wife, but by this time, Scotty remembers where he was supposed to be and leaves to find Lorna. He rescues her and the two head for the port, but Gino and Roman are also heading to the port once they find out that Scotty was seen at the port buying tickets earlier that morning. Because Roman uses his master accelerator to push the car up to speeds of 100 mph, it crashes with an oncoming train, killing both gangsters. Scotty and Lorna are now free to sail to Cuba and be together.
- Robert Cummings - Chuck Scott
- Michèle Morgan - Lorna Roman
- Steve Cochran - Eddie Roman
- Lloyd Corrigan - Emmerich Johnson
- Jack Holt - Cmdr. Davidson
- Peter Lorre - Gino
- Don Wilson - Fats
- Alexis Minotis - Lt. Acosta
- Nina Koshetz - Madame Chin
- Yolanda Lacca - Midnight
- James Westerfield - Job the Butler
- Jimmy Ames - The Killer
Film critic Dennis Schwartz gave the film a mostly positive review, writing, "This film noir is memorable for its dark dream-like feel, as reality becomes indistinguishable from the dream sequences. Because of those shots, this film became a cult classic; but, it is one that is rarely shown on TV. The film was adapted from a Cornell Woolrich book – he is a noted writer of the Black Mask mystery school. They specialize in dark and expressionistic works, which this film is perfect example of."
Alain Silver and Elizabeth Ward write in Film Noir: An Encyclopedic Reference to the American Style: "Phantom Lady excepted, The Chase is the best cinematic equivalent of the dark, oppressive atmosphere that characterizes most of Cornell Woolrich's best fiction."
- Schwartz, Dennis. Ozus' World Movie Reviews, film review, August 22, 2001. Accessed: July 9, 2013.
- "Festival de Cannes: The Chase". festival-cannes.com. Retrieved 2009-01-06.
- Silver, Alain, and Elizabeth Ward, eds. Film Noir: An Encyclopedic Reference to the American Style, 3rd edition, 1992. Woodstock, New York: The Overlook Press. ISBN 0-87951-479-5.
- Allmovie by Rovi. Releases section. Accessed: August 1, 2013.
|Wikimedia Commons has media related to The Chase (1946 film).|
- The Chase at the American Film Institute Catalog
- The Chase at the Internet Movie Database
- The Chase at AllMovie
- The Chase at the TCM Movie Database
- UCLA Film & Television Archive
- The Chase is available for free download at the Internet Archive